Digambara in the context of "Bharata Chakravarti"

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⭐ Core Definition: Digambara

Digambara (/dɪˈɡʌmbərə/; "sky-clad") is one of the two major schools of Jainism, the other being Śvetāmbara (white-clad). The Sanskrit word Digambara means "sky-clad", referring to their traditional monastic practice of neither possessing nor wearing any clothes. Nakedness was the ideal practice of lord Mahavira and his immediate followers. Mahavira emphasised the importance of nakedness for monks. It symbolizes complete detachment and is an ideal form of conduct. Mahavira believed that renouncing clothes made the body immune to external influences like heat and cold, increasing resilience. Without clothes, a monk would avoid the distractions of acquiring, maintaining, and washing garments, allowing him to focus on spiritual growth and self-discipline.

Digambara and Śvetāmbara traditions have had historical differences ranging from their dress code, their temples and iconography, attitude towards female monastics, their legends, and the texts they consider as important. Digambaras maintain that women cannot attain nirvana. However, Śvetāmbaras differ and maintain that women as well as eunuchs can attain nirvana, having more inclusivity.

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👉 Digambara in the context of Bharata Chakravarti

In Jainism, Bharata was the first chakravartin (lit. 'holder of a chakra', i.e., emperor) of the Avasarpini (present half-time cycle). He was the eldest son of Rishabhanatha, the first tirthankara. The ancient name of India was named Bhāratavarsha or Bhārat or Bharata-bhumi after him. He had two sons from his chief-empress Subhadra, named Arkakirti and Marichi. He is said to have conquered all six parts of the world and to have engaged in a fight with Bahubali, his brother, to conquer the last remaining city of the world.

According to the Digambara sub-tradition of Jainism, in his later years, he renounced the world, led an ascetic life, and attained kevala jnana (omniscience). According to the Śvetāmbara Jains, he attained kevala jnana (omniscience) after which he renounced the world. He gained kevala jnana when he came to believe that the human body lacked beauty and renounced the world as a kevalajnani (omniscient), and then attained moksha.

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Digambara in the context of Jain monasticism

Jain monasticism refers to the order of monks and nuns in the Jain community and can be divided into two major denominations: the Digambara and the Śvētāmbara. The monastic practices of the two major sects vary greatly, but the major principles of both are identical. Five mahāvratas (Great Vows), from Mahavira's teachings, are followed by all Jain ascetics of both the sects. Historians believe that a united Jain sangha (community) existed before 367 BCE, about 160 years after the moksha (liberation) of Mahavira. The community then gradually divided into the major denominations. However, no evidence indicate when the schism between the Digambaras and the Śvetāmbaras happened.

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Digambara in the context of Jain literature

Jain literature (Sanskrit: जैन साहित्य) refers to the literature of the Jain religion. It is a vast and ancient literary tradition, which was initially transmitted orally. The oldest surviving material is contained in the canonical Jain Agamas, which are written in Ardhamagadhi, a Prakrit (Middle-Indo Aryan) language. Various commentaries were written on these canonical texts by later Jain monks. Later works were also written in other languages, like Sanskrit and Maharashtri Prakrit.

Jain literature is primarily divided between the canons of the Digambara and Śvētāmbara orders. These two main sects of Jainism do not always agree on which texts should be considered authoritative.

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Digambara in the context of Jain schools and branches

Jainism is an Indian religion which is traditionally believed to be propagated by twenty-four spiritual teachers known as tirthankara. Broadly, Jainism is divided into two major schools of thought, Digambara and Śvetāmbara. These are further divided into different sub-sects and traditions. While there are differences in practices, the core philosophy and main principles of each sect is the same.

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Digambara in the context of Kundakunda

Kundakunda is the name given to the author or authors of sixteen influential Digambara texts, including Niyamasāra ("The Essence of the Restraint"), Pañcāstikāyasāra ("The Essence of the Five Existents"), Samayasāra ("The Essence of the Self"), and Pravacanasāra ("The Essence of the Teaching"). These attributions are questioned, and "only parts of some works are likely to have been written by him," showing "clear signs of interpolations" and multiple authorship.

While dates for "Kundakunda" range from scholarly datings in the 8th c. CE to traditional datings in the 2nd–3rd c. CE, texts attributed to him may reflect multiple authorship, containing layers dating from 350–400 (Pañcâstikāya-sangraha) and 550–600 CE (Samaya-sāra) up to 950–1150 CE. The Kundakunda-core texts were anonymous compilations for several centuries, and it is not until Jayasena's (ca. 1150–1200) commentary on the Pañcâstikāya that an author is explicitly mentioned and a Kundakunda-narrative is created.

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Digambara in the context of Śvetāmbara

The Śvetāmbara (/ʃwɛˈtʌmbərə/; also spelled Shwetambara, Shvetambara, Svetambara or Swetambara) is one of the two main branches of Jainism, the other being the Digambara. Śvetāmbara in Sanskrit means "white-clad", and refers to its ascetics' practice of wearing white clothes, which sets it apart from the Digambara or "sky-clad" Jains whose ascetic practitioners go nude. Śvetāmbaras do not believe that ascetics must practice nudity.

The Śvetāmbara and Digambara traditions have had historical differences ranging from their dress code, their temples and iconography, attitude towards Jain nuns, their legends and the texts they consider as important. Śvetāmbara Jain communities are currently found mainly in Gujarat, Rajasthan and coastal regions of Maharashtra. According to Jeffery D. Long, a scholar of Hindu and Jain studies, about four-fifths of all Jains in India are Śvetāmbaras.

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Digambara in the context of Khajuraho Group of Monuments

The Khajuraho Group of Monuments are a group of Hindu and Digambara Jain temples in Chhatarpur district, Madhya Pradesh, India. They are about 46 km (28.6mi) from Chhatarpur city, the district headquarter, 283 km (177mi) from Gwalior, 175 kilometres (109 mi) southeast of Jhansi, 10 kilometres (6.2 mi) from Khajwa and 9 kilometres (5.6 mi) from Rajnagar. The temples are famous for their Nagara-style architectural symbolism and a few erotic sculptures.

Most Khajuraho temples were built between 885 CE and 1000 CE by the Chandela dynasty. Historical records note that the Khajuraho temple site had 85 temples by the 12th century, spread over 20 square kilometres (7.7 sq mi). Of these, only about 25 temples have survived, spread over six square kilometres (2.3 sq mi). Of the surviving temples, the Kandariya Mahadeva Temple is decorated with a profusion of sculptures with intricate details, symbolism, and expressiveness of ancient Indian art. The temple complex was forgotten and overgrown by the jungle until 1838 when Captain T.S. Burt, a British engineer, visited the complex and reported his findings in the Journal of the Asiatic Society of Bengal.

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Digambara in the context of Ācārāṅga Sūtra

The Ācārāṅga Sūtra, the foremost and oldest Jain text (First book c. 5th–4th century BCE; Second book c. Late 4th–2nd century BCE), (3rd c. BCE) is the first of the twelve Angas, part of the agamas which were compiled based on the teachings of 24th Tirthankara Mahavira.

The existing text of the Ācārāṅga Sūtra which is used by the Śvetāmbara sect of Jainism was recompiled and edited by Acharya Devardhigani Kshamashraman, who headed the council held at Valabhi c. 454 CE. The Digambaras do not recognize the available text, and regard the original text as having been lost in its original form. The Digambara text, Mulachara is said to be derived from the original Ācārāṅga Sūtra and discusses the conduct of a Digambara monk.

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