Guido Reni in the context of "Bolognese School"

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⭐ Core Definition: Guido Reni

Guido Reni (Italian pronunciation: [ˌɡwiːdo ˈrɛːni]; 4 November 1575 – 18 August 1642) was an Italian Baroque painter, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci.

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Guido Reni in the context of Angel

An angel is a spiritual heavenly, or supernatural entity, usually humanoid with bird-like wings, often depicted as a messenger or intermediary between God (the transcendent) and humanity (the profane) in various traditions like the Abrahamic religions. Other roles include protectors and guides for humans, such as guardian angels and servants of God. In Western belief-systems the term is often used to distinguish benevolent from malevolent intermediary beings.

Emphasizing the distance between God and mankind, revelation-based belief-systems require angels to bridge the gap between the earthly and the transcendent realm. Angels play a lesser role in monistic belief-systems, since the gap is non-existent. However, angelic beings might be conceived as aid to achieve a proper relationship with the divine.

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Guido Reni in the context of Nessus (centaur)

In Greek mythology, Nessus (Ancient Greek: Νέσσος, romanizedNessos) was a famous centaur who was killed by Heracles, and whose poisoned blood in turn killed Heracles. He was the son of Centauros. He fought in the battle with the Lapiths and became a ferryman on the river Euenos.

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Guido Reni in the context of Palazzo Rosso (Genoa)

The Palazzo Brignole Sale or Palazzo Rosso is a house museum located in Via Garibaldi, in the historical center of Genoa, in Northwestern Italy. The palace is part of the UNESCO World Heritage Site Genoa: Le Strade Nuove and the system of the Palazzi dei Rolli. The rich art collection inside, along with the galleries of Palazzo Bianco and Palazzo Doria Tursi, is part of the Musei di Strada Nuova and consists of the works of artists of the caliber of Antoon van Dyck, Guido Reni, Paolo Veronese, Guercino, Gregorio De Ferrari, Albrecht Dürer, Bernardo Strozzi and Mattia Preti.

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Guido Reni in the context of Virgin birth of Jesus

In Christianity and Islam, it is asserted that Jesus of Nazareth was conceived by his mother Mary solely through divine intervention and without sexual intercourse, thus resulting in his virgin birth. In accordance with these beliefs, Jesus had just one biological parent instead of the necessary two; Mary's husband Joseph was his father only in the legal sense. Most Christians hold that Mary's virginity was perpetual. Though not biologically related, Jesus being Joseph's adoptive son is cited as linking him to the Davidic line.

The Christian understanding is that the birth of Jesus by a virgin woman was made possible by the Holy Spirit of the Trinity. Christians regard the doctrine as an explanation of the combination of the human and divine natures emanating from Jesus Christ. The Eastern Orthodox Churches accept the doctrine as authoritative by reason of its inclusion in the Nicene Creed, and the Catholic Church holds it authoritative for faith through the Apostles' Creed as well as the Nicene. Nevertheless, there are many contemporary churches in which it is considered orthodox to accept the virgin birth, but not heretical to deny it.

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Guido Reni in the context of Eminence (style)

His Eminence (abbreviated H.Em. or HE) is a style of reference for high nobility, still in use in various religious contexts.

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Guido Reni in the context of Archangel

Archangels (/ˌɑːrkˈnəls/) are the second-lowest rank of angel in the Catholic hierarchy of angels, based on and put forward by Pseudo-Dionysius the Areopagite in the 5th or 6th century in his book De Coelesti Hierarchia (On the Celestial Hierarchy).

The Bible itself uses the term “archangel” two times referring to the angel Michael only in the New Testament. The Bible does not mention a particular hierarchy of angels in any detail aside from this. The word is usually associated with the Abrahamic religions and many offshoots they are historically associated with.

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