Divine embodiment in the context of "Apotheosis"

Vajrayāna (Sanskrit: वज्रयान, lit. 'Diamond Vehicle or Thunderbolt Vehicle'), otherwise known as Mantrayāna ("Mantra Vehicle"), Guhyamantrayāna ("Secret Mantra Vehicle"), Tantrayāna ("Tantra Vehicle"), Indo-Tibetan Buddhism, Tantric Buddhism, and Esoteric Buddhism, is a Mahāyāna Buddhist tradition that emphasizes esoteric practices and rituals aimed at rapid spiritual awakening. Emerging between the 5th and 7th centuries CE in medieval India, Vajrayāna Buddhism incorporates a range of techniques, including the use of mantras (sacred sounds), dhāraṇīs (mnemonic codes), mudrās (symbolic hand gestures), mandalās (spiritual diagrams), and the visualization of deities and Buddhas. These practices are designed to transform ordinary experiences into spiritual paths toward enlightenment and liberation, often by engaging with aspects of desire and aversion in a ritualized context.

A distinctive feature of Vajrayāna Buddhism is its emphasis on esoteric transmission, where teachings are passed directly from teacher (guru or vajrācārya) to student through initiation ceremonies. Tradition asserts that these teachings have been passed down through an unbroken lineage going back to the historical Buddha (c. the 5th century BCE), sometimes via other Buddhas or bodhisattvas (e.g., Vajrapani). This lineage-based transmission ensures the preservation of the purity and effectiveness of the teachings. Practitioners often engage in deity yoga, a meditative practice where one visualizes oneself as a deity embodying enlightened qualities to transform one's perception of reality. The tradition also acknowledges the role of feminine energy, venerating female Buddhas and ḍākiṇīs (spiritual beings), and sometimes incorporates practices that challenge conventional norms to transcend dualistic thinking.

Apotheosis (from Ancient Greek ἀποθέωσις (apothéōsis), from ἀποθεόω/ἀποθεῶ (apotheóō/apotheô) 'to deify'), also called divinization or deification (from Latin deificatio 'making divine'), is the glorification of a subject to divine levels and, commonly, the treatment of a human being, any other living thing, or an abstract idea in the likeness of a deity.

Apotheosis relates to religion and is the subject of many works of art. Figuratively, "apotheosis" may be used in almost any context for "the deification, glorification, or exaltation of a principle, practice, etc.", so normally attached to an abstraction of some sort.

In Sabine and ancient Roman religion and myth, Luna (Latin: Lūna [ˈluːna]) is the divine embodiment of the Moon. She is often presented as the female complement of the Sun, Sol, conceived of as a god. Luna is also sometimes represented as an aspect of the Roman triple goddess (diva triformis), along with Diana and either Proserpina or Hecate. Luna is not always a distinct goddess, but sometimes rather an epithet that specializes a goddess, since both Diana and Juno are identified as moon goddesses.

In Roman art, Luna attributes are the crescent moon plus the two-yoke chariot (biga). In the Carmen Saeculare, performed in 17 BC, Horace invokes her as the "two-horned queen of the stars" (siderum regina bicornis), bidding her to listen to the girls singing as Apollo listens to the boys.