Düsseldorf school of painting in the context of Wilhelm von Schadow


Düsseldorf school of painting in the context of Wilhelm von Schadow

⭐ Core Definition: Düsseldorf school of painting

The Düsseldorf School of painting is a term referring to a group of painters who taught or studied at the Düsseldorf Academy (now the Staatliche Kunstakademie Düsseldorf or Düsseldorf State Art Academy) roughly between 1819 and 1918, first directed by the painter Wilhelm von Schadow.

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Düsseldorf school of painting in the context of Lesser Ury

Leo Lesser Ury (November 7, 1861 – October 18, 1931) was a German impressionist painter and printmaker, associated with the Düsseldorf school of painting.

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Düsseldorf school of painting in the context of Wilhelm von Kaulbach

Wilhelm von Kaulbach (15 October 1805 – 7 April 1874) was a German painter, noted mainly as a muralist, but also as a book illustrator. His murals decorate buildings in Munich. He is associated with the Düsseldorf school of painting.

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Düsseldorf school of painting in the context of Hans Gude

Hans Fredrik Gude (March 13, 1825 – August 17, 1903) was a Norwegian romanticist painter and is considered along with Johan Christian Dahl to be one of Norway's foremost landscape painters. He has been called a mainstay of Norwegian National Romanticism. He is associated with the Düsseldorf school of painting.

Gude's artistic career was not one marked with drastic change and revolution, but was instead a steady progression that slowly reacted to general trends in the artistic world. Gude's early works are of idyllic, sun-drenched Norwegian landscapes which present a romantic, yet still realistic view of his country. Around 1860 Gude began painting seascapes and other coastal subjects. Gude had difficulty with figure drawing initially and so collaborated with Adolph Tidemand in some of his painting, drawing the landscape himself and allowing Tidemand to paint the figures. Later Gude would work specifically on his figures while at Karlsruhe, and so began populating his paintings with them. Gude initially painted primarily with oils in a studio, basing his works on studies he had done earlier in the field. However, as Gude matured as a painter he began to paint en plein air and espoused the merits of doing so to his students. Gude would paint with watercolors later in life as well as gouache in an effort to keep his art constantly fresh and evolving, and although these were never as well received by the public as his oil paintings, his fellow artists greatly admired them.

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Düsseldorf school of painting in the context of William Stanley Haseltine

William Stanley Haseltine (June 11, 1835 – February 3, 1900) was an American painter and draftsman who was associated with the Düsseldorf school of painting, the Hudson River School and Luminism.

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Düsseldorf school of painting in the context of Mårten Eskil Winge

Mårten Eskil Winge (21 September 1825 – 22 April 1896) was a Swedish artist. He was a professor at the Royal Swedish Academy of Arts. He was associated with the Düsseldorf school of painting. His art was influenced by the Norse mythology themes also found in works by Nils Blommér (1816–1853) and Carl Wahlbom (1810-1858).

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Düsseldorf school of painting in the context of Theobald von Oer

Theobald Reinhold Freiherr von Oer (9 October 1807 – 1885 in Coswig) was a German painter, illustrator and etcher. He is notable for his portraits, genre paintings and historic paintings. He is associated with the Düsseldorf school of painting.

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Düsseldorf school of painting in the context of Julius Schrader

Julius Friedrich Antonio Schrader (16 June 1815 – 16 February 1900) was a German painter, associated with the Düsseldorf school of painting.

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Düsseldorf school of painting in the context of Oswald Achenbach

Oswald Achenbach (German: [ˈɔsvalt ˈʔaxn̩bax]; 2 February 1827 – 1 February 1905) was a German painter associated with the Düsseldorf school of painting. During his lifetime, he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).

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