Domenichino in the context of "Italian Baroque painter"

The unicorn is a legendary creature that has been described since antiquity as a beast with a single large, pointed, spiraling horn projecting from its forehead.

In European literature and art, the unicorn has for the last thousand years or so been depicted as a white horse- or goat-like animal with a long straight horn with spiraling grooves, cloven hooves, and sometimes a goat's beard. In the Middle Ages and Renaissance, it was commonly described as an extremely wild woodland creature, a symbol of purity and grace, which could be captured only by a virgin. In encyclopedias, its horn was described as having the power to render poisoned water potable and to heal sickness. In medieval and Renaissance times, the tusk of the narwhal was sometimes sold as a unicorn horn.

A Virgin with a Unicorn (Fanciulla e l'unicorno) is a fresco painting by the Italian Baroque artist Domenichino, completed between c. 1604 and 1605. It is in the collection of the Palazzo Farnese, in Rome.

Palazzo Farnese ([paˈlattso farˈneːze, -eːse]) or Farnese Palace is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy.

First designed in 1517 for the Farnese family, the building expanded in size and conception when Alessandro Farnese became Pope Paul III in 1534, to designs by Antonio da Sangallo the Younger. Its building history involved some of the most prominent Italian architects of the 16th century, including Michelangelo, Jacopo Barozzi da Vignola and Giacomo della Porta.

The Bolognese school of painting, also known as the school of Bologna, flourished between the 16th and 17th centuries in Bologna, which rivalled Florence and Rome as the center of painting in Italy. Its most important representatives include the Carracci family, including Ludovico Carracci and his two cousins, the brothers Agostino and Annibale Carracci. Later, it included other Baroque painters: Domenichino and Lanfranco, active mostly in Rome, eventually Guercino and Guido Reni, and Accademia degli Incamminati in Bologna, which was run by Lodovico Carracci. Certain artistic conventions, which over time became traditionalist, had been developed in Rome during the first decades of the 16th century. As time passed, some artists sought new approaches to their work that no longer reflected only the Roman manner. The Carracci studio sought innovation or invention, seeking new ways to break away from traditional modes of painting while continuing to look for inspiration from their literary contemporaries; the studio formulated a style that was distinguished from the recognized manners of art in their time. This style was seen as both systematic and imitative, borrowing particular motifs from the past Roman schools of art and innovating a modernistic approach.

Bassano Romano is a town and comune situated in the hills of Monti Sabatini in the province of Viterbo, in northern Lazio (Italy).With its origins about 1000 as the agricultural hamlet of Bassano di Sutri the village's future was founded in 1160 by the wealthy landowner Enotrio Serco, who initiated the construction at the top of the slope of a fortified residence that over the centuries became a princely dwelling, frescoed by famous artists. In 1482 Pope Sixtus IV assigned the Foedus Bassani to the Anguillara, Roman patricians (patrizii di Roma). The growth of the comune redoubled after 1565, when the signory was reassigned by Pope Clement VIII to the Giustiniani, merchants of Genoese origin settled at Rome. In 1605 the signory was raised to a marquessate: a hunting lodge (casina di caccia) called "La Rocca", granaries, a stone bridge (the ponte delle Vaschie) and the church dedicated to San Vincenzo were all constructed. During the Giustiniani residence, artists were commissioned to carry out frescoes: Francesco Albani, Domenico Zampieri "Domenichino" and Antonio Tempesta are all represented. In 1644, a bulla of Pope Innocent X made the marchese of Bassano a prince, and the flock of papal and noble visitors included James Stuart, pretender to the thrones of England and Scotland. In 1735, under Giustiniani patronage the maiolica manufactory of Bartolomeo Terchi was transferred here from Siena.

Various epidemics struck Bassano during the 18th century, in 1709, 1770 and 1786. In 1799, the French forces of Napoleon attacked Bassano no less than four times.

Benedetto Giustiniani (5 June 1554 – 27 March 1621) was an Italian clergyman who was made a cardinal in the consistory of 16 November 1586 by Pope Sixtus V.

He participated in the papal conclaves of 1592 and 1621. From 1615 to 1620 he was bishop of the Sabina and from 1620 to 1621 of Porto. Either he or his brother Vincenzo commissioned the 1621-1629 painting of Saint John the Evangelist by Domenichino. His postmortem inventory contained 280 paintings.

Palazzo Farnese ([paˈlattso farˈneːze, -eːse]) or Farnese Palace is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French Embassy in Italy [fr].

First designed in 1517 for the Farnese family, the building expanded in size and conception when Alessandro Farnese became Pope Paul III in 1534, to designs by Antonio da Sangallo the Younger. Its building history involved some of the most prominent Italian architects of the 16th century, including Michelangelo, Jacopo Barozzi da Vignola and Giacomo della Porta.