Dhritrashtra in the context of "Kauravas"

Kaurava is a Sanskrit term which refers to descendant of Kuru, a legendary king of India who is the ancestor of many of the characters of the epic Mahabharata. Usually, the term is used for the 100 sons of King Dhritarashtra and his wife Gandhari. Duryodhana, Dushasana, Vikarna and Chitrasena are the most popular among the brothers. They also had a sister named Dussala and a half-brother named Yuyutsu.

Dushala (Sanskrit: दुश्शला, romanized: Duśśalā), sometimes spelled as Duhshala, was the princess of Hastinapura, and the only daughter of King Dhritarashtra and Queen Gandhari in the Hindu epic Mahabharata. She was born after the birth of her Kaurava brothers and her paternal half-sibling, Yuyutsu. She is married to Jayadratha, the king of Sindhu. She had a son named Suratha. She was very beautiful like her mother. Being the only princess of the most mighty Empire, she was very much loved by all the members of the royal family, particularly her elder brother, Duryodhana.

The Mahabharata is one of the two major Sanskrit epics of ancient India composed by Veda Vyasa. At its heart lies the epic struggle between the Pandavas and the Kauravas. The central characters include the five Pandava brothers—Yudhishthira, Bhima, Arjuna, Nakula, and Sahadeva—along with their wife Draupadi. On the opposing side, the hundred Kaurava brothers are led by the elder brother, Duryodhana. However, the Mahabharata is richly populated with other notable figures including Krishna, Bhishma, Drona, Karna, Kunti, Dushasana, Kripa, Dhritrashtra, Gandhari, Shakuni, Ashwatthama, Balarama, Subhadra, Vyasa, Abhimanyu, Pandu, Satyavati and Amba.

The Mahabharata manuscripts exist in numerous versions, wherein the specifics and details of major characters and episodes vary, often significantly. Except for the sections containing the Bhagavad Gita which is remarkably consistent between the numerous manuscripts, the rest of the epic exists in many versions. The differences between the Northern and Southern recensions are particularly significant, with the Southern manuscripts more profuse and longer. The manuscripts found in the North and South India have "great divergence" in details, though the thematic essence is similar. Scholars have attempted to construct a critical edition, relying mostly on a study of the Bombay edition, the Poona edition, the Calcutta edition and the south Indian editions of the Mahabharata manuscripts. The most accepted version is one prepared by scholars led by Vishnu Sukthankar at the Bhandarkar Oriental Research Institute, preserved at the Kyoto University, the Cambridge University and various Indian universities.