Dutch School (painting) in the context of National Museum in Warsaw


Dutch School (painting) in the context of National Museum in Warsaw

⭐ Core Definition: Dutch School (painting)

Dutch art describes the history of visual arts in the Netherlands, after the United Provinces separated from Flanders. Earlier painting in the area is covered in Early Netherlandish painting and Dutch and Flemish Renaissance painting.

Dutch Golden Age painting, spanning from about 1620 to 1680, was a distinct style and movement that evolved out of the Flemish Baroque tradition. It was a period of great artistic achievement in the Netherlands. There was a healthy artistic climate in Dutch cities during the seventeenth century. For example, between 1605 and 1635, over 100,000 paintings were produced in Haarlem. At that time, art ownership in the city was 25%, a record high. After the end of the Golden Age, production of paintings remained high, but ceased to influence the rest of Europe as strongly.

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Dutch School (painting) in the context of National Museum, Warsaw

The National Museum in Warsaw (Polish: Muzeum Narodowe w Warszawie, MNW) is a national museum in Warsaw, one of the largest museums in Poland and the largest in the capital. It comprises a rich collection of ancient art (Egyptian, Greek, Roman), counting about 11,000 pieces, an extensive gallery of Polish painting since the 16th century and a collection of foreign painting (Italian, French, Flemish, Dutch, German and Russian) including some paintings from Adolf Hitler's private collection, ceded to the museum by the American authorities in post-war Germany. The museum is also home to numismatic collections, a gallery of applied arts and a department of oriental art, with the largest collection of Chinese art in Poland, comprising some 5,000 objects.

The museum boasts the Faras Gallery with Europe's largest collection of Nubian Christian art and the Gallery of Medieval Art with artefacts from all regions historically associated with Poland, supplemented by selected works created in other regions of Europe.

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Dutch School (painting) in the context of Last rites

The last rites, also known as the Commendation of the Dying, are the last prayers and ministrations given to an individual of Christian faith, when possible, shortly before death. The Commendation of the Dying is practiced in liturgical Christian denominations, such as the Roman Catholic Church and the Lutheran Church. They may be administered to those mortally injured, terminally ill, or awaiting execution. Last rites cannot be performed on someone who has already died. Last rites, in sacramental Christianity, can refer to multiple sacraments administered concurrently in anticipation of an individual's passing (such as Holy Absolution and Holy Communion).

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Dutch School (painting) in the context of Thyssen-Bornemisza Museum

The Thyssen-Bornemisza National Museum (Spanish: Museo Nacional Thyssen-Bornemisza, pronounced [muˈseo ˈtisen boɾneˈmisa]; named after its founder, Baron Heinrich Thyssen-Bornemisza), or simply the Thyssen, is an art museum in Madrid, Spain, located near the Prado Museum on one of the city's main boulevards. It is known as part of the "Golden Triangle of Art", which also includes the Prado and the Reina Sofía national galleries. The Thyssen-Bornemisza fills the historical gaps in its counterparts' collections: in the Prado's case this includes Italian primitives and works from the English, Dutch and German schools, while in the case of the Reina Sofía it concerns Impressionists, Expressionists, and European and American paintings from the 20th century.

With over 1,600 paintings, it was once the second largest private collection in the world after the British Royal Collection. A competition was held to house the core of the collection in 1987–88 after Baron Thyssen, having unsuccessfully sought permission to enlarge his museum in Lugano (Villa Favorita), searched for a better-suited location elsewhere in Europe.

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