Eleventh chord in the context of "Thirteenth"

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⭐ Core Definition: Eleventh chord

In music theory, an eleventh chord is a chord that contains the tertian extension of the eleventh. Typically found in jazz, an eleventh chord also usually includes the seventh and ninth, and elements of the basic triad structure. Variants include the dominant eleventh (C, C–E–G–B–D–F), minor eleventh (Cm, C–E–G–B–D–F), and major eleventh chord (Cmaj, C–E–G–B–D–F). Using an augmented eleventh produces the dominant sharp eleventh (C, C–E–G–B–D–F) and major ninth sharp eleventh (Cmaj, C–E–G–B–D–F) chords.

A perfect eleventh creates a highly dissonant minor ninth interval with the major third of major and dominant chords. To reduce this dissonance the third is often omitted (such as for example in the dominant eleventh chord that can be heard 52 seconds into the song "Sun King" on The Beatles' Abbey Road album), turning the chord into a suspended ninth chord (e.g. C, C–G–B–D–F), which can be also notated as Gm/C.

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👉 Eleventh chord in the context of Thirteenth

In music or music theory, a thirteenth is the note thirteen scale degrees from the root of a chord and also the interval between the root and the thirteenth. The thirteenth is most commonly major Play or minor Play.

A thirteenth chord is the stacking of six (major or minor) thirds, the last being above the 11th of an eleventh chord. Thus a thirteenth chord is a tertian (built from thirds) chord containing the interval of a thirteenth, and is an extended chord if it includes the ninth and/or the eleventh. "The jazzy thirteenth is a very versatile chord and is used in many genres." Since 13th chords tend to become unclear or confused with other chords when inverted, they are generally found in root position. For example, depending on voicing, a major triad with an added major sixth is usually called a sixth chord Play, because the sixth serves as a substitution for the major seventh, thus considered a chord tone in such context.

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Eleventh chord in the context of Extended chord

In music, extended chords are certain chords (built from thirds) or triads with notes extended, or added, beyond the seventh. Ninth, eleventh, and thirteenth chords are extended chords. The thirteenth is the farthest extension diatonically possible as, by that point, all seven tonal degrees are represented within the chord (the next extension, the fifteenth, is the same as the root of the chord). In practice however, extended chords do not typically use all the chord members; when it is not altered, the fifth is often omitted, as are notes between the seventh and the highest note (i.e., the ninth is often omitted in an eleventh chord; the ninth and eleventh are usually omitted in a thirteenth chord), unless they are altered to give a special texture.

Chords extended beyond the seventh are rarely seen in the Baroque era, and are used more frequently in the Classical era. The Romantic era saw greatly increased use of extended harmony. Extended harmony prior to the 20th century usually has dominant function – as V, V, and V, or V/V, V/ii etc.

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