Elvis Presley in the context of "1950s"

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⭐ Core Definition: Elvis Presley

Elvis Aaron Presley (January 8, 1935 – August 16, 1977) was an American singer and actor. Referred to as the "King of Rock and Roll", he is widely regarded as one of the most culturally significant figures of the 20th century. Presley's energetic and sexually provocative performance style, combined with a mix of influences across color lines during a transformative era in race relations, brought both great success and initial controversy.

Presley was born in Tupelo, Mississippi; his family moved to Memphis, Tennessee, when he was 13. He began his music career in 1954 at Sun Records with producer Sam Phillips, who wanted to bring the sound of African-American music to a wider audience. Presley, on guitar and accompanied by lead guitarist Scotty Moore and bassist Bill Black, was a pioneer of rockabilly, an uptempo, backbeat-driven fusion of country music and rhythm and blues. In 1955, drummer D. J. Fontana joined to complete the lineup of Presley's classic quartet and RCA Victor acquired his contract in a deal arranged by Colonel Tom Parker, who managed him for the rest of his career. Presley's first RCA Victor single, "Heartbreak Hotel", was released in January 1956 and became a number-one hit in the US. Within a year, RCA Victor sold ten million Presley singles. With a series of successful television appearances and chart-topping records, Presley became the leading figure of the newly popular rock and roll; though his performing style and promotion of the then-marginalized sound of African Americans led to him being widely considered a threat to the moral well-being of white American youth.

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👉 Elvis Presley in the context of 1950s

The 1950s (pronounced nineteen-fifties; commonly abbreviated as the "Fifties" or the "'50s") (among other variants) was a decade that began on January 1, 1950, and ended on December 31, 1959.

Throughout the decade, the world continued its recovery from World War II, aided by the post-World War II economic expansion. The period also saw great population growth with increased birth rates and the emergence of the baby boomer generation.Despite this recovery, the Cold War developed from its modest beginnings in the late 1940s to a heated competition between the Soviet Union and the United States by the early 1960s. The ideological clash between communism and capitalism dominated the decade, especially in the Northern Hemisphere.

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Elvis Presley in the context of Impersonation

An impersonator is someone who imitates or copies the behavior or actions of another. There are many reasons for impersonating someone:

  • Living history: After close study of some historical figure, a performer may dress and speak "as" that person for an audience. Such historical interpretation may be a scripted dramatic performance like Mark Twain Tonight! or an unscripted interaction while staying in character.
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Elvis Presley in the context of Harrison family of Virginia

The Harrison family of Virginia has a history in American politics, public service, and religious ministry, beginning in the Colony of Virginia during the 1600s. Family members include a Founding Father of the United States, Benjamin Harrison V, and three U. S. presidents: William Henry Harrison, Benjamin Harrison, and Abraham Lincoln. Some Harrisons have served as state and local public officials and others have been instrumental in education, medicine, and business. Entertainer Elvis Presley is also in their number.

The Virginia Harrisons comprise two branches, both originating in northern England. One branch was led by Benjamin Harrison I, who journeyed from Yorkshire by way of Bermuda to Virginia before 1633 and eventually settled on the James River at Berkeley Plantation; Benjamin and his descendants are often referred to as the James River Harrisons. Successive generations of this part of the family served in the legislature of the Colony of Virginia. Benjamin Harrison V also served in the Continental Congress, was a signer of the Declaration of Independence, and later was Governor of Virginia.

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Elvis Presley in the context of Rockabilly

Rockabilly is one of the earliest styles of rock and roll music. It dates back to the early 1950s in the United States, especially the South. As a genre, it blends the sound of Western musical styles such as country with that of rhythm and blues, leading to what is considered "classic" rock and roll. Some have also described it as a blend of bluegrass with rock and roll. The term "rockabilly" itself is a portmanteau of "rock" (from "rock 'n' roll") and "hillbilly", the latter a reference to the country music (often called "hillbilly music" in the 1940s and 1950s) that contributed strongly to the style. Other important influences on rockabilly include Western swing, boogie-woogie, jump blues, and electric blues.

Defining features of the rockabilly sound included strong rhythms, boogie woogie piano riffs, vocal twangs, doo-wop acapella singing, and common use of the tape echo; and eventually came to incorporate different instruments and vocal harmonies. Initially popularized by artists such as Carl Perkins, Elvis Presley, Johnny Burnette, Jerry Lee Lewis and others, the rockabilly style waned in the late 1950s; nonetheless, during the late 1970s and early 1980s, rockabilly enjoyed a revival. An interest in the genre endures even in the 21st century, often within musical subcultures. Rockabilly has spawned a variety of sub-styles and has influenced the development of other genres such as punk rock.

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Elvis Presley in the context of Elvis impersonator

An Elvis impersonator is an entertainer who impersonates or copies the look and sound of American rock singer Elvis Presley. Professional Elvis impersonators, commonly known as Elvis tribute artists (ETAs), work all over the world as entertainers, and such tribute acts remain in great demand due to the iconic status of Elvis Presley. In addition, there were several radio stations that exclusively feature Elvis impersonator material. Some of these impersonators go to Graceland in Memphis, Tennessee, on the anniversary of Presley's death to pay tribute to the beloved artist.

While some impersonators perform a wide variety of Presley's discography, his songs from the 1950s and 1970s remain fan favorites.

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Elvis Presley in the context of Decca Records

Decca Records is a British record label established in 1929 by Edward Lewis after his acquisition of a gramophone manufacturer, The Decca Gramophone Company. It set up an American subsidiary under the Decca name, which became an independent company just before the Second World War. The American spin-off became a subsidiary of MCA Inc. in 1962. Known for its technical innovations, the British parent company grew to become the second most successful recording company in Britain and celebrated fifty years of existence in 1979, shortly before being sold to PolyGram. Both Decca and its former subsidiary were subsequently acquired by Universal Music.

Decca and its American spin-off both built up strong catalogues of popular music. In their first two decades, their artists included Gertrude Lawrence, George Formby, Jack Hylton and Vera Lynn in Britain and Bing Crosby, Al Jolson, the Andrews Sisters and the Mills Brothers in the US. Later performers in their popular catalogues included in the US Bill Haley & His Comets and Buddy Holly plus in the UK Elvis Presley (licensed from RCA Records), Tommy Steele, Lonnie Donegan, Chuck Berry (licensed from Chess Records), Johnny Cash (licensed from Sun Records), Eddie Cochran (licensed from Liberty Records), and the Rolling Stones.

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Elvis Presley in the context of Drag king

Drag kings have historically been mostly female performance artists who dress in masculine drag and personify male gender stereotypes as part of an individual or group routine. As documented in the 2003 Journal of Homosexuality, in more recent years the world of drag kings has broadened to include performers of all gender expressions. A typical drag show may incorporate dancing, acting, stand-up comedy and singing, either live or lip-synching to pre-recorded tracks. Drag kings often perform as exaggeratedly macho male characters, portray characters such as construction workers and rappers, or impersonate male celebrities like Elvis Presley, Michael Jackson and Tim McGraw. Drag kings may also perform as personas that do not clearly align with the gender binary. Drag personas that combine both stereotypically masculine and feminine traits are common in modern drag king shows.

In the late 1800s and early 1900s, several drag kings became British music hall stars and British pantomime has preserved the tradition of women performing in male roles. Starting in the mid-1990s, drag kings began to gain some of the fame and attention that drag queens have known.

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Elvis Presley in the context of Hung Up

"Hung Up" is a song by American singer Madonna from her tenth studio album Confessions on a Dance Floor (2005). Initially used in a number of television advertisements and serials, the song was released as the album's lead single on October 17, 2005. Written and produced by Madonna in collaboration with Stuart Price, "Hung Up" prominently features a sample from an instrumental section of ABBA's "Gimme! Gimme! Gimme! (A Man After Midnight)", for which Madonna personally sought permission from its songwriters, Benny Andersson and Björn Ulvaeus. This is one of the few times Andersson and Ulvaeus have given permission to sample one of their songs, following "Rumble in the Jungle" by the Fugees and "Fly with Me" by 98 Degrees.

Musically, the song is influenced by pop music from the 1980s, with a chugging groove and chorus and a background element of a ticking clock that suggests the fear of wasting time. Lyrically, the song is written as a traditional dance number about a strong, independent woman who has relationship troubles. "Hung Up" received critical praise from reviewers, who considered it among Madonna's best dance tracks and believed that the track would restore her popularity, which had diminished following the release of her 2003 album American Life. "Hung Up" became a global commercial success, peaking atop the charts of 41 countries and earning a place in the Guinness Book of World Records. It was Madonna's 36th top ten single on the Billboard Hot 100, tying her with Elvis Presley as the artist with most top ten entries. It also became the most successful dance song of the decade in the United States. "Hung Up" has sold over five million copies worldwide.

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Elvis Presley in the context of Independent record label

An independent record label (or indie label) is a music company that operates without the funding or distribution of major record labels. These labels typically function as small- to medium-sized enterprises (SMEs). Independent labels and their artists are often represented by regional trade associations, which are in turn represented globally by the Worldwide Independent Network (WIN).

Many of the labels started as producers and distributors of specific genres of music, such as jazz music, or represent something new and non-mainstream, such as Elvis Presley in the early days. Indies release rock, soul, R&B, jazz, blues, gospel, reggae, hip hop, and world music. Music appearing on indie labels is often referred to as indie music, or more specifically by genre, such as indie hip-hop.

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