Edward Durell Stone (March 9, 1902 – August 6, 1978) was an American architect known for the formal, highly decorative buildings he designed in the 1950s and 1960s. His works include the Museum of Modern Art, in New York City; the Parliament House of Pakistan in Islamabad; the Museo de Arte de Ponce in Ponce, Puerto Rico; the United States Embassy in New Delhi, India; The Keller Center at the University of Chicago; the John F. Kennedy Center for the Performing Arts in Washington, D.C., the EcoTarium, formerly known as the New England Science Center in Worcester, Massachusetts; and the campus of Windham College (which became Landmark College) in Putney, Vermont.
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👉 Edward Durell Stone in the context of Radio City Music Hall
Radio City Music Hall (also known as Radio City) is an entertainment venue and theater at 1260 Avenue of the Americas, within Rockefeller Center, in the Midtown Manhattan neighborhood of New York City. Nicknamed "The Showplace of the Nation", it is the headquarters for the Rockettes. Radio City Music Hall was designed by Edward Durell Stone and Donald Deskey in the Art Deco style.
Radio City Music Hall was built on a plot of land that was originally intended for an opera house for the Metropolitan Opera, plans for which were canceled in 1929. It opened on December 27, 1932, as part of the construction of Rockefeller Center. The 5,960-seat Music Hall was the larger of two venues built for Rockefeller Center's "Radio City" section, the other being the RKO Roxy Theatre (later the Center Theatre); the "Radio City" name came to apply only to Radio City Music Hall. It was largely successful until the 1970s, when declining patronage nearly drove the theater to bankruptcy. Radio City was designated a New York City Landmark in May 1978, and it was restored and allowed to remain open. The theater was extensively renovated in 1999.
In this Dossier
Edward Durell Stone in the context of Museum of Modern Art
The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues. MoMA's collection spans the late 19th century to the present, and includes over 200,000 works of architecture and design, drawing, painting, sculpture, photography, prints, illustrated and artist's books, film, as well as electronic media.
The institution was conceived in 1929 by Abby Aldrich Rockefeller, Lillie P. Bliss, and Mary Quinn Sullivan. Initially located in the Heckscher Building on Fifth Avenue, it opened just days after the Wall Street Crash. The museum was led by A. Conger Goodyear as president and Abby Rockefeller as treasurer, with Alfred H. Barr Jr. as its first director. Under Barr's leadership, the museum's collection rapidly expanded, beginning with an inaugural exhibition of works by European modernists. Despite financial challenges, including opposition from John D. Rockefeller Jr., the museum moved to several temporary locations in its early years, and John D. Rockefeller Jr. eventually donated the land for its permanent site. In 1939, the museum moved to its current location on West 53rd Street designed by architects Philip L. Goodwin and Edward Durell Stone. A new sculpture garden, designed by Barr and curator John McAndrew, also opened that year.
Edward Durell Stone in the context of Minoru Yamasaki
Minoru Yamasaki (山崎 實, Yamasaki Minoru; December 1, 1912 – February 6, 1986) was an American architect, best known for designing the original World Trade Center in New York City and several other large-scale projects. He and fellow architect Edward Durell Stone are generally considered to be the two master practitioners of "New Formalism".
During his three-decade career, he and his firm designed over 250 buildings. His firm, Yamasaki & Associates, closed on December 31, 2009.
Edward Durell Stone in the context of New Formalism (architecture)
New Formalism is an architectural style that emerged in the United States during the mid-1950s and flowered between the 1960s and 1980s. Buildings designed in that style exhibited many Classical elements including "strict symmetrical elevations" building proportion and scale, Classical columns, highly stylized entablatures and colonnades. The style was used primarily for high-profile cultural, high tech, institutional and civic buildings. Edward Durrell Stone's New Delhi American Embassy (1954), which blended the architecture of the east with modern western concepts, is considered to be the symbolic start of New Formalism architecture.