Dido and Aeneas in the context of "Henry Purcell"

Play Trivia Questions online!

or

Skip to study material about Dido and Aeneas in the context of "Henry Purcell"

Ad spacer

⭐ Core Definition: Dido and Aeneas

Dido and Aeneas (Z. 626) is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell with a libretto by Nahum Tate. The dates of the composition and first performance of the opera are uncertain. It was composed no later than July 1688, and had been performed at Josias Priest's girls' school in London by the end of 1689. Some scholars argue for a date of composition as early as 1683. The story is based on Book IV of Virgil's Aeneid. It recounts the love of Dido, Queen of Carthage, for the Trojan hero Aeneas, and her despair when he abandons her. A monumental work in Baroque opera, Dido and Aeneas is remembered as one of Purcell's foremost theatrical works. It was also Purcell's only true opera, as well as his only all-sung dramatic work. One of the earliest known English operas, it owes much to John Blow's Venus and Adonis, both in structure and in overall effect.

The influence of Cavalli's opera Didone is also apparent. Both works use the prologue/three acts format and there are similarities between, for instance, Mercury's solo in Didone and the solo "Come away fellow sailors" in Purcell's work.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

šŸ‘‰ Dido and Aeneas in the context of Henry Purcell

Henry Purcell (/ˈpɜːrsəl/, rare: /pərˈsɛl/; c. 10 September 1659 – 21 November 1695) was an English composer and organist of the middle Baroque era. He composed more than 100 songs, a tragic opera Dido and Aeneas, and wrote incidental music to a version of Shakespeare's A Midsummer Night's Dream called The Fairy Queen.

Purcell's musical style was uniquely English, although it incorporated Italian and French elements. Purcell is generally considered to be one of the greatest English composers.

↓ Explore More Topics
In this Dossier

Dido and Aeneas in the context of Gamut (music)

Diatonic and chromatic are terms in music theory that are used to characterize scales. The terms are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony. They are very often used as a pair, especially when applied to contrasting features of the common practice music of the period 1600–1900.

These terms may mean different things in different contexts. Very often, diatonic refers to musical elements derived from the modes and transpositions of the "white note scale" C–D–E–F–G–A–B. In some usages it includes all forms of heptatonic scale that are in common use in Western music (the major, and all forms of the minor).

↑ Return to Menu

Dido and Aeneas in the context of Figured bass

Figured bass is musical notation in which numerals and symbols appear above or below (or next to) a bass note. The numerals and symbols (often accidentals) indicate intervals, chords, and non-chord tones that a musician playing piano, harpsichord, organ, or lute (or other instruments capable of playing chords) should play in relation to the bass note. Figured bass is closely associated with basso continuo: a historically improvised accompaniment used in almost all genres of music in the Baroque period of Classical music (c. 1600–1750), though rarely in modern music. Figured bass is also known as thoroughbass.

Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis; chord letters, sometimes used in modern musicology; the Nashville Number System; and various chord names and symbols used in jazz and popular music (e.g., C Major or simply C; D minor, Dm, or Dāˆ’; G, etc.).

↑ Return to Menu

Dido and Aeneas in the context of Dido's Lament

Dido's Lament ("When I am laid in earth") is the closing aria from the opera Dido and Aeneas by Henry Purcell to a libretto by Nahum Tate.

It is included in many classical music textbooks to illustrate the descending chromatic fourth (passus duriusculus) in the ground bass. The conductor Leopold Stokowski wrote a transcription of the piece for symphony orchestra. This is played annually in London by the massed bands of the Guards Division at the Cenotaph remembrance parade in Whitehall on Remembrance Sunday, the Sunday nearest to 11 November (Armistice Day).

↑ Return to Menu