Dryad in the context of "Azan (mythology)"

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⭐ Core Definition: Dryad

A dryad (/ˈdr.æd/; Greek: Δρυάδες, sing. Δρυάς) is an oak tree nymph or oak tree spirit in Greek mythology; Drys (δρῦς) means "tree", and more specifically "oak" in Greek. Today the term is often used to refer to tree nymphs in general.

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👉 Dryad in the context of Azan (mythology)

In Greek mythology, Azan (Ancient Greek: Ἀζᾶν) may refer to the following personages:

  • Azan, king of Azania in Arcadia and the son of King Arcas and the Dryad Erato or Leanira, brother of Apheidas, Elatus and Hyperippe. Azan was the father of Cleitor and Coronis, mother of Asclepius by Apollo. When Azan and his brothers grew up, their father Arcas divided the land between them into three parts: Azan received the district which was named after him, to Apheidas fell Tegea and Elatus got Mount Cyllene, which down to that time had received no name. When Azan died, the first funeral games in history were held in his honor. It was at these games that Aetolus accidentally killed Apis. Azan's heir to the throne was his son Cleitor but he was childless, thus succeeded by Aepytus, son of Elatus.
  • Azan, husband of Hippolyte, daughter of Dexamenus, who was threatened with violence by the Centaur Eurytion.
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Dryad in the context of Nature spirit

In religion, a nature deity is a deity in charge of forces of nature, such as water, biological processes, or weather. These deities can also govern natural features such as mountains, trees, or volcanoes. Accepted in animism, pantheism, panentheism, polytheism, deism, totemism, shamanism, Taoism, Hinduism, and paganism, the nature deity can embody a number of archetypes including mother goddess, Mother Nature, or lord of the animals.

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Dryad in the context of Nymph

A nymph (Ancient Greek: νύμφη, romanizednýmphē; Attic Greek: [nýmpʰɛː]; sometimes spelled nymphe) is a minor female nature deity in ancient Greek folklore. Distinct from other Greek goddesses, nymphs are generally regarded as personifications of nature; they are typically tied to a specific place, landform, or tree, and are usually depicted as maidens. Because of their association with springs, they were often seen as having healing properties; other divine powers of the nymphs included divination and shapeshifting. In spite of their divine nature, they were not immortal.

Nymphs are divided into various broad subgroups based on their habitat, such as the Meliae (ash tree nymphs), the Dryads (oak tree nymphs), the Alseids (grove nymphs), the Naiads (spring nymphs), the Nereids (sea nymphs), the Oceanids (ocean nymphs), and the Oreads (mountain nymphs). Other nymphs included the Hesperides (evening nymphs), the Hyades (rain nymphs), and the Pleiades (companions of Artemis).

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Dryad in the context of Hamadryad

In Greek mythology, a Hamadryad or Hamadryas (/hæməˈdr.æd/; Ancient Greek: ἁμαδρυάς, pl: ἁμαδρυάδες, romanizedHamadryás, pl: Hamadryádes) is a tree nymph. They are born bonded to a certain tree on which their life depends. Some maintain that a Hamadryad is the tree itself, with a normal dryad being simply the indwelling entity, or spirit, of the tree. If the tree should die, the Hamadryad associated with it would die as well. For this reason, both dryads and the other gods would punish mortals (such as King Erysichthon) who harmed trees.

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Dryad in the context of Erato (dryad)

In Greek mythology, Erato (/ˈɛrət/; Ancient Greek: Ἐρατώ "desired" or "lovely") was a dryad. She was the priestess and prophetess of the god Pan, verses were attributed to her at an ancient oracle of the god, located at Megalopolis near Acacesium. Erato was married to Arcas, the son of Zeus and Callisto, and bore him three sons, Azan, Apheidas, and Elatus.

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Dryad in the context of Gabriel Guay

Gabriel Guay (October 14, 1848 – September 15, 1923), whose full name was Julien Gabriel Guay, was a French painter and teacher. From 1873 he exhibited works at the annual Paris Salon. He painted portraits, and also scenes inspired by literature, mythology, the Bible, and Christian martyrdom. His reverence for nature and especially for trees, combined with his affinity for the female nude, resulted in his most distinctive and widely exhibited paintings, depicting dryads in the woods.

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