Eloquence in the context of "Jacob of Serugh"

Polyhymnia (/pɒliˈhɪmniə/; Greek: Πολυύμνια, lit. 'the one of many hymns'), alternatively Polymnia (Πολύμνια), is, in Greek mythology, the Muse of sacred poetry, sacred hymn, dance and eloquence, as well as agriculture and pantomime.

In Greek mythology, Calliope (/kəˈlaɪ.əpi/ kə-LY-ə-pee; Ancient Greek: Καλλιόπη, romanized: Kalliópē, lit. 'beautiful-voiced') is the Muse who presides over eloquence and epic poetry, so called from the ecstatic harmony of her voice. Hesiod and Ovid called her the "Chief of all Muses".

Chironomia is the art of using gesticulations or hand gestures to good effect in traditional rhetoric or oratory. Effective use of the hands, with or without the use of the voice, is a practice of great antiquity, which was developed and systematized by the Greeks and the Romans. Various gestures had conventionalized meanings which were commonly understood, either within certain class or professional groups, or broadly among dramatic and oratorical audiences.

Gilbert Austin was a well-known author on chironomia. The article about him contains a summary of theories in chironomia.

The Blarney Stone (Irish: Cloch na Blarnan) is a block of Carboniferous limestone built into the battlements of Blarney Castle, Blarney, about 8 kilometres (5 miles) from the centre of Cork City, Ireland. According to legend, kissing the stone endows the kisser with the gift of the gab (great eloquence or skill at flattery). The stone was set into a tower of the castle in 1446. The castle is a popular tourist site in Ireland, attracting visitors from all over the world to kiss the stone and tour the castle and its gardens.

The word blarney has come to mean "clever, flattering, or coaxing talk". Irish politician John O'Connor Power defined it this way: "Blarney is something more than mere flattery. It is flattery sweetened by humour and flavoured by wit. Those who mix with Irish folk have many examples of it in their everyday experience." Letitia Elizabeth Landon described its contemporary meaning in an article entitled "Blarney Castle" in 1832.

A demagogue (/ˈdɛməˌɡɒɡ/; from Ancient Greek δημαγωγός (dēmagōgós) 'popular leader, mob leader'; from Ancient Greek δῆμος (dêmos) 'people, populace' and ἀγωγός (agōgós) 'leading, guiding'), or rabble-rouser, is a political leader in a democracy who gains popularity by arousing the common people against elites, especially through oratory that whips up the passions of crowds, appealing to emotion by scapegoating out-groups, exaggerating dangers to stoke fears, lying for emotional effect, or other rhetoric that tends to drown out reasoned deliberation and encourage fanatical popularity. Demagogues overturn established norms of political conduct, or promise or threaten to do so.

Historian Reinhard Luthin defined demagogue as "a politician skilled in oratory, flattery and invective; evasive in discussing vital issues; promising everything to everybody; appealing to the passions rather than the reason of the public; and arousing racial, religious, and class prejudices—a man whose lust for power without recourse to principle leads him to seek to become a master of the masses. He has for centuries practiced his profession of 'man of the people'. He is a product of a political tradition nearly as old as western civilization itself."