Dolby Digital in the context of "Modified discrete cosine transform"

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⭐ Core Definition: Dolby Digital

Dolby Digital, originally synonymous with Dolby AC-3 (see below), is the name for a family of audio compression technologies developed by Dolby Laboratories. Called Dolby Stereo Digital until 1995, it uses lossy compression (except for Dolby TrueHD). The first use of Dolby Digital was to provide digital sound in cinemas from 35Β mm film prints. It has since also been used for TV broadcast, radio broadcast via satellite, digital video streaming, DVDs, Blu-ray discs and game consoles.

Dolby AC-3 was the original version of the Dolby Digital codec. The basis of the Dolby AC-3 multi-channel audio coding standard is the modified discrete cosine transform (MDCT), a lossy audio compression algorithm. It is a modification of the discrete cosine transform (DCT) algorithm, which was proposed by Nasir Ahmed in 1972 for image compression. The DCT was adapted into the MDCT by J.P. Princen, A.W. Johnson and Alan B. Bradley at the University of Surrey in 1987.

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πŸ‘‰ Dolby Digital in the context of Modified discrete cosine transform

The modified discrete cosine transform (MDCT) is a transform based on the type-IV discrete cosine transform (DCT-IV), with the additional property of being lapped: it is designed to be performed on consecutive blocks of a larger dataset, where subsequent blocks are overlapped so that the last half of one block coincides with the first half of the next block. This overlapping, in addition to the energy-compaction qualities of the DCT, makes the MDCT especially attractive for signal compression applications, since it helps to avoid artifacts stemming from the block boundaries. As a result of these advantages, the MDCT is the most widely used lossy compression technique in audio data compression. It is employed in most modern audio coding standards, including MP3, Dolby Digital (AC-3), Vorbis (Ogg), Windows Media Audio (WMA), ATRAC, Cook, Advanced Audio Coding (AAC), High-Definition Coding (HDC), LDAC, Dolby AC-4, and MPEG-H 3D Audio, as well as speech coding standards such as AAC-LD (LD-MDCT), G.722.1, G.729.1, CELT, and Opus.

The discrete cosine transform (DCT) was first proposed by Nasir Ahmed in 1972, and demonstrated by Ahmed with T. Natarajan and K. R. Rao in 1974. The MDCT was later proposed by John P. Princen, A.W. Johnson and Alan B. Bradley at the University of Surrey in 1987, following earlier work by Princen and Bradley (1986) to develop the MDCT's underlying principle of time-domain aliasing cancellation (TDAC), described below. (There also exists an analogous transform, the MDST, based on the discrete sine transform, as well as other, rarely used, forms of the MDCT based on different types of DCT or DCT/DST combinations.)

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Dolby Digital in the context of Sound-on-film

Sound-on-film is a class of sound film processes where the sound accompanying a picture is recorded on photographic film, usually, but not always, the same strip of film carrying the picture. Sound-on-film processes can either record an analog sound track or digital sound track, and may record the signal either optically or magnetically. Earlier technologies were sound-on-disc, meaning the film's soundtrack would be on a separate phonograph record.

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Dolby Digital in the context of Discrete cosine transform

A discrete cosine transform (DCT) expresses a finite sequence of data points in terms of a sum of cosine functions oscillating at different frequencies. The DCT, first proposed by Nasir Ahmed in 1972, is a widely used transformation technique in signal processing and data compression. It is used in most digital media, including digital images (such as JPEG and HEIF), digital video (such as MPEG and H.26x), digital audio (such as Dolby Digital, MP3 and AAC), digital television (such as SDTV, HDTV and VOD), digital radio (such as AAC+ and DAB+), and speech coding (such as AAC-LD, Siren and Opus). DCTs are also important to numerous other applications in science and engineering, such as digital signal processing, telecommunication devices, reducing network bandwidth usage, and spectral methods for the numerical solution of partial differential equations.

A DCT is a Fourier-related transform similar to the discrete Fourier transform (DFT), but using only real numbers. The DCTs are generally related to Fourier series coefficients of a periodically and symmetrically extended sequence whereas DFTs are related to Fourier series coefficients of only periodically extended sequences. DCTs are equivalent to DFTs of roughly twice the length, operating on real data with even symmetry (since the Fourier transform of a real and even function is real and even), whereas in some variants the input or output data are shifted by half a sample.

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Dolby Digital in the context of Optical sound

Optical sound is a means of storing sound recordings on transparent film. Originally developed for military purposes, the technology first saw widespread use in the 1920s as a sound-on-film format for motion pictures. Optical sound eventually superseded all other sound film technologies until the advent of digital sound became the standard in cinema projection booths. Optical sound has also been used for multitrack recording and for creating effects in some musical synthesizers.

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Dolby Digital in the context of TOSLINK

TOSLINK (Toshiba Link) is a standardized optical fiber connector system. Generically known as optical audio, the most common use of the TOSLINK optical fiber connector is in consumer audio equipment in which the digital optical socket carries (transmits) a stream of digital audio signals from audio equipment (CD player, DVD player, Digital Audio Tape recorder, computer, video game console) to an AV receiver that can decode two channels of uncompressed, pulse-code modulated (PCM) audio; or decode compressed 5.1 or 7.1 surround sound audio signals, such as Dolby Digital and DTS. Unlike an HDMI connector cable, a TOSLINK optical fiber connector does not possess the bandwidth capacity to carry the uncompressed audio signals of Dolby TrueHD and of DTS-HD Master Audio, but it can carry up to 8 channels of PCM audio when used to connect two devices that use the ADAT Lightpipe standard.

Although the TOSLINK connector supports several media formats and physical standards, the most common digital audio connectors are the rectangular EIAJ/JEITA RC-5720 (also CP-1201 and JIS C5974-1993 F05). In a TOSLINK connector, the optical signal appears as a red light, with a peak wavelength of 650 nm. Depending on the type of modulated signal being carried, other optical wavelengths can be present.

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Dolby Digital in the context of Pioneer Corporation

Pioneer Corporation (パむγ‚ͺニをζ ͺ式会瀾, Paionia Kabushiki-gaisha) is a Japanese multinational corporation based in Tokyo, that specializes in vehicle audio products. It works with optical disc and display technology and software products and is also a manufacturer.

Pioneer played a role in the development of interactive cable TV, the LaserDisc player, the first automotive CD player, the first detachable face car stereo, Supertuner technology, DVD and DVD recording, the first AV receiver with Dolby Digital, plasma display (with the last 2 years of plasma models being branded as Kuro, lauded for their outstanding black levels) and Organic LED display (OLED).

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Dolby Digital in the context of Dolby TrueHD

Dolby TrueHD is a lossless, multi-channel audio codec developed by Dolby Laboratories for home video, used principally in Blu-ray Disc and compatible hardware. Dolby TrueHD, along with Dolby Digital Plus (E-AC-3) and Dolby AC-4, is one of the intended successors to the Dolby Digital (AC-3) lossy surround format. Dolby TrueHD competes with DTS's DTS-HD Master Audio (DTS-HD MA), another lossless surround sound codec.

The Dolby TrueHD specification provides for up to 16 discrete audio channels, each with a sampling rate of up to 192Β kHz and sample depth of up to 24 bits. Dolby's compression mechanism for TrueHD is Meridian Lossless Packing (MLP); prior to Dolby TrueHD, MLP was used for the DVD-Audio format, although the two formats' respective implementations of MLP are not mutually compatible. A Dolby TrueHD audio stream varies in bitrate, as does any other losslessly compressed audio format.

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