Degenerate art in the context of "Arno Breker"

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👉 Degenerate art in the context of Arno Breker

Arno Breker (19 July 1900 – 13 February 1991) was a German sculptor who is best known for his public works in Nazi Germany, where he was endorsed by the authorities as the antithesis of degenerate art. He was made official state sculptor and exempted from military service. One of his better known statues is Die Partei, representing the spirit of the Nazi Party, which flanked one side of the carriage entrance to Albert Speer's new Reich Chancellery.

After the fall of Nazi Germany in 1945 Breker continued to thrive professionally as a sculptor in the new West Germany.

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Degenerate art in the context of Ernst Ludwig Kirchner

Ernst Ludwig Kirchner (6 May 1880 – 15 June 1938) was a German expressionist painter and printmaker. He was one of the founders of the artists group Die Brücke or "The Bridge", a key group leading to the foundation of Expressionism in 20th-century art. Kirchner volunteered for army service in the First World War, but soon suffered a breakdown and was discharged. His work was branded as "degenerate" by the Nazis in 1933, and in 1937 more than 600 of his works were sold or destroyed.

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Degenerate art in the context of Alfred Rosenberg

Alfred Ernst Rosenberg (12 January [O.S. 31 December 1892] 1893 – 16 October 1946) was a Baltic German Nazi theorist, theologian, ideologue and convicted war criminal. Rosenberg was first introduced to Adolf Hitler by Dietrich Eckart, and he held several important posts in the Nazi government. He was the head of the NSDAP Office of Foreign Affairs during the entire rule of Nazi Germany (1933–1945), and led Amt Rosenberg ("Rosenberg's bureau"), an official Nazi body for cultural policy and surveillance, between 1934 and 1945. During World War II, Rosenberg was the head of the Reich Ministry for the Occupied Eastern Territories (1941–1945). He helped direct the mass murder of the Slavs. After the war, he was convicted of crimes against peace; planning, initiating and waging wars of aggression; war crimes; and crimes against humanity at the Nuremberg trials in 1946. He was sentenced to death by hanging and executed on 16 October 1946.

The author of a seminal work of Nazi ideology, The Myth of the Twentieth Century (1930), Rosenberg is considered one of the main authors of key Nazi ideological creeds, including its racial theory and its hatred of the Jewish people, the need for Lebensraum, abrogation of the Treaty of Versailles, and opposition to what was considered "degenerate" modern art. He was also known for his hatred and rejection of what he regarded as "negative" Christianity; however, he played an important role in the development of German nationalist Positive Christianity, which rejected the Old Testament.

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Degenerate art in the context of First International Dada Fair

The First International Dada Fair took place in Berlin at the gallery of Dr. Burchard, from 30 June to 25 August 1920. It was to become the most famous of all Berlin Dada's exploits. It featured almost 200 works by artists including Hans Arp, Max Ernst, Hannah Höch, Francis Picabia, and Rudolf Schlichter, as well as key works by George Grosz, John Heartfield, and Raoul Hausmann. The work Tatlin at Home, 1920, can be clearly seen in one of the publicity photos taken by a professional photographer; the exhibition, whilst financially unsuccessful, gained prominent exposure in Amsterdam, Milan, Rome, and Boston. The exhibition also proved to be one of the main influences on the content and layout of Entartete Kunst, the show of degenerate art put on by the Nazis in 1937, with key slogans such as "Nehmen Sie DADA Ernst" and "Take Dada Seriously!" appearing in both exhibitions.

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