Early modern era in the context of "Composite monarchy"

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⭐ Core Definition: Early modern era

The early modern period is a historical period, with divisions based primarily on the history of Europe and the broader concept of modernity. There is no exact date that marks the beginning or end of the period and its extent may vary depending on the area of history being studied. In general, the early modern period is considered to have started at the beginning of the 16th century (around 1500), and is variably considered to have ended at the 18th or 19th century (1700–1800). In a European context, it is defined as the period following the Middle Ages and preceding the advent of modernity, but there is no universal agreement on the dates of these boundaries. In the context of global history, the early modern period is often used even in contexts where there is no equivalent "medieval" period.

Various events and historical transitions have been proposed as the start of the early modern period, including the fall of Constantinople in 1453, the start of the Renaissance, the end of the Crusades, the Reformation in Germany giving rise to Protestantism, and the beginning of the Age of Discovery and with it the onset of the first wave of European colonization. Its end is often marked by the French Revolution, and sometimes also the American Revolution or Napoleon's rise to power, with the advent of the second wave modern colonization of New Imperialism.

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👉 Early modern era in the context of Composite monarchy

A composite monarchy (or composite state) is a historical category that describes early modern states consisting of several countries under one ruler, sometimes designated as a personal union, who governs his territories as if they were separate kingdoms, in accordance with local traditions and legal structures. The composite state became the most common type of state in the late medieval and early modern era in Europe. Koenigsberger divides composite states into two classes: those, like the Spanish Empire, that consisted of countries separated by either other states or by the sea, and those, like Poland–Lithuania, that were contiguous. The term was introduced by H. G. Koenigsberger in 1975 and popularised by Sir John H. Elliott in 1992.

A medieval example of a composite monarchy was the Angevin Empire. Theorists of the 16th century believed that "conformity" (similarity in language and customs) was important to success of a composite state. Francesco Guicciardini praised the acquisition of the Kingdom of Navarre by the King of Aragon in 1512 on account of their conformità. Yet, differences could be persistent. Navarre retained its own law and customs separate from the rest of Spain down to 1841. In France, a far more unified state than Spain in the early modern period, the state was divided into different customary tax regimes, the pays d'élection and pays d'état. This was abolished during the 1789 Revolution. The Holy Roman Empire consisted of hundreds of imperial immediate states nicknamed Kleinstaaterei. Most sovereign kings in Europe hold fiefs in the HRE in a personal union at some point. The different holdings of a dynasty are called Hausmacht and were in most cases not contiguous.

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Early modern era in the context of History of Italy

Italy has been inhabited by humans since the Paleolithic. During antiquity, there were many peoples in the Italian peninsula, including Etruscans, Latins, Samnites, Umbri, Cisalpine Gauls, Greeks in Magna Graecia and others. Most significantly, Italy was the cradle of the Roman civilization. Rome was founded as a kingdom in 753 BC and became a republic in 509 BC. The Roman Republic then unified Italy forming a confederation of the Italic peoples and rose to dominate Western Europe, Northern Africa, and the Near East. The Roman Empire, established in 27 BC, ruled the Mediterranean region for centuries, contributing to the development of Western culture, philosophy, science and art.

During the early Middle Ages, Italy experienced the succession in power of Ostrogoths, Byzantines, Longobards and the Holy Roman Empire and fragmented into numerous city-states and regional polities, a situation that would remain until the unification of the country. These polities and the maritime republics, in particular Venice and Genoa, rose to prosperity. Eventually, the Italian Renaissance emerged and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, and art with the start of the modern era. In the medieval and early modern era, Southern Italy was ruled by the Norman, Swabian and Angevin dynasties and the Aragonese, French and Spanish crowns. Central Italy was largely part of the Papal States.

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Early modern era in the context of Nomadic empire

Nomadic empires, sometimes also called steppe empires, Central or Inner Asian empires, were the empires erected by the bow-wielding, horse-riding, nomadic people in the Eurasian Steppe, from classical antiquity (Scythia) to the early modern era (Dzungars). They are the most prominent example of non-sedentary polities.

Some nomadic empires consolidated by establishing a capital city inside a conquered sedentary state and then exploiting the existing bureaucrats and commercial resources of that non-nomadic society. In such a scenario, the originally nomadic dynasty may become culturally assimilated to the culture of the occupied nation before it is ultimately overthrown. Ibn Khaldun (1332–1406) described a similar cycle on a smaller scale in 1377 in his Asabiyyah theory.

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Early modern era in the context of Inigo Jones

Inigo Jones (15 July 1573 – 21 June 1652) was an English architect who was the first significant architect in England in the early modern era and the first to employ Vitruvian rules of proportion and symmetry in his buildings.As the most notable architect in England, Jones was the first person to introduce the classical architecture of Rome and the Italian Renaissance to England. He left his mark on London by his design of single buildings, such as the Queen's House which is the first building in England designed in a pure classical style, and the Banqueting House, Whitehall, as well as the layout for Covent Garden square which became a model for future developments in the West End. He made major contributions to stage design by his work as a theatrical designer for several dozen masques, most by royal command and many in collaboration with Ben Jonson.

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Early modern era in the context of Jewish ghettos in Europe

In the early modern era, European Jews were confined to ghettos and placed under strict regulations as well as restrictions in many European cities. The character of ghettos fluctuated over the centuries. In some cases, they comprised a Jewish quarter, the area of a city traditionally inhabited by Jews. In many instances, ghettos were places of terrible poverty and—especially during periods of rapid population growth—ghettos had small, crowded houses cramped along narrow streets. Residents had their own justice system.

In Eastern Europe during the early modern period, there were no Jewish quarters or ghettos; rather, Jews lived in small towns known as shtetls.

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Early modern era in the context of Top hat

A top hat (also called a high hat, or, informally, a topper) is a tall, flat-crowned hat traditionally associated with formal wear in Western dress codes, meaning white tie, morning dress, or frock coat. Traditionally made of black silk or sometimes grey, the top hat emerged in Western fashion by the end of the 18th century. Although such hats fell out of fashion through the 20th century, being almost entirely phased out by the time of the counterculture of the 1960s, it remains a formal fashion accessory. A collapsible variant of a top hat, developed in the 19th century, is known as an opera hat.

Perhaps inspired by the early modern era capotain, higher-crowned dark felt hats with wide brims emerged as a country leisurewear fashion along with the Age of Revolution around the 1770s. Around the 1780s, the justaucorps was replaced by the previously casual frocks and dress coats. With the introduction of the top hat in the early 1790s, the tricorne and bicorne hats began falling out of fashion. By the start of the 19th century, the directoire style dress coat with top hat was widely introduced as city wear for the upper and middle classes in all urban areas of the Western world. The justaucorps was replaced in all but the most formal court affairs. Around the turn of the 19th century, although for a few decades beaver hats were popular, black silk became the standard, sometimes varied by grey ones. While the dress coats were replaced by the frock coat from the 1840s as conventional formal daywear, top hats continued to be worn with frock coats as well as with what became known as formal evening wear white tie. Towards the end of the 19th century, whereas the white tie with black dress coat remained fixed, frock coats were gradually replaced by morning dress, along with top hats.

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Early modern era in the context of Balthasar Eggenberger

Balthasar Eggenberger (died 1493), was an Austrian entrepreneur in the early days of mercantilism. He was master of the imperial mint at Graz in the Duchy of Styria and financier to Frederick III, Holy Roman Emperor. He was a man cut of the same cloth as the likes of the Burgundian chancellor Nicolas Rolin, French merchant Jacques Coeur and the Medici of Italy, whose cunning, ambition and skills allowed them to advance into the ranks of the nobility from mere common ancestry in the late Middle Ages and early modern era. His activities laid an important foundation stone for the ascension of the House of Eggenberg.

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Early modern era in the context of Army of Flanders

The Army of Flanders (Spanish: Ejército de Flandes; Dutch: Leger van Vlaanderen) was a field army of the Spanish Army based in the Spanish Netherlands between the 16th and 18th centuries. It was one of the longest-serving field armies of the early modern era, being founded in 1567 and disbanded in 1706. Taking part in numerous battles of the Eighty Years' War and Thirty Years' War, it employed or pioneered many developing military concepts, including permanent units (tercios), barracks and military hospitals long before they were adopted in most of Europe. As a result, the Army of Flanders has been considered the world's de facto first modern professional standing army. Sustained at huge cost and at significant distances from Spain via the Spanish Road, the Army of Flanders also became infamous for successive mutinies and its ill-disciplined activity on and off the battlefield, including the sack of Antwerp in 1576.

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