Dutch people in the context of "Netherlands"

Religion in the Netherlands was dominated by Christianity between the 10th and 20th centuries. In the late 19th century, roughly 60% of the population was Calvinist and 35% was Catholic. Also, until The Holocaust, there was a noticeable Jewish minority. Since World War II, there has been a significant decline in Catholic and especially Protestant Christianity, with Protestantism declining to such a degree that Catholicism became the foremost form of the Christian religion. The majority of the Dutch population is secular; however, historic societal pillarisation (verzuiling) based on religious lines continue to influence parts of Dutch society. Relatively sizable Muslim and Hindu minorities also exist.

The history of navigation, or the history of seafaring, is the art of directing vessels upon the open sea through the establishment of its position and course by means of traditional practice, geometry, astronomy, or special instruments. Many peoples have excelled as seafarers, prominent among them the Austronesians (Islander Southeast Asians, Malagasy, Islander Melanesians, Micronesians, and Polynesians), the Harappans, the Phoenicians, the Iranians, the ancient Greeks, the Romans, the Arabs, the ancient Indians, the Norse, the Chinese, the Venetians, the Genoese, the Hanseatic Germans, the Portuguese, the Spanish, the English, the French, the Dutch, and the Danes.

Johannes Vermeer (/vərˈmɪər, vərˈmɛər/ vər-MEER, vər-MAIR, Dutch: [joːˈɦɑnəs fərˈmeːr]; see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch painter who specialized in domestic interior scenes of middle-class life. He is considered one of the greatest painters of the Dutch Golden Age. During his lifetime, he was a moderately successful provincial genre painter, recognized in Delft and The Hague. He produced relatively few paintings, primarily earning his living as an art dealer. He was not wealthy; at his death, his wife was left in debt.

Vermeer worked slowly and with great care, and frequently used very expensive pigments. He is particularly renowned for making masterful use of light in his work. "Almost all his paintings", Hans Koningsberger wrote, "are apparently set in two smallish rooms in his house in Delft; they show the same furniture and decorations in various arrangements and they often portray the same people, mostly women."

The Republic of the Seven United Netherlands (Dutch: Republiek der Zeven Verenigde Nederlanden), also known as the United Provinces (of the Netherlands), and referred to in historiography as the Dutch Republic, was a confederation and great power that existed from 1588 until the Batavian Revolution in 1795. It was a predecessor state of the present-day Netherlands and the first independent Dutch nation state. The republic was established after seven Dutch provinces in the Spanish Netherlands revolted against Spanish rule, forming a mutual alliance against Spain in 1579 (the Union of Utrecht) and declaring their independence in 1581 (the Act of Abjuration), after which they confederated in 1588 (the Instruction of 12 April 1588) after the States General could not agree on a new monarch. The seven provinces it comprised were Groningen (present-day Groningen), Frisia (present-day Friesland), Overijssel (present-day Overijssel), Guelders (present-day Gelderland), Utrecht (present-day Utrecht), Holland (present-day North Holland and South Holland), and Zeeland (present-day Zeeland).

Although the state was small and had only around 1.5 million inhabitants, it controlled a worldwide network of seafaring trade routes. Through its trading companies, the Dutch East India Company (VOC) and the Dutch West India Company (GWC), it established a Dutch colonial empire. The income from this trade allowed the Dutch Republic to compete militarily against much larger countries. Major conflicts were fought in the Eighty Years' War against Spain (from the foundation of the Dutch Republic until 1648), the Dutch–Portuguese War (1598–1663), four Anglo-Dutch Wars (1652–1654, 1665–1667, 1672–1674, and 1780–1784), the Franco-Dutch War (1672–1678), War of the Grand Alliance (1688–1697), the War of the Spanish Succession (1702–1713), the War of Austrian Succession (1744–1748), and the War of the First Coalition (1792–1795) against the Kingdom of France.

In Greek mythology, the Titans (Ancient Greek: Τιτᾶνες, Tītânes; singular: Τιτάν, Tītā́n) were the deities that preceded the Olympians. According to the Theogony of Hesiod, they were the twelve children of the primordial deities Uranus (Sky) and Gaia (Earth). The six male Titans were Oceanus, Coeus, Crius, Hyperion, Iapetus, and Cronus, and the six female Titans (called the Titanesses; Ancient Greek: Τιτανίδες, Tītānídes; singular: Τιτανίς, Tītānís) were Theia, Rhea, Themis, Mnemosyne, Phoebe, and Tethys.

After Cronus married his sister Rhea, she bore the first generation of Olympians: the six siblings Zeus, Hera, Poseidon, Demeter, Hades, and Hestia. Certain other children of the Titans, such as Prometheus, Atlas, Helios, and Leto, are sometimes also called Titans.

Arnold van Gennep, full name Charles-Arnold Kurr van Gennep (23 April 1873 – 7 May 1957), was a Dutch–German-French ethnographer and folklorist.

Sir Lawrence Alma-Tadema OM, RA, RWS (/ˈælmə ˈtædeɪmə/ AL-mə TAD-ay-mə; born Lourens Alma Tadema, Dutch: [ˈlʌurəns ˈɑlmaː ˈtaːdəmaː]; 8 January 1836 – 25 June 1912) was a Dutch painter who later settled in the United Kingdom, becoming the last officially recognised denizen in 1873. Born in Dronryp, the Netherlands, and trained at the Royal Academy of Antwerp, Belgium, he settled in London, England in 1870 and spent the rest of his life there.

A painter of mostly classical subjects, he became famous for his depictions of the luxury and decadence of the Roman Empire, with languorous figures set in fabulous marbled interiors or against a backdrop of dazzling blue Mediterranean sea and sky. One of the most popular Victorian painters, Alma-Tadema was admired during his lifetime for his draftsmanship and accurate depictions of Classical antiquity, but his work fell out of fashion after his death, and only since the 1960s has it been appreciated for its importance within Victorian painting.

New Holland (Dutch: Het Niew Holland or Nieuw-Holland) is a historical European name for mainland Australia, first encountered by Europeans in 1606, by Dutch navigator Willem Janszoon aboard Duyfken. The name was first applied to Australia in 1644 by the Dutch seafarer Abel Tasman, and for a time came to be applied in most European maps to the vaunted "Southern land" or Terra Australis even after its coastline was finally explored.

The continent of Antarctica, later named in the 1890s, was still in largely speculative form; it resumed the name Terra Australis (sometimes suffixed Non Cognita, lit. 'unknown'). Its existence had been speculated on in some maps since the 5th century, under the theory of "balancing hemispheres".