Deianira in the context of "Eurymede"

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⭐ Core Definition: Deianira

Deianira, Deïanira, or Deianeira (/ˌdəˈnrə/ DEE-ə-NY-rə; Ancient Greek: Δηϊάνειρα, romanizedDēiáneira, or Δῃάνειρα, Dēáneira, IPA: [dɛːiáneːra]), also known as Dejanira, is a Calydonian princess in Greek mythology whose name translates as "man-destroyer" or "destroyer of her husband". She was the wife of Heracles and, in late Classical accounts, his unwitting murderer, killing him with the poisoned Shirt of Nessus. She is the main character in Sophocles' play Women of Trachis.

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Deianira in the context of Heracles

Heracles (/ˈhɛrəklz/ Ancient Greek: Ἡρακλῆς, lit.'glory/fame of Hera'), born Alcaeus (Ἀλκαῖος, Alkaios) or Alcides (Ἀλκείδης, Alkeidēs), was a divine hero in Greek mythology, the son of Zeus and Alcmene, and the foster son of Amphitryon. He was a descendant of Perseus, another son of Zeus.

He was the greatest of the Greek heroes, the ancestor of royal clans known as Heracleidae (Ἡρακλεῖδαι), and a champion of the Olympian order against chthonic monsters. In Rome and the modern West, he is known as Hercules, with whom the later Roman emperors, in particular Commodus and Maximian, often identified themselves. Details of his cult were adapted to Rome as well.

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Deianira in the context of Heracleidae

The Heracleidae (/hɛrəˈkld/; Ancient Greek: Ἡρακλεῖδαι) or Heraclids /ˈhɛrəklɪdz/ were the numerous descendants of Heracles, especially applied in a narrower sense to the descendants of Hyllus, the eldest of his four sons by Deianira (Hyllus was also sometimes thought of as Heracles' son by Melite). Other Heracleidae included Macaria, Lamos, Manto, Bianor, Tlepolemus, and Telephus. These Heraclids were a group of Dorian kings who conquered the Peloponnesian kingdoms of Mycenae, Sparta and Argos; according to the literary tradition in Greek mythology, they claimed a right to rule through their ancestor. Since Karl Otfried Müller's Die Dorier (1830, English translation 1839), I. ch. 3, their rise to dominance has been associated with a "Dorian invasion". Though details of genealogy differ from one ancient author to another, the cultural significance of the mythic theme, that the descendants of Heracles, exiled after his death, returned some generations later to reclaim land that their ancestors had held in Mycenaean Greece, was to assert the primal legitimacy of a traditional ruling clan that traced its origin, thus its legitimacy, to Heracles.

In the historical period, several dynasties claimed descent from Heracles, such as the Agiads and Eurypontids of Sparta, or the Temenids of Macedonia. In modern times, the same lineage has been claimed by the House of Burgundy and the kings of Castile.

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Deianira in the context of Hyllus

In Greek mythology, Hyllus (/ˈhɪləs/; Ancient Greek: Ὕλλος, Hyllos) or Hyllas (Ὕλλᾱς, Hyllas) was a son of Heracles and Deianira and the husband of Iole.

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Deianira in the context of Nessus (centaur)

In Greek mythology, Nessus (Ancient Greek: Νέσσος, romanizedNessos) was a famous centaur who was killed by Heracles, and whose poisoned blood in turn killed Heracles. He was the son of Centauros. He fought in the battle with the Lapiths and became a ferryman on the river Euenos.

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Deianira in the context of Northern Mannerism

Northern Mannerism is the form of Mannerism found in the visual arts north of the Alps in the 16th and early 17th centuries. Styles largely derived from Italian Mannerism were found in the Netherlands and elsewhere from around the mid-century, especially Mannerist ornament in architecture; this article concentrates on those times and places where Northern Mannerism generated its most original and distinctive work.

The three main centres of the style were in France, especially in the period 1530–1550, in Prague from 1576, and in the Netherlands from the 1580s—the first two phases very much led by royal patronage. In the last 15 years of the century, the style, by then becoming outdated in Italy, was widespread across northern Europe, spread in large part through prints. In painting, it tended to recede rapidly in the new century, under the new influence of Caravaggio and the early Baroque, but in architecture and the decorative arts, its influence was more sustained.

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Deianira in the context of Periphas

Periphas (/ˈpɛrɪfəs/; Ancient Greek: Περίφᾱς Períphās means 'conspicuousness') in Greek mythology may refer to:

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Deianira in the context of Astydameia

In Greek mythology, Astydamea or Astydamia (/əˌstɪdəˈmə/; Ancient Greek: Ἀστυδάμεια Astudámeia, derived from ἄστυ ástu, "town", and δαμάω damáo, "to tame") is a name attributed to several individuals:

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Deianira in the context of Gorge (mythology)

In Greek mythology, Gorge (Ancient Greek: Γόργη, comes from the adjective gorgos, "terrible" or "horrible") may refer to:

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