Early music in the context of "Arnold Dolmetsch"

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⭐ Core Definition: Early music

Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750) or Ancient music (before 500 AD). Originating in Europe, early music is a broad musical era for the beginning of Western classical music.

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👉 Early music in the context of Arnold Dolmetsch

Eugène Arnold Dolmetsch (24 February 1858 – 28 February 1940), was a French-born musician and instrument maker who spent much of his working life in England and established an instrument-making workshop in Haslemere, Surrey. With his family, he was a leading figure in the 20th-century revival of interest in early music.

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Early music in the context of Lute

A lute (/ljt/ or /lt/) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted.

More specifically, the term "lute" commonly refers to an instrument from the family of European lutes, which were themselves influenced by short-necked lutes in Gandhara (modern-day Pakistan) which became the predecessor of the Islamic, the Sino-Japanese and the European lute families. The term also refers generally to any necked string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system).

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Early music in the context of Medieval music

Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period. Following the traditional division of the Middle Ages, medieval music can be divided into Early (500–1000), High (1000–1300), and Late (1300–1400) medieval music.

Medieval music includes liturgical music used for the church, other sacred music, and secular or non-religious music. Much medieval music is purely vocal music, such as Gregorian chant. Other music used only instruments or both voices and instruments (typically with the instruments accompanying the voices).

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Early music in the context of Robert Donington

Robert Donington OBE (4 May 1907 – 20 January 1990) was an English musicologist and instrumentalist. He was influential in the early music movement and in Wagner studies.

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Early music in the context of Johannes Wolf (musicologist)

Johannes Wolf (17 April 1869 – 25 May 1947) was a German musicologist, archivist and teacher, known for his research on medieval and Renaissance music, particularly Ars Nova, and early music notation.

Born in Berlin, Wolf studied music history under Philip Spitta and Heinrich Bellermann at the Friedrich Wilhelm University. He completed his doctorate at the Berlin University in 1902.

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Early music in the context of John Dunstaple

John Dunstaple (or Dunstable; c. 1390 – 24 December 1453) was an English composer whose music helped inaugurate the transition from the medieval to the Renaissance periods. The central proponent of the Contenance angloise style (lit.'English manner'), Dunstaple was the leading English composer of his time, and is often coupled with William Byrd and Henry Purcell as England's most important early music composers. His style would have an immense influence on the subsequent music of continental Europe, inspiring composers such as Du Fay, Binchois, Ockeghem and Busnois.

Information on Dunstaple's life is largely non-existent or speculative, with the only certain date of his activity being his death on Christmas Eve of 1453. Probably born in Dunstable in Bedfordshire during the late 14th-century, Dunstaple was associated with Humphrey, Duke of Gloucester and Joan of Navarre, and, through them, St Albans Abbey. Another important patron was John, Duke of Bedford, with whom Dunstaple may have travelled to France.

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