Emblem in the context of "Superman dynasty"

The Staatliches Bauhaus (German: [ˈʃtaːtlɪçəs ˈbaʊˌhaʊs] ), commonly known as the Bauhaus (German for 'building house'), was a German art school operational from 1919 to 1933 that combined crafts and the fine arts. The school became famous for its approach to design, which attempted to unify individual artistic vision with the principles of mass production and emphasis on function.

The Bauhaus was founded by architect Walter Gropius in Weimar. It was grounded in the idea of creating a Gesamtkunstwerk ("comprehensive artwork") in which all the arts would eventually be brought together. The Bauhaus style later became one of the most influential currents in modern design, modernist architecture, and architectural education. The Bauhaus movement had a profound influence on subsequent developments in art, architecture, graphic design, interior design, industrial design, and typography. Staff at the Bauhaus included prominent artists such as Paul Klee, Wassily Kandinsky, Gunta Stölzl, and László Moholy-Nagy at various points.

A crescent shape (/ˈkrɛsənt/, UK also /ˈkrɛzənt/) is a symbol or emblem used to represent the lunar phase (as it appears in the northern hemisphere) in the first quarter (the "sickle moon"), or by extension a symbol representing the Moon itself.

In Hindu iconography, Shiva is often shown wearing a crescent moon on his head, symbolising his control over time, as well as his attributes of both creation and destruction.

Symbolism of Christian saints has been used from the very beginnings of the religion. Each saint is said to have led an exemplary life and symbols have been used to tell these stories throughout the history of the Church. A number of Christian saints are traditionally represented by a symbol or iconic motif associated with their life, termed an attribute or emblem, in order to identify them. The study of these forms part of iconography in art history. They were particularly used so that the illiterate could recognize a scene, and to give each of the Saints something of a personality in art. They are often carried in the hand by the Saint.

Attributes often vary with either time or geography, especially between Eastern Christianity and the West. Orthodox images more often contained inscriptions with the names of saints, so the Eastern repertoire of attributes is generally smaller than the Western. Many of the most prominent saints, like Saint Peter and Saint John the Evangelist can also be recognised by a distinctive facial type. Some attributes are general, such as the martyr's palm. The use of a symbol in a work of art depicting a Saint reminds people who is being shown and of their story. The following is a list of some of these attributes.

Mon (紋, [mõ̞ꜜɴ]), also called monshō (紋章), mondokoro (紋所), and kamon (家紋), are Japanese emblems used to decorate and identify an individual, a family, or (more recently) an institution, municipality or business entity. While mon is an encompassing term that may refer to any such device, kamon and mondokoro refer specifically to emblems that are used to identify a family. An authoritative mon reference compiles Japan's 241 general categories of mon based on structural resemblance (a single mon may belong to multiple categories), with 5,116 distinct individual mon.

It is well acknowledged that there are a number of lost or obscure mon. Among mon, the mon officially used by the family is called jōmon (定紋). Over time, new mon have been created, such as kaemon (替紋), which is unofficially created by an individual, and onnamon (女紋), which is created by a woman after marriage by modifying part of her original family's mon, so that by 2023 there will be a total of 20,000 to 25,000 mon.

Doctor of the Church (Latin: doctor "teacher"), also referred to as Doctor of the Universal Church (Latin: Doctor Ecclesiae Universalis), is a title given by the Catholic Church to saints recognized as having made a significant contribution to theology or doctrine through their research, study, or writing.

As of 2025, the Catholic Church has named 38 Doctors of the Church. Of these, the 18 who died before the Great Schism of 1054 are also held in high esteem by the Eastern Orthodox Church, although it does not use the formal title Doctor of the Church.

A logo (abbreviation of logotype; from Ancient Greek λόγος (lógos) 'word, speech' and τύπος (túpos) 'mark, imprint') is a graphic mark, emblem, or symbol used to aid and promote public identification and recognition. It may be of an abstract or figurative design or include the text of the name that it represents, as in a wordmark.

In the days of hot metal typesetting, a logotype was one word cast as a single piece of type (e.g. "The" in ATF Garamond), as opposed to a ligature, which is two or more letters joined, but not forming a word. By extension, the term was also used for a uniquely set and arranged typeface or colophon. At the level of mass communication and in common usage, a company's logo is today often synonymous with its trademark or brand.

A medical identification tag is a small emblem or tag worn on a bracelet, neck chain, or on the clothing bearing a message that the wearer has an important medical condition that might require immediate attention. For emergency medical providers such as paramedics and emergency physicians, medical identification tags are particularly useful in situations where the wearer is unconscious, altered mental status, very young, or otherwise unable to provide critical medical information. The tag is often made out of stainless steel or sterling silver. A wallet card with the same information may be used instead of or along with a tag, and a stick-on medical ID tag may be added or used alone.

A type of medic identification alert is the USB medical alert tag, essentially a USB flash drive with capacity to store a great deal of emergency information, including contacts and medical conditions. This information is accessible by any computer with a USB port. However, the practical effectiveness of such a system is limited in many cases by medical computer systems that restrict the use of USB devices which may carry malware. It is also possible that a device carried by an unconscious person may not be their own, or not be up to date, with concomitant risks to health and legal liability of medical personnel.

The Moscow Art Theatre production of The Seagull in 1898, directed by Konstantin Stanislavski and Vladimir Nemirovich-Danchenko, was a crucial milestone for the fledgling theatre company that has been described as "one of the greatest events in the history of Russian theatre and one of the greatest new developments in the history of world drama." It was the first production in Moscow of Anton Chekhov's 1896 play The Seagull, though it had been performed with only moderate success in St. Petersburg two years earlier. Nemirovich-Danchenko, who was a friend of Chekhov's, overcame the writer's refusal to allow the play to appear in Moscow after its earlier lacklustre reception and convinced Stanislavski to direct the play for their innovative and newly founded Moscow Art Theatre (MAT). The production opened on 29 December [O.S. 17 December] 1898. The MAT's success was due to the fidelity of its delicate representation of everyday life, its intimate, ensemble playing, and the resonance of its mood of despondent uncertainty with the psychological disposition of the Russian intelligentsia of the time. To commemorate this historic production, which gave the MAT its sense of identity, the company to this day bears the seagull as its emblem.

In Brussels, as in most European cities, one needed the capacity of bourgeois (equivalent to German burgher or English burgess; in French bourgeois or citoyen de Bruxelles; in Dutch poorter or borger van Brussel; in Latin civis or oppidanus Bruxellensis) to exercise political rights but also to practice a trade, which in Brussels meant to be a member of the guilds or of the Seven Noble Houses.

The charter of Brussels, as codified in 1570 in Articles 206 and following, provided the conditions of admission to the bourgeoisie of the city. The Bourgeois were the patrician class of the city. This social class was abolished by Napoleon during the French occupation.