Edgar Rice Burroughs in the context of "Tarzan (comics)"

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👉 Edgar Rice Burroughs in the context of Tarzan (comics)

Tarzan, a fictional character created by Edgar Rice Burroughs, first appeared in the 1912 novel Tarzan of the Apes, and then in 23 sequels. The character proved immensely popular and quickly made the jump to other media, including comics.

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Edgar Rice Burroughs in the context of Buck Rogers

Buck Rogers is a science fiction adventure hero and feature comic strip created by Philip Francis Nowlan first appearing in daily American newspapers on January 7, 1929, and subsequently appearing in Sunday newspapers, international newspapers, books and multiple media with adaptations including radio in 1932, a serial film, a television series, and other formats.

The Buck Rogers strip, published 1929–1967 and syndicated by John F. Dille Co. (later called the National Newspaper Syndicate), was popular enough to inspire other newspaper syndicates to launch their own science fiction strips. The most famous of these imitators was Flash Gordon (King Features Syndicate, 1934–2003); others included Brick Bradford (Central Press Association, 1933–1987), Don Dixon and the Hidden Empire (Watkins Syndicate, 1935–1941), and Speed Spaulding (John F. Dille Co., 1940–1941). The Buck Rogers strip also probably inspired developing a strip based on John Carter of Mars (United Feature Syndicate, 1941–1943) which was introduced in 1941 though based on an Edgar Rice Burroughs character first seen in 1912.

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Edgar Rice Burroughs in the context of Tarzan (1999 film)

Tarzan is a 1999 American animated adventure comedy-drama film based on the 1912 story Tarzan of the Apes by Edgar Rice Burroughs. Produced by Walt Disney Feature Animation, it was directed by Kevin Lima and Chris Buck, from a screenplay by Tab Murphy, and the writing team of Bob Tzudiker and Noni White, and is the first major animated film adaptation of the story. Tony Goldwyn stars as the titular character, alongside Minnie Driver, Glenn Close, Rosie O'Donnell, Alex D. Linz, Brian Blessed, Nigel Hawthorne, Lance Henriksen, and Wayne Knight. The film follows an orphan who is raised by the family of gorillas in Africa, after his real parents were killed by a leopard. Years later, he grows up into a man and meets other humans. He is soon torn by them and must choose between staying with them or a group of animals.

Pre-production of Tarzan began in 1995, with Lima selected as director and Buck joining him the same year. Following Murphy's first draft, Tzudiker, White, Dave Reynolds, and Jeffrey Stepakoff (the latter two of whom received additional screenplay credits in the final cut), were brought in to reconstruct the third act and add additional material to the screenplay. English recording artist Phil Collins was recruited to compose and record songs integrated with a score by Mark Mancina. Meanwhile, the production team embarked on a research trip to Uganda and Kenya to study the gorillas. The animation of the film combines 2D hand-drawn animation with the extensive use of computer-generated imagery, and it was done in California, Orlando, and Paris, with the pioneering computer animation software system Deep Canvas being predominantly used to create three-dimensional backgrounds.

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Edgar Rice Burroughs in the context of The Return of Tarzan

The Return of Tarzan is a novel by American writer Edgar Rice Burroughs, the second in his series of twenty-four books about the title character Tarzan. The story was first published in the pulp magazine New Story Magazine in the issues for June through December 1913; the first book edition was published in 1915 by A. C. McClurg.

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Edgar Rice Burroughs in the context of Tarzan of the Apes

Tarzan of the Apes is a 1912 novel by American writer Edgar Rice Burroughs, and the first in the Tarzan series. The story was first printed in the pulp magazine The All-Story in October 1912 before being released as a novel in June 1914.

The story follows the title character Tarzan's adventures, from his childhood being raised by apes in the jungle to his eventual encounters with other humans and Western society. So popular was the character that Burroughs continued the series into the 1940s with two dozen sequels.

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Edgar Rice Burroughs in the context of Mars in fiction

Mars, the fourth planet from the Sun, has appeared as a setting in works of fiction since at least the mid-1600s. Trends in the planet's portrayal have largely been influenced by advances in planetary science. It became the most popular celestial object in fiction in the late 1800s, when it became clear that there was no life on the Moon. The predominant genre depicting Mars at the time was utopian fiction. Around the same time, the mistaken belief that there are canals on Mars emerged and made its way into fiction, popularized by Percival Lowell's speculations of an ancient civilization having constructed them. The War of the Worlds, H. G. Wells's novel about an alien invasion of Earth by sinister Martians, was published in 1897 and went on to have a major influence on the science fiction genre.

Life on Mars appeared frequently in fiction throughout the first half of the 1900s. Apart from enlightened as in the utopian works from the turn of the century, or evil as in the works inspired by Wells, intelligent and human-like Martians began to be depicted as decadent, a portrayal that was popularized by Edgar Rice Burroughs in the Barsoom series and adopted by Leigh Brackett among others. More exotic lifeforms appeared in stories like Stanley G. Weinbaum's "A Martian Odyssey".

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Edgar Rice Burroughs in the context of Journey to the Center of the Earth

Journey to the Center of the Earth (French: Voyage au centre de la Terre), also translated with the variant titles A Journey to the Centre of the Earth and A Journey into the Interior of the Earth, is a classic science fiction novel written by French novelist Jules Verne. It was first published in French in 1864, then reissued in 1867 in a revised and expanded edition. Professor Otto Lidenbrock is the tale's central figure, an eccentric German scientist who believes there are volcanic tubes that reach to the very center of the earth. He, his nephew Axel, and their Icelandic guide Hans rappel into Iceland's celebrated inactive volcano Snæfellsjökull. They then contend with many dangers, including cave-ins, subpolar tornadoes, an underground ocean, and living prehistoric creatures from the Mesozoic and Cenozoic eras (the 1867 edition inserted additional prehistoric material). Eventually the three explorers are spewed back to the surface by the eruption of an active volcano, Stromboli, located in southern Italy.

The category of subterranean fiction existed well before Verne. However, his novel's distinction lay in its well-researched Victorian science and its inventive contribution to the science-fiction subgenre of time travel—Verne's innovation was the concept of a prehistoric realm still existing in the present-day world. Journey inspired many later authors, including Sir Arthur Conan Doyle in his novel The Lost World, Edgar Rice Burroughs in his Pellucidar series, and J. R. R. Tolkien in The Hobbit.

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