Dracula in the context of "Nosferatu"

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Dracula in the context of Count Dracula

Count Dracula (/ˈdrækjʊlə, -jə-/) is the title character and main antagonist of Bram Stoker's gothic horror novel Dracula (1897). He is considered the prototypical and archetypal vampire in subsequent works of fiction. Aspects of the character are believed by some to have been inspired by the 15th-century Wallachian prince Vlad the Impaler, who was also known as Vlad Dracula, and by Sir Henry Irving and Jacques Damala, actors with aristocratic backgrounds that Stoker had met during his life. Count Dracula is one of the best-known fictional figures of the Victorian era.

One of Dracula's most famous powers is his ability to turn others into vampires by biting them and infecting them with the vampiric disease. Other characteristics have been added or altered in subsequent popular fictional works, including books, films, cartoons, and video games.

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Dracula in the context of Sauron

Sauron (/ˈsaʊərɒn/) is the title character and the main antagonist in J. R. R. Tolkien's The Lord of the Rings, where he rules the land of Mordor. He has the ambition of ruling the whole of Middle-earth using the power of the One Ring, which he has lost and seeks to recapture. In the same work, he is identified as the "Necromancer" of Tolkien's earlier novel The Hobbit. The Silmarillion describes him as the chief lieutenant of the first Dark Lord, Morgoth. Tolkien noted that the Ainur, the "angelic" powers of his constructed myth, "were capable of many degrees of error and failing", but by far the worst was "the absolute Satanic rebellion and evil of Morgoth and his satellite Sauron". Sauron appears most often as "the Eye", as if disembodied.

Tolkien, while denying that absolute evil could exist, stated that Sauron came as near to a wholly evil will as was possible. Commentators have compared Sauron to the title character of Bram Stoker's 1897 novel Dracula, and to Balor of the Evil Eye in Irish mythology. Sauron is briefly seen in a humanoid form in Peter Jackson's film trilogy, which otherwise shows him as a disembodied, flaming Eye.

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Dracula in the context of Dracula (1924 play)

Dracula is a stage play written by the Irish actor and playwright Hamilton Deane in 1924, then revised by the American writer John L. Balderston in 1927. It was the first authorized adaptation of Bram Stoker's 1897 novel Dracula. After touring in England, the original version of the play appeared at London's Little Theatre in July 1927, where it was seen by the American producer Horace Liveright. Liveright asked Balderston to revise the play for a Broadway production that opened at the Fulton Theatre in October 1927. This production starred Bela Lugosi in his first major English-speaking role.

In the revised story, Abraham Van Helsing investigates the mysterious illness of a young woman, Lucy Seward, with the help of her father and fiancé. He discovers she is the victim of Count Dracula, a powerful vampire who is feeding on her blood. The men follow one of Dracula's servants to the vampire's hiding place, where they kill him with a stake to the heart.

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Dracula in the context of Nosferatu, eine Symphonie des Grauens

Nosferatu: A Symphony of Horror (German: Nosferatu – Eine Symphonie des Grauens) is a 1922 silent German Expressionist vampire film directed by F. W. Murnau from a screenplay by Henrik Galeen. It stars Max Schreck as Count Orlok, a vampire who preys on the wife (Greta Schröder) of his estate agent (Gustav von Wangenheim) and brings the plague to their town.

Nosferatu was produced by Prana Film and is an unauthorized adaptation of Bram Stoker's 1897 novel Dracula. Various names and other details were changed from the novel, including Count Dracula being renamed Count Orlok. Although those changes are often represented as a defense against copyright infringement accusations, the original German intertitles acknowledged Dracula as the source. Film historian David Kalat states in his commentary track that since the film was "a low-budget film made by Germans for German audiences... setting it in Germany with German-named characters makes the story more tangible and immediate for German-speaking viewers".

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Dracula in the context of Bram Stoker

Abraham Stoker (8 November 1847 – 20 April 1912) was an Irish novelist and theatre manager. He is best known as the author of Dracula (1897) and the creator of the fictional character Count Dracula. The novel and its antagonist are considered landmarks in vampire literature.

Stoker was the third of seven children and was bedridden for the first seven years of his life with an undiagnosed illness. He received his initial education at home, before enrolling at Trinity College Dublin in 1864. He excelled as a rugby athlete and was a prominent member of both the university's philosophical society and student union. It was also during this period that Stoker was introduced to literature, becoming the auditor of the society and writing his first paper.

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Dracula in the context of Dracula (1931 English-language film)

Dracula is a 1931 American pre-Code vampire film directed and co-produced by Tod Browning from a screenplay written by Garrett Fort and starring Bela Lugosi in the title role. It is based on the stage play Dracula by Hamilton Deane and John L. Balderston, which in turn is adapted from the 1897 novel Dracula by Bram Stoker. Lugosi portrays Count Dracula, a vampire who emigrates from Transylvania to England and preys upon the blood of living victims, including a young man's fiancée.

Produced and distributed by Universal Pictures, Dracula is the first sound film adaptation of the Stoker novel. Several actors were considered to portray the title character, but Lugosi, who had previously played the role on Broadway, eventually got the part. The film was partially shot on sets at Universal Studios Lot in California, which were reused at night for the filming of a concurrently produced Spanish-language adaptation of the same name, also produced by Universal.

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Dracula in the context of Erotic horror

Erotic horror, alternately called horror erotica or dark erotica, is a genre of fiction in which sensual or sexual imagery are blended with horrific overtones or story elements for the purpose of sexual arousal. Horror fiction of this type is most common in literature, film and video games.

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Dracula in the context of Horror Western

The horror Western is a crossgenre of both the horror and Western genres. It has it roots in films such as Curse of the Undead (1959), featuring Michael Pate as a vampire gunfighter; and Billy the Kid vs. Dracula (1966), which depicts the real-life outlaw Billy the Kid fighting against the fictional vampire Dracula.

Newer examples include Near Dark (1987) directed by Kathryn Bigelow, which tells the story about a human falling in love with a vampire. From Dusk till Dawn (1996) by Robert Rodriguez deals with outlaws battling vampires. Vampires (1998), by John Carpenter, is about a group of vampires and vampire hunters looking for an ancient relic in the modern West. Ravenous (1999) concerns cannibalism at a remote United States Army outpost and The Burrowers (2008) is about a band of trackers who are stalked by the titular creatures. Abraham Lincoln: Vampire Hunter (2012) depicts Abraham Lincoln's life as a secret vampire hunter. Bone Tomahawk (2015), one of the most recent entries in the genre, received wide critical acclaim for its tale of cannibalism, but like many other films in the genre, it was not a commercial success.

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Dracula in the context of Strigoi

Strigoi in Romanian mythology are troubled spirits that are said to have risen from the grave. They are attributed with the abilities to transform into a beast, become invisible, and to gain vitality from the blood of their victims. Bram Stoker's Dracula may be a modern interpretation of the Strigoi through their historic links with vampirism.

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