Emblem book in the context of "Otto van Veen"

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⭐ Core Definition: Emblem book

An emblem book is a book collecting emblems (allegorical illustrations) with accompanying explanatory text, typically morals or poems. This category of books was popular in Europe during the 16th and 17th centuries.

Emblem books are collections of sets of three elements: an icon or image, a motto, and text explaining the connection between the image and motto. The text ranged in length from a few lines of verse to pages of prose. Emblem books descended from medieval bestiaries that explained the importance of animals, proverbs, and fables. In fact, writers often drew inspiration from Greek and Roman sources such as Aesop's Fables and Plutarch's Lives.

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👉 Emblem book in the context of Otto van Veen

Otto van Veen (also known by his Latinized names Otto Venius or Octavius Vaenius; 1556 – 6 May 1629), was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late 16th and early 17th centuries. He is known for his paintings of religious and mythological scenes, allegories and portraits, which he produced in his large workshop in Antwerp. He further designed several emblem books, and was from 1594 or 1595 to 1598 the teacher of Rubens. His role as a classically educated humanist artist (a pictor doctus), was influential on the young Rubens, who would take on that role himself. He was court painter of successive governors of the Habsburg Netherlands, including the Archdukes Albert and Isabella.

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Emblem book in the context of Winged lion

The winged lion is a mythological creature that resembles a lion with bird-like wings.

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Emblem book in the context of Atalanta Fugiens

Atalanta Fugiens or Atalanta Fleeing is an emblem book with an alchemical theme by Michael Maier (1568–1622), published by Johann Theodor de Bry in Oppenheim in 1617 (2nd edition 1618). It consists of 50 discourses with illustrations by Matthias Merian, each of which is accompanied by an epigrammatic verse, prose and a musical fugue. It may therefore be considered an early example of multimedia.

The fugues were arranged in three voices symbolizing the philosopher's stone, the pursuing adept, and obstacles in his way.

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