Drag queen in the context of "Female impersonators"

Vaudeville (/ˈvɔːd(ə)vɪl, ˈvoʊ-/; French: [vodvil] ) is a theatrical genre of variety entertainment which became popular in the United States and Canada from the early 1870s until the early 1930s.

In some ways analogous to music hall from Victorian Britain, a typical North American vaudeville performance was made up of a series of separate, unrelated acts grouped together on a common bill. Types of acts have included popular and classical musicians, singers, dancers, comedians, trained animals, magicians, ventriloquists, strongmen, female and male impersonators, acrobats, clowns, mimes, illustrated songs, jugglers, athletes, lecturing celebrities, or scenes from plays, one-act plays, minstrels, and films. A vaudeville performer is often referred to as a "vaudevillian."

A transgender (often shortened to trans) person has a gender identity different from that typically associated with the sex they were assigned at birth. The opposite of transgender is cisgender, which describes persons whose gender identity matches their assigned sex.

Many transgender people desire medical assistance to medically transition from one sex to another; those who do may identify as transsexual. Transgender does not have a universally accepted definition, including among researchers; it can function as an umbrella term. The definition given above includes binary trans men and trans women and may also include people who are non-binary or genderqueer. Other related groups include third-gender people, cross-dressers, and drag queens and drag kings; some definitions include these groups as well.

A Madonna impersonator is an entertainer who impersonates American singer-songwriter Madonna. Professional or dedicated Madonna impersonators have existed since at least the mid-1980s, and were sometimes sorted as "tribute acts". As an established artist, Madonna impersonators have seen a notable demand, many of them performing in front of thousands people and visiting several countries in their professional Madonna career as some media outlets have reported. Notable Madonna impersonators include Chris America, Denise Bella Vlasis and Venus D-Lite. Others impressionists have included Madonna in their repertoire, such as Tracey Bell, Charlie Hides and Véronic DiCaire, while Nadya Ginsburg and Alejandra Bogue dedicated Madonna-inspired monologues.

First impersonations on Madonna started with her fans, mainly young female audience when they copied and emulated her no later than 1985, and which were counted by thousands around the world. This phenomenon was later defined as the "Madonna wannabe". Prominent look-alikes contests were made and received press coverage. An example occurred in 1985 led by Macy's and had Andy Warhol and Nina Blackwood among others as judges. The winner gained nationwide briefly fame as "the best Madonna look-alike" according to MTV. Over the years, impersonations on Madonna have been documented among her fandom, through fan conventions, tours, and themed parties among other cultural manifestations, such as competitions and TV shows.

Drag kings have historically been mostly female performance artists who dress in masculine drag and personify male gender stereotypes as part of an individual or group routine. As documented in the 2003 Journal of Homosexuality, in more recent years the world of drag kings has broadened to include performers of all gender expressions. A typical drag show may incorporate dancing, acting, stand-up comedy and singing, either live or lip-synching to pre-recorded tracks. Drag kings often perform as exaggeratedly macho male characters, portray characters such as construction workers and rappers, or impersonate male celebrities like Elvis Presley, Michael Jackson and Tim McGraw. Drag kings may also perform as personas that do not clearly align with the gender binary. Drag personas that combine both stereotypically masculine and feminine traits are common in modern drag king shows.

In the late 1800s and early 1900s, several drag kings became British music hall stars and British pantomime has preserved the tradition of women performing in male roles. Starting in the mid-1990s, drag kings began to gain some of the fame and attention that drag queens have known.

The New York Dolls were an American rock band formed in New York City in 1971, who released two albums, New York Dolls (1973) and Too Much Too Soon (1974), before disbanding in 1976. Its classic lineup consisted of vocalist David Johansen, guitarist Johnny Thunders, bassist Arthur Kane, guitarist and pianist Sylvain Sylvain, and drummer Jerry Nolan; the latter two had replaced Rick Rivets and Billy Murcia, respectively, in 1972. In their appearance, they drew from drag fashion, wearing high heels, hats, satin, makeup, spandex, and dresses.

In 2004, the New York Dolls reunited with a new lineup and later released three more albums. After a British tour with Alice Cooper in 2011, the Dolls disbanded again. By 2025, all original members of the New York Dolls had died: drummer Billy Murcia (1951–1972), guitarist Johnny Thunders (1952–1991), drummer Jerry Nolan (1946–1992), bassist Arthur Kane (1949–2004), guitarist Sylvain Sylvain (1951–2021), and lead singer David Johansen (1950–2025).

Scott Marble (1847 – April 5, 1919) was an American playwright who wrote the 1896 stage melodrama The Great Train Robbery which in 1903 was made into a film of the same name that later would be regarded as a classic movie Western. For the female impersonator George W. Munroe he wrote the play My Aunt Bridget (1886); a work which had a lengthy national tour in vaudeville in the late nineteenth century. His other plays include Tennessee's Pardner (1894), The Sidewalks of New York (1895), The Cotton Spinner (1896), The Heart of the Klondike (1897), and Have You Seen Smith? (1898), On Land and Sea (1898), and Daughters of the Poor (1899). The composer Richard Stahl wrote the book for the romantic opera Said Pascha which originally was produced at the Tivoli Opera House in San Francisco in 1888.

Marble was born in Pennsylvania in 1847. He moved to the Chicago area circa 1878 and worked there as an actor in the 1880s. He and his wife, actress Grace Marble, had four children. He died in New York City, on April 5, 1919.

Andy Warhol (/ˈwɔːrhɒl/ ; born Andrew Warhola Jr.; August 6, 1928 – February 22, 1987) was an American artist, filmmaker, and impresario. Drawing on imagery from advertising, mass media, and celebrity culture, he transformed everyday consumer goods and familiar icons—such as Campbell's soup cans, Marilyn Monroe, and Brillo Pad boxes—into renowned artworks, establishing himself as a leading figure in the pop art movement. Warhol is widely regarded as the most important American artist of the second half of the 20th century.

Born to working-class Rusyn immigrant parents in Pittsburgh, Warhol began his career as a successful commercial illustrator in New York before turning to fine art, where his embrace of mechanical reproduction, silkscreen printing, and serial repetition challenged traditional boundaries between high and low culture. His studio, the Factory, became a hub for avant-garde experimentation, bringing together drag queens, poets, bohemians, musicians, and wealthy patrons. He directed numerous underground films—such as Chelsea Girls (1966), Lonesome Cowboys (1968), and Blue Movie (1969)—featuring a shifting group of personalities known as Warhol superstars, and he is often credited with popularizing the expression "15 minutes of fame." Warhol also managed the influential rock band the Velvet Underground, who performed at his multimedia happenings, the Exploding Plastic Inevitable (1966–67). He expressed his queer identity through many of his artworks and films at a time when homosexuality in the United States was heavily stigmatized and legally constrained.

Vander Clyde Broadway (December 19, 1899 – August 5, 1973), stage name Barbette, was an American female impersonator, high-wire performer, and trapeze artist born in Texas. Barbette attained great popularity throughout the United States but his greatest fame came in Europe and especially Paris, in the 1920s and 1930s.

Barbette began performing as an aerialist at around the age of 14 as one-half of a circus act called The Alfaretta Sisters. After a few years of circus work, Barbette went solo and adopted his exotic-sounding pseudonym. He performed in full drag, revealing himself as male only at the end of his act.