Demons in the context of "Spirit (supernatural entity)"

In Christianity, the Great Commission is the instruction of the resurrected Jesus Christ to his disciples to spread the gospel to all the nations of the world. The Great Commission is outlined in Matthew 28:16–20, where on a mountain in Galilee Jesus calls on his followers to make disciples of and baptize all nations in the name of the Father, the Son, and the Holy Spirit.

The Great Commission is similar to the episodes of the commissioning of the Twelve Apostles found in the other Synoptic Gospels, though with significant differences. Luke also has Jesus during his ministry dispatching disciples, including the seventy disciples, sending them to all the nations and giving them power over demons. The dispersion of the Apostles in the traditional ending of Mark is thought to be a 2nd-century summary based on Matthew and Luke.

Al-Masih ad-Dajjal (Arabic: الْمَسِيحُ الدَّجَّالُ, romanized: Al-Masih ad-Dajjal, lit. 'the deceitful Messiah'), otherwise referred to simply as the Dajjal, is an antagonistic figure in Islamic apocalyptism who will pretend to be the promised Messiah and later claim to be God, appearing before the Day of Judgment according to the Islamic eschatological narrative.The Dajjal is not mentioned in the Quran, but he is mentioned and described in the Hadith. Corresponding to the Antichrist in Christianity, the Dajjal is said to emerge out in the East, although the specific location varies among the various sources.

The Dajjal will imitate the miracles performed by Jesus, such as healing the sick and raising the dead, the latter done with the aid of demons. He will deceive many people, such as weavers, magicians, and children of fornication.

Goetia (goh-Eh-tee-ah, English: goety) is a type of European sorcery, often referred to as witchcraft, that has been transmitted through grimoires—books containing instructions for performing magical practices. The term "goetia" finds its origins in the Greek word goēs, which originally denoted diviners, magicians, healers, and seers. Initially, it held a connotation of low magic, implying fraudulent or deceptive mageia as opposed to theurgy, which was regarded as divine magic. Grimoires, also known as "books of spells" or "spellbooks", serve as instructional manuals for various magical endeavors. They cover crafting magical objects, casting spells, performing divination, and summoning supernatural entities, such as angels, spirits, deities, and demons. Although the term "grimoire" originates from Europe, similar magical texts have been found in diverse cultures across the world.

The history of grimoires can be traced back to ancient Mesopotamia, where magical incantations were inscribed on cuneiform clay tablets. Ancient Egyptians also employed magical practices, including incantations inscribed on amulets. The magical system of ancient Egypt, deified in the form of the god Heka, underwent changes after the Macedonian invasion led by Alexander the Great. The rise of the Coptic writing system and the Library of Alexandria further influenced the development of magical texts, which evolved from simple charms to encompass various aspects of life, including financial success and fulfillment. Legendary figures like Hermes Trismegistus emerged, associated with writing and magic, contributing to the creation of magical books.

The Book of Enoch (also 1 Enoch;Hebrew: סֵפֶר חֲנוֹךְ, Sēfer Ḥănōḵ; Ge'ez: መጽሐፈ ሄኖክ, Maṣḥafa Hēnok) is an ancient Jewish apocalyptic religious text, ascribed by tradition to the patriarch Enoch who was the father of Methuselah and the great-grandfather of Noah. The Book of Enoch contains unique material on the origins of demons and Nephilim, why some angels fell from heaven, an explanation of why the Genesis flood was morally necessary, and a prophetic exposition of the thousand-year reign of the Messiah. Three books are traditionally attributed to Enoch, including the distinct works 2 Enoch and 3 Enoch.

1 Enoch is not considered to be canonical scripture by most Jewish or Christian church bodies, although it is part of the biblical canon used by the Ethiopian Jewish community Beta Israel, as well as the Ethiopian Orthodox Tewahedo Church and Eritrean Orthodox Tewahedo Church.

Ninurta (Sumerian: 𒀭𒊩𒌆𒅁: NIN.URTA, possible meaning "Lord [of] Barley"), also known as Ninĝirsu (Sumerian: 𒀭𒊩𒌆𒄈𒋢: NIN.ĜIR₂.SU, meaning "Lord [of] Girsu"), is an ancient Mesopotamian god associated with farming, healing, hunting, law, scribes, and war who was first worshipped in early Sumer. In the earliest records, he is a god of agriculture and healing, who cures humans of sicknesses and releases them from the power of demons. In later times, as Mesopotamia grew more militarized, he became a warrior deity, though he retained many of his earlier agricultural attributes. He was regarded as the son of the chief god Enlil and his main cult center in Sumer was the Eshumesha temple in Nippur. Ninĝirsu was honored by King Gudea of Lagash (ruled 2144–2124 BC), who rebuilt Ninĝirsu's temple in Lagash. Later, Ninurta became beloved by the Assyrians as a formidable warrior. The Assyrian king Ashurnasirpal II (ruled 883–859 BC) built a massive temple for him at Kalhu, which became his most important cult center from then on.

In the epic poem Lugal-e, Ninurta slays the demon Asag using his talking mace Sharur and uses stones to build the Tigris and Euphrates rivers to make them useful for irrigation. In a poem sometimes referred to as the "Sumerian Georgica", Ninurta provides agricultural advice to farmers. In an Akkadian myth, he was the champion of the gods against the Anzû bird after it stole the Tablet of Destinies from his father Enlil and, in a myth that is alluded to in many works but never fully preserved, he killed a group of warriors known as the "Slain Heroes". His major symbols were a perched bird and a plow.

Supernatural horror film is a film genre that combines aspects of supernatural film and horror film. Supernatural occurrences in such films often include ghosts and demons, and many supernatural horror films have elements of religion. Common themes in the genre are the afterlife, the devil, and demonic possession. Not all supernatural horror films focus on religion, and they can have "more vivid and gruesome violence".