Dulwich Picture Gallery in the context of "London Borough of Southwark"

Piety is a virtue which may include religious devotion or spirituality. A common element in most conceptions of piety is a duty of respect. In a religious context, piety may be expressed through pious activities or devotions, which may vary among countries and cultures.

Richard Burbage (6 January 1567 – 13 March 1619) was an English stage actor, widely considered to have been one of the most famous actors of the Globe Theatre and of his time. In addition to being a stage actor, he was also a theatre owner, entrepreneur, and painter. He was the younger brother of Cuthbert Burbage. They were both actors in drama. Burbage was a business associate and friend to William Shakespeare. He was the first actor to play the title role in Shakespeare's tragedy Hamlet.

He was the son of James Burbage, a joiner who became a theatrical impresario and entrepreneur, founding a theatre. Burbage was a popular actor by his early 20s. He excelled in tragedies. His early acting career is poorly documented. Like many young actors of his time, he may have played the part of women in productions before taking any of the roles for which he is known. As James Burbage acted for the Earl of Leicester's company, it has been suggested that his son, Richard, likely got his start with the company as well.

William Sly (died August 1608) was an English actor in English Renaissance theatre, a colleague of William Shakespeare and Richard Burbage in the Lord Chamberlain's Men and the King's Men.

Sarah Siddons as the Tragic Muse, or Mrs. Siddons as the Tragic Muse, is a 1783–1784 painting by English painter Sir Joshua Reynolds. The 1784 version is in the Huntington Library art museum, while a 1789 reproduction from Reynolds's studio is in the Dulwich Picture Gallery.

Sir John Soane (/soʊn/; né Soan; 10 September 1753 – 20 January 1837) was an English architect who specialised in the Neo-Classical style. The son of a bricklayer, he rose to the top of his profession, becoming professor of architecture at the Royal Academy and an official architect to the Office of Works. He received a knighthood in 1831.

Soane's best-known work was the Bank of England (his work there is largely destroyed), a building which had a widespread effect on commercial architecture. He also designed Dulwich Picture Gallery, which, with its top-lit galleries, was a major influence on the planning of subsequent art galleries and museums.

Thomas Linley (17 January 1733 – 19 November 1795) was an English bass and musician active in Bath, Somerset. Born in Badminton, Gloucestershire, Linley began his musical career after he moved to Bath at age 11 and became apprentice to the organist Thomas Chilcot. After his marriage to Mary Johnson in 1752, Linley at first supported his wife and growing family predominantly as a music teacher. As his children grew and he developed their musical talent, he drew an increasing amount of income from their concerts while also managing the assembly rooms in Bath. When the new Bath Assembly Rooms opened in 1771, Linley became musical director and continued to promote his children's careers. He was eventually able to move to London with the thousands of pounds which he had amassed from their concerts.

Among Linley's students were his eight children (Elizabeth Ann, Thomas, Mary, Samuel, Maria, Ozias, William, and Jane), as well as tenor Charles Dignum, singer and actress Anna Maria Crouch, and novelist Frances Sheridan. Linley collaborated with his son Thomas in penning the comic opera The Duenna, with libretto by his son-in-law Richard Brinsley Sheridan.

Jesus and the woman taken in adultery (or the Pericope Adulterae) is a passage (pericope) found in John 7:53–8:11 of the New Testament. It is considered by many to be pseudepigraphical.

In the passage, Jesus was teaching in the Second Temple after coming from the Mount of Olives. A group of scribes and Pharisees confronts Jesus, interrupting his teaching. They bring in a woman, accusing her of committing adultery, claiming she was caught in the very act. They tell Jesus that the punishment for someone like her should be stoning, as prescribed by Mosaic Law. Jesus begins to write something on the ground using his finger; when the woman's accusers continue their challenge, he states that the one who is without sin is the one who should cast the first stone at her. The accusers depart, realizing not one of them is without sin either, leaving Jesus alone with the woman. Jesus asks the woman whether anyone has condemned her, and she answers no. Jesus says that he too does not condemn her and tells her to go and sin no more.