Dying Gaul in the context of "Capitoline Museum"

Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast.

Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. In addition, most ancient sculpture was painted, which has been lost.

Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BC, when the Greek mainland was taken, and essentially ending in 30 BC with the conquest of Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including Laocoön and His Sons, Dying Gaul, Venus de Milo, and the Winged Victory of Samothrace. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was very largely a continuation of Hellenistic trends.

The term Hellenistic refers to the expansion of Greek influence and dissemination of its ideas following the death of Alexander – the "Hellenizing" of the world, with Koine Greek as a common language. The term is a modern invention; the Hellenistic World not only included a huge area covering the whole of the Aegean Sea, rather than the Classical Greece focused on the Poleis of Athens and Sparta, but also a huge time range. In artistic terms this means that there is huge variety which is often put under the heading of "Hellenistic Art" for convenience.

The Capitoline Museums (Italian: Musei Capitolini) are a group of art and archaeological museums located on the Capitoline Hill in Rome, Italy. Their principal buildings are the Palazzo dei Conservatori and the Palazzo Nuovo, which face each other across Piazza del Campidoglio, the square designed by Michelangelo in 1536 and completed over the course of the following centuries.

The museums are primarily dedicated to the art and history of ancient Rome, with a particular emphasis on Roman sculpture. The collection include celebrated works such as the Equestrian Statue of Marcus Aurelius, the Capitoline Wolf and the Dying Gaul, alongside inscriptions, coins, and other artifacts illustrating the civic and religious life of the city. The museums also include Renaissance and Baroque paintings, as well as the richly frescoed walls of the Conservators' Apartment in the Palazzo dei Conservatori, which depict scenes from Rome's early history.

The Gauls (Latin: Galli; Ancient Greek: Γαλάται, Galátai) were a group of Celtic peoples of mainland Europe in the Iron Age and the Roman period (roughly 5th century BC to 5th century AD). Their homeland was known as Gaul (Gallia). They spoke Gaulish, a continental Celtic language.

The Gauls emerged around the 5th century BC as bearers of La Tène culture north and west of the Alps. By the 4th century BC, they were spread over much of what is now France, Belgium, Switzerland, Southern Germany, Austria, and the Czech Republic, by virtue of controlling the trade routes along the river systems of the Rhône, Seine, Rhine, and Danube. They reached the peak of their power in the 3rd century BC. During the 4th and 3rd centuries BC, the Gauls expanded into Northern Italy (Cisalpine Gaul), leading to the Roman–Gallic wars, and into the Balkans, leading to war with the Greeks. These latter Gauls eventually settled in Anatolia (contemporary Turkey), becoming known as Galatians.

The Galatians (Ancient Greek: Γαλάται, romanized: Galátai; Latin: Galatae, Galati, Gallograeci; Greek: Γαλάτες, romanized: Galátes, lit. 'Gauls') were a Celtic people dwelling in Galatia, a region of central Anatolia in modern-day Turkey surrounding Ankara during the Hellenistic period. They spoke the Galatian language, which was closely related to Gaulish, a contemporary Celtic language spoken in Gaul.

The Galatians were descended from Celts who had invaded Greece in the 3rd century BC. The original settlers of Galatia came through Thrace under the leadership of Leogarios and Leonnorios c. 278 BC. They consisted mainly of three Gaulish tribes, the Tectosages, the Trocmii, and the Tolistobogii, but there were also other minor tribes. In 25 BC, Galatia became a province of the Roman Empire, with Ankara (Ancyra) as its capital.

Heroic nudity or ideal nudity is a concept in classical scholarship to describe the un-realist use of nudity in classical sculpture to show figures who may be heroes, deities, or semi-divine beings. This convention began in Archaic and Classical Greece and continued in Hellenistic and Roman sculpture. The existence or place of the convention is the subject of scholarly argument.

In ancient Greek art, warriors on reliefs and painted vases were often shown as nude in combat, which was not in fact the Greek custom, and in other contexts. Idealized young men (but not women) were carved in kouros figures, and cult images in the temples of some male deities were nude. Later, portrait statues of the rich, including Roman imperial families, were given idealized nude bodies; by now this included women. The bodies were always young and athletic; old bodies are never seen. Pliny the Elder noted the introduction of the Greek style to Rome.