Pergamon Altar

⭐ In the context of the Pergamon Altar, the extensive relief sculptures adorning its structure primarily depict what thematic content?

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⭐ Core Definition: Pergamon Altar

The Pergamon Altar (Ancient Greek: Βωμός τῆς Περγάμου) was a monumental construction built during the reign of the Ancient Greek King Eumenes II of the Pergamon Empire in the first half of the 2nd century BC on one of the terraces of the acropolis of Pergamon in Asia Minor (modern-day Turkey). It was described as one of the Seven Wonders of the Ancient World by three known classical lists.

The structure was 35.74 metres (117 ft 3 in) wide and 33.4 metres (109 ft 7 in) deep; the front stairway alone was almost 20 metres (66 ft) wide. The base was decorated with a frieze in high relief showing the battle between the Giants and the Olympian gods known as the Gigantomachy. There was a second, smaller and less well-preserved high relief frieze on the inner court walls which surrounded the actual fire altar on the upper level of the structure at the top of the stairs. In a set of consecutive scenes, it depicts events from the life of Telephus, legendary founder of the city of Pergamon and son of the hero Heracles and Auge, one of Tegean king Aleus's daughters.

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Pergamon Altar in the context of Art in Ancient Greece

Ancient Greek art is the visual and applied arts, as well as the architecture, produced by the Hellenes or Greek peoples from the start of the Iron Age to the Hellenistic period, ending with Roman conquest of Greece at the Battle of Corinth in 146 BCE. It stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.

Greek architecture, technically very simple, established a harmonious style with numerous detailed conventions that were largely adopted by Roman architecture and are still followed in some modern buildings. It used a vocabulary of ornament that was shared with pottery, metalwork and other media, and had an enormous influence on Eurasian art, especially after Buddhism carried it beyond the expanded Greek world created by Alexander the Great. The social context of Greek art included radical political developments and a great increase in prosperity; the equally impressive Greek achievements in philosophy, literature and other fields are well known.

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Pergamon Altar in the context of Pergamon

Pergamon or Pergamum (/ˈpɜːrɡəmən/ or /ˈpɜːrɡəmɒn/; Ancient Greek: Πέργαμον), also referred to by its modern Greek form Pergamos (Πέργαμος), was a rich and powerful ancient Greek city in Aeolis. It is located 26 kilometres (16 mi) from the modern coastline of the Aegean Sea on a promontory on the north side of the river Caicus (modern-day Bakırçay) and northwest of the modern city of Bergama, Turkey.

During the Hellenistic period, it became the capital of the Kingdom of Pergamon in 281–133 BC under the Attalid dynasty, who transformed it into one of the major cultural centres of the Greek world. The remains of many of its monuments are still visible today, most notably the masterpiece of the Pergamon Altar. Pergamon was the northernmost of the seven churches of Asia cited in the New Testament Book of Revelation.

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Pergamon Altar in the context of Antikensammlung Berlin

The Antikensammlung Berlin (Berlin antiquities collection) is one of the most important collections of classical art in the world, now held in the Altes Museum and Pergamon Museum in Berlin, Germany. It contains thousands of ancient archaeological artefacts from the ancient Greek, Roman, Etruscan and Cypriot civilizations. Its main attraction is the Pergamon Altar and Greek and Roman architectural elements from Priene, Magnesia, Baalbek and Falerii. In addition, the collection includes a large number of ancient sculptures, vases, terracottas, bronzes, sarcophagi, engraved gems and metalwork.

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Pergamon Altar in the context of Pergamon Museum

The Pergamon Museum (German: Pergamonmuseum; pronounced [ˈpɛʁ.ɡa.mɔn.muˌzeː.ʊm] ) is a listed building on the Museum Island in the historic centre of Berlin, Germany. It was built from 1910 to 1930 by order of Emperor Wilhelm II and according to plans by Alfred Messel and Ludwig Hoffmann in Stripped Classicism style. As part of the Museum Island complex, the Pergamon Museum was added to the UNESCO World Heritage List in 1999 because of its architecture and testimony to the evolution of museums as architectural and social phenomena.

Prior to its closing in 2023, the Pergamon Museum was home to the Antikensammlung, including the famous Pergamon Altar, the Vorderasiatisches Museum and the Museum für Islamische Kunst.

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Pergamon Altar in the context of Actaeus (mythology)

Actaeus (/ækˈtəs/; Ancient Greek: Ἀκταῖος Ἀktaῖos means "coast-man") was the name of three individuals appearing in Greek mythology:

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Pergamon Altar in the context of Carl Humann

Carl Humann (first name also Karl; 4 January 1839 – 12 April 1896) was a German engineer, architect and archaeologist. He found, excavated and stole the Pergamon Altar.

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