Dissolution of the Monasteries in the context of "Supreme Head of the Church of England"

Covent Garden is a district in London, on the eastern fringes of the West End, between St Martin's Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the central square, now a popular shopping and tourist site, and with the Royal Opera House, itself known as "Covent Garden". The district is divided by the main thoroughfare of Long Acre, north of which is given over to independent shops centred on Neal's Yard and Seven Dials, while the south contains the central square with its street performers and most of the historical buildings, theatres and entertainment facilities, including the London Transport Museum and the Theatre Royal, Drury Lane.

The area was fields until briefly settled in the 7th century when it became the heart of the Anglo-Saxon trading town of Lundenwic, then abandoned at the end of the 9th century after which it returned to fields. By 1200 part of it had been walled off by the Abbot of Westminster Abbey for use as arable land and orchards, later referred to as "the garden of the Abbey and Convent", and later "the Convent Garden". Following the Dissolution of the Monasteries it was granted in 1552 by the young King Edward VI to John Russell, 1st Earl of Bedford (c.1485–1555), the trusted adviser to his father King Henry VIII. The 4th Earl commissioned Inigo Jones to build some fine houses to attract wealthy tenants. Jones designed the Italianate arcaded square along with the church of St Paul's. The design of the square was new to London and had a significant influence on modern town planning, acting as the prototype for new estates as London grew.

John Russell, 1st Earl of Bedford, KG, PC, JP (c. 1485 – 14 March 1555) was an English royal minister in the Tudor era. He served variously as Lord High Admiral and Lord Privy Seal. Among the lands and property he was given by Henry VIII after the Dissolution of the Monasteries, were the Abbey and town of Tavistock, and the area that is now Covent Garden. Russell is the ancestor of all subsequent Earls and Dukes of Bedford and Earls Russell, including John Russell, Prime Minister of the United Kingdom (1865-6), and Bertrand Russell, the philosopher (1872-1970).

Sandwell Priory was a small medieval Benedictine monastery, near West Bromwich, then part of Staffordshire, England. It was founded in the late 12th century by a local landowner and was only modestly endowed. It had a fairly turbulent history and suffered considerably from mismanagement. It was dissolved in 1525 at the behest of Cardinal Wolsey – more than a decade before the main Dissolution of the Monasteries under Henry VIII.

The Cotton or Cottonian library is a collection of manuscripts that came into the hands of the antiquarian and bibliophile Sir Robert Bruce Cotton MP (1571–1631). The collection of books and materials Sir Robert held was one of the three "foundation collections" of the British Museum in 1753. It is now one of the major collections of the Department of Manuscripts of the British Library. Cotton was of a Shropshire family who originated near Wem and were based in Alkington and employed by the Geneva Bible publisher, statesman and polymath Sir Rowland Hill in the mid 16th century.

After the Dissolution of the Monasteries, many priceless and ancient manuscripts that had belonged to the monastic libraries began to be disseminated among various owners, many of whom were unaware of the cultural value of the manuscripts. Cotton's skill lay in finding, purchasing and preserving these ancient documents. The leading scholars of the era, including Francis Bacon, Walter Raleigh, and James Ussher, came to use Sir Robert's library. Richard James acted as his librarian. The library is of special importance for having preserved the only copy of several works, including Beowulf, The Battle of Maldon, and Sir Gawain and the Green Knight.

Malmesbury Abbey, at Malmesbury in Wiltshire, England, is a former Benedictine abbey dedicated to Saint Peter and Saint Paul. It was one of the few English religious houses with a continuous history from the 7th century through to the Dissolution of the Monasteries.

The St Cuthbert Gospel, also known as the Stonyhurst Gospel or the St Cuthbert Gospel of St John, is an early 8th-century pocket gospel book, written in Latin. Its finely decorated leather binding is the earliest known Western bookbinding to survive, and both the 94 vellum folios and the binding are in outstanding condition for a book of this age. With a page size of only 138 by 92 millimetres (5.4 in × 3.6 in), the St Cuthbert Gospel is one of the smallest surviving Anglo-Saxon manuscripts. The essentially undecorated text is the Gospel of John in Latin, written in a script that has been regarded as a model of elegant simplicity.

The book takes its name from Saint Cuthbert of Lindisfarne, North East England, in whose tomb it was placed, probably a few years after his death in 687. Although it was long regarded as Cuthbert's personal copy of the Gospel, to which there are early references, and so a relic of the saint, the book is now thought to date from shortly after Cuthbert's death. It was probably a gift from Monkwearmouth–Jarrow Abbey, where it was written, intended to be placed in St Cuthbert's coffin in the few decades after this was placed behind the altar at Lindisfarne in 698. It presumably remained in the coffin through its long travels after 875, forced by Viking invasions, ending at Durham Cathedral. The book was found inside the coffin and removed in 1104 when the burial was once again moved within the cathedral. It was kept there with other relics, and important visitors were able to wear the book in a leather bag around their necks. It is thought that after the Dissolution of the Monasteries in England by Henry VIII between 1536 and 1541, the book passed to collectors. It was eventually given to Stonyhurst College, the Jesuit school in Lancashire.

Elizabethan architecture refers to buildings in a local style of Renaissance architecture built during the reign of Queen Elizabeth I of England from 1558 to 1603. The style is very largely confined to secular buildings, especially the large prodigy houses built for the newly-risen nobility close to the court. Many ordinary buildings continued vernacular styles with little decoration. New religious building had ended abruptly at the Dissolution of the Monasteries from c. 1536. English architecture was late in adopting Renaissance standards compared to the rest of Europe, and in the Elizabethan style northern Europe rather than Italy was the main influence. After Elizabeth a new court culture of pan-European artistic ambition under James I (1603–1625) saw the style morph into Jacobean architecture. Stylistically, Elizabethan architecture is notably pluralistic. It came at the end of insular late Gothic traditions in design and construction called the Perpendicular style in church building, the fenestration, vaulting techniques, and open truss designs of which often affected the detail of larger domestic buildings. In the late part of the 16th century, illustrated continental pattern-books introduced a wide range of architectural exemplars, fueled by the archaeology of Ancient Rome.

As church building turned to the construction of great houses for courtiers and merchants, these novelties accompanied a nostalgia for native history as well as huge divisions in religious identity, plus the influence of continental mercantile and civic buildings. Insular traditions of construction, detail and materials never entirely disappeared. These varied influences on patrons who could favor conservatism or great originality confound attempts to neatly classify Elizabethan architecture. This era of cultural upheaval and fusions corresponds to what is often termed Mannerism and Late Cinquecento in Italy, French Renaissance architecture in France, and the Plateresque style in Spain.

Glastonbury Abbey was a monastery in Glastonbury, Somerset, England. Its ruins, a grade I listed building and scheduled ancient monument, are open as a visitor attraction.

The abbey was founded in the 8th century and enlarged in the 10th. It was destroyed by a major fire in 1184, but subsequently rebuilt and by the 14th century was one of the richest and most powerful monasteries in England. The abbey controlled large tracts of the surrounding land and was instrumental in major drainage projects on the Somerset Levels. The abbey was suppressed during the Dissolution of the Monasteries under King Henry VIII of England. The last abbot, Richard Whiting (Whyting), was hanged, drawn and quartered as a traitor on Glastonbury Tor in 1539.

Holker Hall (pronounced Hooker by some) is a privately owned country house located about 2 km to the southwest of the village of Cartmel in the ceremonial county of Cumbria and historic county of Lancashire, England. It is "the grandest [building] of its date in Lancashire ...by the best architects then living in the county." The building dates from the 16th century, with alterations, additions, and rebuilding in the 18th and 19th centuries. The 19th century rebuilding was by George Webster in Jacobean Revival style and subsequent renovations were by E. G. Paley. Hubert Austin had a joint practice with Paley by the 1870s and they both rebuilt the west wing after it was destroyed by a major fire in 1871, only a decade after Paley's previous work on the structure. The fire also destroyed a number of notable artworks. Holker Hall is Paley and Austin's "most important country house commission." The architectural historian Nikolaus Pevsner expressed the opinion that the west wing is the "outstanding domestic work" of Paley and Austin. In 1970 the hall itself, together with its terrace wall, were designated Grade II* Listed buildings. The house stands in an estate of about 80 hectares, and is surrounded by formal gardens, parkland and woodland. Within the grounds are six structures listed at Grade II.

Since becoming a private house following the Dissolution of the Monasteries, the estate has never been sold, having passed by inheritance from the Preston family to the Lowther family, and then to the Cavendish family. The house and grounds are open to the public at advertised times on payment of an admission fee.