Bauhaus in the context of "Emblem"

Play Trivia Questions online!

or

Skip to study material about Bauhaus in the context of "Emblem"

Ad spacer

⭐ Core Definition: Bauhaus

The Staatliches Bauhaus (German: [ˈʃtaːtlɪçəs ˈbaʊˌhaʊs] ), commonly known as the Bauhaus (German for 'building house'), was a German art school operational from 1919 to 1933 that combined crafts and the fine arts. The school became famous for its approach to design, which attempted to unify individual artistic vision with the principles of mass production and emphasis on function.

The Bauhaus was founded by architect Walter Gropius in Weimar. It was grounded in the idea of creating a Gesamtkunstwerk ("comprehensive artwork") in which all the arts would eventually be brought together. The Bauhaus style later became one of the most influential currents in modern design, modernist architecture, and architectural education. The Bauhaus movement had a profound influence on subsequent developments in art, architecture, graphic design, interior design, industrial design, and typography. Staff at the Bauhaus included prominent artists such as Paul Klee, Wassily Kandinsky, Gunta Stölzl, and László Moholy-Nagy at various points.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<
In this Dossier

Bauhaus in the context of Architecture

Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes from Latin architectura; from Ancient Greek ἀρχιτέκτων (arkhitéktōn) 'architect'; from ἀρχι- (arkhi-) 'chief' and τέκτων (téktōn) 'creator'. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements.

The practice, which began in the prehistoric era, has been used as a way of expressing culture by civilizations on all seven continents. For this reason, architecture is considered to be a form of art. Texts on architecture have been written since ancient times. The earliest surviving text on architectural theories is the 1st century BC treatise De architectura by the Roman architect Vitruvius, according to whom a good building embodies firmitas, utilitas, and venustas (durability, utility, and beauty). Centuries later, Leon Battista Alberti developed his ideas further, seeing beauty as an objective quality of buildings to be found in their proportions. In the 19th century, Louis Sullivan declared that "form follows function". "Function" began to replace the classical "utility" and was understood to include not only practical but also aesthetic, psychological, and cultural dimensions. The idea of sustainable architecture was introduced in the late 20th century.

↑ Return to Menu

Bauhaus in the context of Bucharest

Bucharest (UK: /ˌbkəˈrɛst/ BOO-kə-REST, US: /ˈbkərɛst/ -⁠rest; Romanian: București [bukuˈreʃtʲ] ) is the capital and largest city of Romania. The metropolis stands on the River Dâmbovița in south-eastern Romania. Its population is officially estimated at 1.71 million residents within a greater metropolitan area of 2.31 million residents, which makes Bucharest the 8th most-populous city by population within city limits in the European Union. The city area measures 240 km (93 sq mi), while the metropolitan area covers 1,811 km (699 sq mi). The city proper is administratively known as the "Municipality of Bucharest" (Romanian: Municipiul București), and has the same administrative level as that of a national county, being further subdivided into six sectors, each governed by a local mayor. Bucharest is a major cultural, political and economic hub, the country's seat of government, and the capital of the Muntenia region.

Bucharest was first mentioned in documents in 1459. The city became the capital in 1862 and is the centre of Romanian media, culture, and art. Its architecture is a mix of historical (mostly Eclectic, but also Neoclassical and Art Nouveau), interbellum (Bauhaus, Art Deco, and Romanian Revival architecture), socialist era, and modern. In the period between the two World Wars, the city's elegant architecture and the sophistication of its elite earned Bucharest the nicknames of Little Paris, or Paris of the East. Although buildings and districts in the historic city centre were heavily damaged or destroyed by war, earthquakes, and even Nicolae Ceaușescu's program of systematization, many survived and have been renovated. In recent years, the city has been experiencing an economic and cultural boom. It is one of the fastest-growing high-tech cities in Europe. In 2016, the historical city centre was listed as "endangered" by the World Monuments Watch.

↑ Return to Menu

Bauhaus in the context of Graphic designer

A graphic designer is a practitioner who follows the discipline of graphic design, either within companies or organizations or independently. They are professionals in design and visual communication, with their primary focus on transforming linguistic messages into graphic manifestations, whether tangible or intangible. They are responsible for planning, designing, projecting, and conveying messages or ideas through visual communication. Graphic design is one of the most in-demand professions with significant job opportunities, as it allows leveraging technological advancements and working online from anywhere in the world.

↑ Return to Menu

Bauhaus in the context of Oskar Schlemmer

Oskar Schlemmer (German pronunciation: [ˈɔskaʁ ˈʃlɛmɐ]; 4 September 1888 – 13 April 1943) was a German painter, sculptor, designer and choreographer associated with the Bauhaus school.

In 1923, he was hired as Master of Form at the Bauhaus theatre workshop, after working at the workshop of sculpture. His most famous work is Triadisches Ballett (Triadic Ballet), which saw costumed actors transformed into geometrical representations of the human body in what he described as a "party of form and colour".

↑ Return to Menu

Bauhaus in the context of Walter Gropius

Walter Adolph Georg Gropius (German pronunciation: [ˈvaltɐ ˈadɔlf ˈɡeːɔʁk ˈɡʁoːpiʊs]; 18 May 1883 – 5 July 1969) was a German-American architect and founder of the Bauhaus School, who is widely regarded as one of the pioneering masters of modernist architecture. He was a founder of Bauhaus in Weimar and taught there for several years, becoming known as a leading proponent of the International Style. Gropius emigrated from Germany to England in 1934 and from England to the United States in 1937, where he spent much of the rest of his life teaching at the Harvard Graduate School of Design. In the United States he worked on several projects with Marcel Breuer and with the firm The Architects Collaborative, of which he was a founding partner. In 1959, he won the AIA Gold Medal, one of the most prestigious awards in architecture.

↑ Return to Menu

Bauhaus in the context of Weimar

Weimar is a city in the German state of Thuringia, in Central Germany between Erfurt to the west and Jena to the east, 80 km (50 mi) southwest of Leipzig, 170 km (106 mi) north of Nuremberg and 170 km (106 mi) west of Dresden. Together with the neighbouring cities of Erfurt and Jena, it forms the central metropolitan area of Thuringia, with approximately 500,000 inhabitants. The city itself has a population of 65,000. Weimar is well known because of its cultural heritage and importance in German history.

The city was a focal point of the German Enlightenment and home of the leading literary figures of Weimar Classicism, Johann Wolfgang von Goethe and Friedrich Schiller. In the 19th century, composers such as Franz Liszt made Weimar a music centre. Later, artists and architects including Henry van de Velde, Wassily Kandinsky, Paul Klee, Lyonel Feininger, and Walter Gropius came to the city and founded the Bauhaus movement, the most important German design school of the interwar period.

↑ Return to Menu

Bauhaus in the context of Wassily Kandinsky

Wassily Wassilyevich Kandinsky (16 December [O.S. 4 December] 1866 – 13 December 1944) was a Russian painter and art theorist. Kandinsky is generally credited as one of the pioneers of abstraction in western art. Born in Moscow, he began painting studies (life-drawing, sketching and anatomy) at the age of 30.

In 1896, Kandinsky settled in Munich, studying first at Anton Ažbe's private school and then at the Academy of Fine Arts. During this time, he was first the teacher and then the partner of German artist Gabriele Münter. He returned to Moscow in 1914 after the outbreak of World War I. Following the Russian Revolution, Kandinsky "became an insider in the cultural administration of Anatoly Lunacharsky" and helped establish the Museum of the Culture of Painting. However, by then, "his spiritual outlook... was foreign to the argumentative materialism of Soviet society" and opportunities beckoned in Germany, to which he returned in 1920. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France, where he lived for the rest of his life, becoming a French citizen in 1939 and producing some of his most prominent art. He died in Neuilly-sur-Seine in 1944.

↑ Return to Menu

Bauhaus in the context of Gunta Stölzl

Gunta Stölzl (5 March 1897 – 22 April 1983) was a German textile artist who played a fundamental role in the development of the Bauhaus school's weaving workshop, where she created enormous change as it transitioned from individual pictorial works to modern industrial designs. She was one of a small number of female teachers on the Bauhaus' staff and the first to hold the title of "Master".

Her textile work is thought to typify the distinctive style of Bauhaus textiles. She joined the Bauhaus as a student in 1919, became a junior master in 1927. She was dismissed for political reasons in 1931, two years before the Bauhaus closed under pressure from the Nazis.

↑ Return to Menu

Bauhaus in the context of László Moholy-Nagy

László Moholy-Nagy (/məˌhliˈnɒ/; Hungarian: [ˈlaːsloː ˈmoholiˌnɒɟ]; born László Weisz; July 20, 1895 – November 24, 1946) was a Hungarian painter and photographer as well as a professor in the Bauhaus school. He was highly influenced by constructivism and a strong advocate of the integration of technology and industry into the arts. The art critic Peter Schjeldahl called him "relentlessly experimental" because of his pioneering work in painting, drawing, photography, collage, sculpture, film, theater, and writing.

He also worked collaboratively with other artists, including his first wife Lucia Moholy, Walter Gropius, Marcel Breuer, and Herbert Bayer. His largest accomplishment may be the Institute of Design in Chicago, which survives today as part of the Illinois Institute of Technology, and art historian Elizabeth Siegel called "his overarching work of art". He also wrote books and articles advocating a utopian type of high modernism.

↑ Return to Menu