Elizabethan architecture in the context of "Prodigy house"

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⭐ Core Definition: Elizabethan architecture

Elizabethan architecture refers to buildings in a local style of Renaissance architecture built during the reign of Queen Elizabeth I of England from 1558 to 1603. The style is very largely confined to secular buildings, especially the large prodigy houses built for the newly-risen nobility close to the court. Many ordinary buildings continued vernacular styles with little decoration. New religious building had ended abruptly at the Dissolution of the Monasteries from c. 1536. English architecture was late in adopting Renaissance standards compared to the rest of Europe, and in the Elizabethan style northern Europe rather than Italy was the main influence. After Elizabeth a new court culture of pan-European artistic ambition under James I (1603–1625) saw the style morph into Jacobean architecture. Stylistically, Elizabethan architecture is notably pluralistic. It came at the end of insular late Gothic traditions in design and construction called the Perpendicular style in church building, the fenestration, vaulting techniques, and open truss designs of which often affected the detail of larger domestic buildings. In the late part of the 16th century, illustrated continental pattern-books introduced a wide range of architectural exemplars, fueled by the archaeology of Ancient Rome.

As church building turned to the construction of great houses for courtiers and merchants, these novelties accompanied a nostalgia for native history as well as huge divisions in religious identity, plus the influence of continental mercantile and civic buildings. Insular traditions of construction, detail and materials never entirely disappeared. These varied influences on patrons who could favor conservatism or great originality confound attempts to neatly classify Elizabethan architecture. This era of cultural upheaval and fusions corresponds to what is often termed Mannerism and Late Cinquecento in Italy, French Renaissance architecture in France, and the Plateresque style in Spain.

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👉 Elizabethan architecture in the context of Prodigy house

Prodigy houses are large and showy English country houses built by courtiers and other wealthy families, either "noble palaces of an awesome scale" or "proud, ambitious heaps" according to taste. The prodigy houses stretch over the periods of Tudor, Elizabethan, and Jacobean architecture, though the term may be restricted to a core period of roughly 1570 to 1620. Many of the grandest were built with a view to housing Elizabeth I and her large retinue as they made their annual royal progress around her realm. Many are therefore close to major roads, often in the English Midlands.

The term originates with the architectural historian Sir John Summerson, and has been generally adopted. He called them "... the most daring of all English buildings." The houses fall within the broad style of Renaissance architecture, but represent a distinctive English take on the style, mainly reliant on books for their knowledge of developments on the Continent. Andrea Palladio (1508–1580) was already dead before the prodigy houses reached their peak, but it has been said that his more restrained classical style did not reach England until the work of Inigo Jones in the 1620s, and that as regards ornament, French and Flemish Northern Mannerist decoration was more influential than Italian.

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Elizabethan architecture in the context of Myrtle Grove, Youghal

Myrtle Grove is an Elizabethan gabled house in Youghal, County Cork, Ireland. The house is notable as a rare example in Ireland of a 16th-century unfortified house. It is situated close to the Collegiate Church of St Mary Youghal.

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Elizabethan architecture in the context of Jacobethan

The Jacobethan (/ˌækəˈbθən/ jak-ə-BEE-thən) architectural style, also known as Jacobean Revival, is the mixed national Renaissance revival style that was made popular in England from the late 1820s, which derived most of its inspiration and its repertory from the English Renaissance (1550–1625), with elements of Elizabethan and Jacobean.

John Betjeman coined the term "Jacobethan" in 1933, and described it as follows:

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Elizabethan architecture in the context of Tudor style architecture

The Tudor architectural style is the final development of medieval architecture in England and Wales, during the Tudor period (1485–1603) and even beyond, and also the tentative introduction of Renaissance architecture to Britain. It followed the Late Gothic Perpendicular style and, gradually, it evolved into an aesthetic more consistent with trends already in motion on the continent, evidenced by other nations already having the Northern Renaissance underway Italy, and especially France already well into its revolution in art, architecture, and thought. A subtype of Tudor architecture is Elizabethan architecture, from about 1560 to 1600, which has continuity with the subsequent Jacobean architecture in the early Stuart period.

In the much more slow-moving styles of vernacular architecture, "Tudor" has become a designation for half-timbered buildings, although there are cruck and frame houses with half-timbering that considerably predate 1485 and others well after 1603; an expert examination is required to determine the building's age. In many regions stone architecture, which presents no exposed timber on the facade, was the norm for good houses, while everywhere the poorest lived in single-storey houses using wood frames and wattle and daub, too flimsy for any to have survived four centuries. In this form, the Tudor style long retained its hold on English taste. Nevertheless, "Tudor style" is an awkward style-designation, with its implied suggestions of continuity through the period of the Tudor dynasty and the misleading impression that there was a style break at the accession of James I in 1603, first of the House of Stuart. A better diagnostic is the "perpendicular" arrangement of rectangular vertically oriented leaded windows framed by structural transoms and mullions and often featuring a "hooded" surround usually in stone or timber such as oak.

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Elizabethan architecture in the context of Long gallery

In architecture, a long gallery is a long, narrow room, often with a high ceiling. In Britain, long galleries were popular in Elizabethan and Jacobean houses. They were normally placed on the highest reception floor of English country houses, usually running along a side of the house, with windows on one side and at the ends giving views, and doors to other rooms on the other. They served several purposes: they were used for entertaining guests, for taking exercise in the form of walking when the weather was inclement, for displaying art collections, especially portraits of the family and royalty, and acting as a corridor.

A long gallery has the appearance of a spacious corridor, but it was designed as a room to be used in its own right, not just as a means of passing from one room to another, though many served as this too. In the 16th century, the seemingly obvious concept of the corridor had not been introduced to British domestic architecture; rooms were entered from outside or by passing from one room to another.

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Elizabethan architecture in the context of Harlaxton Manor

Harlaxton Manor is a Victorian country house in Harlaxton, Lincolnshire, England. The house was built for Gregory Gregory, a local squire and businessman. Gregory employed two of the leading architects of Victorian England, Anthony Salvin and William Burn and consulted a third, Edward Blore, during its construction. Its architecture, which combines elements of Jacobean and Elizabethan styles with Baroque decoration, makes it unique among England's Jacobethan houses. Harlaxton is a Grade I listed building on the National Heritage List for England, and many other structures on the estate are also listed. The surrounding park and gardens are listed Grade II* on the Register of Historic Parks and Gardens. It is now the British campus of the University of Evansville.

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Elizabethan architecture in the context of Fonthill Abbey

Fonthill Abbey—also known as Beckford's Folly—was a large Gothic Revival country house built between 1796 and 1813 at Fonthill Gifford in Wiltshire, England, at the direction of William Thomas Beckford and architect James Wyatt.

It was built near the site of the Palladian house, later known as Fonthill Splendens, which had been constructed by 1770 by his father William Beckford. This, in turn, had replaced the Elizabethan house that Beckford the Elder had purchased in 1744 and which had been destroyed by fire in 1755. The abbey's main tower collapsed several times, lastly in 1825 damaging the western wing. The abbey was later almost completely demolished.

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