Delphic Hymns in the context of "Prosodion"

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⭐ Core Definition: Delphic Hymns

The Delphic Hymns are two musical compositions from Ancient Greece, which survive in substantial fragments. They were long regarded as being dated c. 138 BC and 128 BC, respectively, but recent scholarship has shown it likely they were both written for performance at the Athenian Pythaids in 128 BC. If indeed it dates from ten years before the second, the First Delphic Hymn is the earliest unambiguous surviving example of notated music from anywhere in the Western world whose composer is known by name. Inscriptions indicate that the First Delphic Hymn was written by Athenaeus, son of Athenaeus, while Limenius is credited as the Second Delphic Hymn's composer.

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👉 Delphic Hymns in the context of Prosodion

Prosodion (Greek: προσόδιον) in ancient Greece was a processional song to the altar of a deity, mainly Apollo or Artemis, sung ritually before the Paean hymn. It is one of the earliest musical types used by the Greeks. The prosodion was accompanied by the aulos, whereas the associated paean (performed while standing) was accompanied by the kithara. Prosodia were composed by Alcman, Pindar, Simonides of Ceos, Bacchylides, Eumelus of Corinth, and Limenius (whose prosodion follows its paean, rather than preceding it), as well the various winners in art competitions (Mouseia). The etymology of the word is related to ὁδός hodos road and not with ᾠδή ôidê song. According to Soterichus, the music of the prosodia by Alcman, Pindar, Simonides, and Bacchylides was written in the Dorian tonos "because of its grandeur and dignity". The only complete surviving prosodion (part of the Second Delphic Hymn by Limenius), however, is composed in the Lydian tonos.

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Delphic Hymns in the context of Limenius

Limenius (Ancient Greek: Λιμήνιος; fl. 2nd century BC) was an Athenian composer of paeans and prosodia. As creator of the Second Delphic Hymn in 128 BC, he is the earliest known composer in recorded history for a surviving piece of music, or one of the two earliest, or the second-earliest, depending first on whether one accepts the proposition of Bélis, that the composer of the First Delphic Hymn is named Athenaeus and, second, whether that hymn was composed in the same year as the Second Hymn, or ten years earlier. Limenius was a performer on the kithara and, as a professional musician performing in the Pythaïs (the liturgical embassy to the cult centre of Pythian Apollo at Delphi), he was required to belong to one of the guilds of the Artists of Dionysus.

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