E is the third note and the fifth semitone of the C major scale, and mi in fixed-do solfège. It has enharmonic equivalents of F♭ [(F-flat) which is by definition a diatonic semitone above E♭] and D
(D-double sharp), amongst others.
When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of Middle E (E4) is approximately 329.628 Hz. See pitch (music) for a discussion of historical variations in frequency.
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In music, an interval ratio is a ratio of the frequencies of the pitches in a musical interval. For example, a just perfect fifth (for example C to G) is 3:2 (), 1.5, and may be approximated by an equal tempered perfect fifth () which is 2 (about 1.498). If the A above middle C is 440 Hz, the perfect fifth above it would be E, at (440*1.5=) 660 Hz, while the equal tempered E5 is 659.255 Hz.
Ratios, rather than direct frequency measurements, allow musicians to work with relative pitch measurements applicable to many instruments in an intuitive manner, whereas one rarely has the frequencies of fixed pitched instruments memorized and rarely has the capabilities to measure the changes of adjustable pitch instruments (electronic tuner). Ratios have an inverse relationship to string length, for example stopping a string at two-thirds (2:3) its length produces a pitch one and one-half (3:2) that of the open string (not to be confused with inversion).
In Western musical notation, a key signature is a set of sharp (♯), flat (♭), or rarely, natural (♮) symbols placed on the staff at the beginning of a section of music. The initial key signature in a piece is placed immediately after the clef at the beginning of the first line. If the piece contains a section in a different key, the new key signature is placed at the beginning of that section.
In a key signature, a sharp or flat symbol on a line or space of the staff indicates that the note represented by that line or space is to be played a semitone higher (sharp) or lower (flat) than it would otherwise be played. This applies through the rest of the piece or until another key signature appears. Each symbol applies to comparable notes in all octaves—for example, a flat on the fourth space of the treble staff (as in the diagram) indicates that all notes notated as Es are played as E-flats, including those on the bottom line of the staff.
The bass guitar, also known as the electric bass guitar, is the lowest-pitched member of the guitar family. It is similar in appearance and construction to an electric guitar but with a longer neck and scale length. The electric bass guitar most commonly has four strings, though five-, six-, and seven-stringed models are also built. Since the mid-1950s, the electric bass guitar has often replaced the double bass in popular music due to its lighter weight, smaller size and easier portability, most models' inclusion of frets for easier intonation, and electromagnetic pickups for amplification.
The electric bass guitar is usually tuned the same as the double bass, corresponding to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played with the fingers and thumb or with a pick.
E♭ (E-flat) or mi bémol is the fourth semitone of the solfège.
It lies a diatonic semitone above D and a chromatic semitone below E, thus being enharmonic to D♯ (D-sharp) or re dièse. In equal temperament it is also enharmonic with F
(F-double flat). However, in some temperaments, D♯ is not the same as E♭. E♭ is a perfect fourth above B♭, whereas D♯ is a major third above B.
D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B♭, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major.
The D natural minor scale is:
D major is a major scale based on D, consisting of the pitches D, E, F♯, G, A, B, and C♯. Its key signature has two sharps. Its relative minor is B minor and its parallel minor is D minor.
C major is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor.