Emperor Huizong of Song in the context of "Taishang Huang"

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⭐ Core Definition: Emperor Huizong of Song

Emperor Huizong of Song (7 June 1082 – 4 June 1135), personal name Zhao Ji, was the eighth emperor of the Song dynasty of China and the penultimate emperor of the Northern Song dynasty. He was also a very well-known painter, poet and calligrapher. Born as the 11th son of Emperor Shenzong, he ascended the throne in 1100 upon the death of his elder brother and predecessor, Emperor Zhezong, because Emperor Zhezong's only son died prematurely. He lived in luxury, sophistication and art in the first half of his life. In 1126, when the Jurchen-led Jin dynasty invaded the Song dynasty during the Jin–Song Wars, Emperor Huizong abdicated and passed on his throne to his eldest son, Zhao Huan while Huizong assumed the honorary title of Taishang Huang (or "Retired Emperor"). The following year, the Song capital, Bianjing, was conquered by Jin forces in an event historically known as the Jingkang Incident. Emperor Huizong and Emperor Qinzong and the rest of their family were taken captive by the Jurchens and brought back to the Jin capital, Huining Prefecture in 1128. The Emperor Taizong of Jin, gave the former Emperor Huizong a title, Duke Hunde (literally "Besotted Duke"), to humiliate him. After Zhao Gou, the only surviving son of Huizong to avoid capture by the Jin, declared himself as the dynasty's tenth emperor as Emperor Gaozong, the Jurchens used Huizong, Qinzong, and other imperial family members to put pressure on Gaozong and his court to surrender. Emperor Huizong died in Wuguocheng after spending about nine years in captivity. He, along with his successors, were blamed for the Song dynasty's decline.

Although he wasn't a competent administrator, Emperor Huizong was known for his promotion of Taoism and talents in poetry, painting, calligraphy and music. He sponsored numerous artists at his imperial court, and the catalogue of his collection listed over 6,000 known paintings.

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Emperor Huizong of Song in the context of Jin–Song wars

The Jin–Song Wars were a series of conflicts between the Jurchen-led Jin dynasty (1115–1234) and the Han-led Song dynasty (960–1279). In 1115, Jurchen tribes rebelled against their overlords, the Khitan-led Liao dynasty (916–1125), and declared the formation of the Jin. Allying with the Song against their common enemy the Liao dynasty, the Jin promised to cede to the Song the Sixteen Prefectures that had fallen under Liao control since 938. The Song agreed but the Jin's quick defeat of the Liao combined with Song military failures made the Jin reluctant to cede territory. After a series of negotiations that embittered both sides, the Jurchens attacked the Song in 1125, dispatching one army to Taiyuan and the other to Bianjing (modern Kaifeng), the Song capital.

Surprised by news of an invasion, Song general Tong Guan retreated from Taiyuan, which was besieged and later captured. As the second Jin army approached the capital, Song emperor Huizong abdicated and fled south. Qinzong, his eldest son, was enthroned. The Jin dynasty laid siege to Kaifeng in 1126, but Qinzong negotiated their retreat from the capital by agreeing to a large annual indemnity. Qinzong reneged on the deal and ordered Song forces to defend the prefectures instead of fortifying the capital. The Jin resumed war and again besieged Kaifeng in 1127. They captured Qinzong, many members of the imperial family and high officials of the Song imperial court in an event known as the Jingkang Incident. This separated north and south China between Jin and Song. Remnants of the Song imperial family retreated to southern China and, after brief stays in several temporary capitals, eventually relocated to Lin'an (modern Hangzhou). The retreat divided the dynasty into two distinct periods, Northern Song and Southern Song.

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Emperor Huizong of Song in the context of History of Silk

The production of silk originated in Neolithic China within the Yangshao culture (4th millennium BCE). Though it would later reach other places in the world, the art of silk production remained confined to China until the Silk Road opened at 114 BC. Even after trade opened, China maintained a virtual monopoly over silk production for another thousand years. The use of silk within China was not confined to clothing alone, and silk was used for a number of applications, such as writing. Within clothing, the color of silk worn also held social importance, and formed an important guide of social class during the Tang dynasty of China.

Silk cultivation had reached Japan by 300 AD, and by 552 AD the Byzantine Empire managed to obtain silkworm eggs and were able to begin silkworm cultivation while the Arabs also started to manufacture silk at around the same time. As a result of the spread of sericulture, Chinese silk exports became less important, although they still maintained dominance over the luxury silk market. The Crusades brought silk production to Western Europe, in particular to many Italian states, which saw an economic boom exporting silk to the rest of Europe. Developments in the manufacturing technique also started to take place during the Middle Ages (5th to 15th centuries) in Europe, with devices such as the spinning wheel first appearing at this time. During the 16th century, France joined Italy in developing a successful silk trade, although the efforts of most other nations to develop a silk industry of their own were unsuccessful.

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Emperor Huizong of Song in the context of Tong Guan

Tong Guan (c. 1054–1126), courtesy name Daofu (Chinese: 道夫), was a Chinese court eunuch, military general, political adviser, and state councillor to Emperor Huizong of the Song dynasty. In the classical novel Water Margin, Tong Guan is fictionalised as a corrupt government official and an enemy of the 108 Stars of Destiny.

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Emperor Huizong of Song in the context of Emperor Qinzong of Song

Emperor Qinzong of Song (23 May 1100 – 14 June 1161), personal name Zhao Huan, was the ninth emperor of the Song dynasty of China and the last emperor of the Northern Song dynasty.

Emperor Qinzong was the eldest son and heir apparent of Emperor Huizong. His mother was Emperor Huizong's empress consort, Empress Wang. In 1126, when the forces of the Jurchen-led Jin dynasty invaded the Northern Song dynasty beginning the first siege of Bianjing. Frightened, Emperor Huizong intended to flee but was convinced by his officials to abdicate first and then flee. Huizong then abdicated and passed on his throne to Emperor Qinzong, and then assumed the title Taishang Huang ("Retired Emperor") himself and fled to the countryside. After the fall of Kaifeng that marked the end of the Northern Song and Qinzong and his father's subsequent capture by the Jin forces, they, along and his half-brother and their successor, Emperor Gaozong, were blamed for the Song dynasty's decline.

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Emperor Huizong of Song in the context of Jingkang Incident

The Jingkang Incident (Chinese: 靖康事變; pinyin: Jìngkāng shì biàn), also known as the Humiliation of Jingkang (靖康之恥; Jìngkāng zhī chǐ) and the Disorders of the Jingkang Period (靖康之亂; Jìngkāng zhī luàn), was an episode of invasions and atrocities that took place in 1127 during the Jin–Song Wars when the troops of the Jurchen-led Jin dynasty besieged and sacked the imperial palaces in Bianjing (present-day Kaifeng), the capital of the Han-led Northern Song dynasty. The Jin forces captured the Northern Song ruler, Emperor Qinzong, along with his father, the retired Emperor Huizong, and many members of the imperial family of Emperor Taizong's bloodline and officials of the Song imperial court. The ordinary Song civilians of Bianjing living in the non-imperial quarter were left alone after being forced to pay huge ransoms to the Jin.

This event marked the collapse of the Northern Song dynasty that originally controlled most of China proper. Many members of the Song imperial family, most notably Zhao Gou (later Emperor Gaozong), managed to escape to southern China, where they reestablished the Song dynasty (known in historiography as the Southern Song dynasty) in the new capital, Lin'an (present-day Hangzhou). This event also greatly contributed to the return of the descendants of Emperor Taizu to the line of succession, as most of Emperor Taizong's descendants were abducted; Emperor Gaozong himself failed to produce an heir as well. This event is known as the "Jingkang Incident" because it took place during the Jingkang era of the reign of Emperor Qinzong.

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Emperor Huizong of Song in the context of Admonitions Scroll

The Admonitions Scroll is a Chinese narrative painting on silk that is traditionally ascribed to Gu Kaizhi (ca. 345 – ca. 406), but which modern scholarship regards as a 5th to 8th century work that may or may not be a copy of an original Jin dynasty (266–420) court painting by Gu. The full title of the painting is Admonitions of the Court Instructress (Chinese: 女史箴圖; pinyin: Nǚshǐ zhēn tú). It was painted to illustrate a poetic text written in 292 by the poet-official Zhang Hua (232–300). The text itself was composed to reprimand Empress Jia (257–300) and to provide advice to the women in the imperial court. The painting illustrates this text with scenes depicting anecdotes about exemplary behaviour of historical palace ladies, as well as with more general scenes showing aspects of life as a palace lady.

The painting, which is now held at the British Museum in London, England, is one of the earliest extant examples of a Chinese handscroll painting, and is renowned as one of the most famous Chinese paintings in the world. The painting is first recorded during the latter part of the Northern Song (960–1127), when it was in the collection of Emperor Huizong of Song (r. 1100–1126). It passed through the hands of many collectors over the centuries, many of whom left their seals of ownership on the painting, and it eventually became a treasured possession of the Qianlong Emperor (r. 1735–1796). In 1899, during the aftermath of the Boxer Rebellion, the painting was acquired by an officer in the British Indian Army who sold it to the British Museum. The scroll is incomplete, lacking the first three of the twelve original scenes, which were probably lost at an early date. A monochrome paper scroll copy of the painting, complete in twelve scenes, was made during the Southern Song (1127–1279), and is now in the collection of the Palace Museum in Beijing, China.

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