Dunstable Swan Jewel in the context of "Affinity (medieval)"

Play Trivia Questions online!

or

Skip to study material about Dunstable Swan Jewel in the context of "Affinity (medieval)"

Ad spacer

⭐ Core Definition: Dunstable Swan Jewel

The Dunstable Swan Jewel is a gold and enamel brooch in the form of a swan made in England or France in about 1400 and now in the British Museum, where it is on display in Room 40. The jewel was excavated in 1965 on the site of Dunstable Friary in Bedfordshire, and is presumed to have been intended as a livery badge given by an important figure to his supporters; the most likely candidate was probably the future Henry V of England, who was Prince of Wales from 1399.

The jewel is a rare medieval example of the then recently developed and fashionable white opaque enamel used in en ronde bosse to almost totally encase an underlying gold form. It is invariably compared to the White Hart badges worn by King Richard II and by the angels surrounding the Virgin Mary in the painted Wilton Diptych of around the same date, where the chains hang freely down.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

👉 Dunstable Swan Jewel in the context of Affinity (medieval)

In post-classical history, an affinity was a collective name for the group (retinue) of (usually) men whom a lord gathered around himself in his service; it has been described by one modern historian as "the servants, retainers, and other followers of a lord", and as "part of the normal fabric of society". It is considered a fundamental aspect of bastard feudalism, and acted as a means of tying magnates to the lower nobility, just as feudalism had done in a different way.

One form of the relationship was known as livery and maintenance. The lord provided livery badges to be worn by the retainer and "maintenance" or his support in their disputes, which often constituted obstruction of judicial processes.

↓ Explore More Topics
In this Dossier

Dunstable Swan Jewel in the context of Ronde-bosse enamel

Ronde-bosse, en ronde bosse or encrusted enamel is an enamelling technique developed in France in the late 14th century that produces small three-dimensional figures, or reliefs, largely or entirely covered in enamel. The new method involved the partial concealment of the underlying gold, or sometimes silver, from which the figure was formed. It differs from older techniques which all produced only enamel on a flat or curved surface, and mostly, like champlevé, normally used non-precious metals, such as copper, which were gilded to look like gold. In the technique of enamel en ronde-bosse small figures are created in gold or silver and their surfaces lightly roughened to provide a key for the enamel, which is applied as a paste and fired. In places the framework may only be wire.

The term derives from the French term émail en ronde bosse ("enamel in the round"); however in French en ronde bosse merely means "in the round" and is used of any sculpture; in English ronde bosse or en ronde bosse, though usually treated as foreign terms and italicised, are specifically used of the enamel technique, and in recent decades have largely replaced the older English term "encrusted enamel".

↑ Return to Menu

Dunstable Swan Jewel in the context of Bastard feudalism

Bastard feudalism is a somewhat controversial term invented by 19th-century historians to characterise the form feudalism took in the Late Middle Ages, primarily in England. Its distinctive feature is that middle-ranking figures rendered military, political, legal, or domestic service in return for money, office, or influence. As a result, the gentry began to think of themselves as the men of their lord rather than of the king. Individually, they are known as retainers, and collectively as the "affinity" of the lord, among other terms.

↑ Return to Menu

Dunstable Swan Jewel in the context of Livery badge

A heraldic badge, emblem, impresa, or device, is a graphic symbol worn or displayed to indicate allegiance to, or the property of, an individual, family or corporate body. Medieval forms may also be called a livery badge, or a cognizance. Such badges are para-heraldic, as they do not necessarily use elements from the coat of arms of the person or family they represent – although many do, often borrowing from the crest or supporters. Their use is more flexible than that of arms proper.

Badges worn on clothing were common in the late Middle Ages, particularly in England. They could be made of base metal, cloth or other materials and worn on the clothing of the followers of the person in question; grander forms would be worn by important persons, with the Dunstable Swan Jewel in enamelled gold a rare survivor. Livery collars were also given to important persons, often with the badge as a pendant. The badge would also be embroidered or appliqued on standards, horse trappings, livery uniforms, and other belongings. Many medieval badges survive in English pub names.

↑ Return to Menu