Deconstructivist in the context of "Cathedral of Our Lady of the Angels"

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⭐ Core Definition: Deconstructivist

Deconstructivism is a postmodern architectural movement which appeared in the 1980s. It gives the impression of the fragmentation of the constructed building, commonly characterised by an absence of obvious harmony, continuity, or symmetry. Its name is a portmanteau of Constructivism and "Deconstruction", a form of semiotic analysis developed by the French philosopher Jacques Derrida. Architects whose work is often described as deconstructivist (though in many cases the architects themselves reject the label) include Zaha Hadid, Peter Eisenman, Frank Gehry, Rem Koolhaas, Daniel Libeskind, Bernard Tschumi, and Coop Himmelb(l)au.

The term does not inherently refer to the style's deconstructed visuals as the English adjective suggests, but instead derives from the movement's foundations in contrast to the Russian Constructivist movement during the First World War that "broke the rules" of classical architecture through the French language.

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👉 Deconstructivist in the context of Cathedral of Our Lady of the Angels

The Cathedral of Our Lady of the Angels (Spanish: Catedral de Nuestra Señora de los Ángeles), informally known as the COLA or the Los Angeles Cathedral (Spanish: Catedral de Los Ángeles), is the metropolitan cathedral of the Roman Catholic Church in Los Angeles, California in the United States. It serves as the mother church for the Archdiocese of Los Angeles, as well as the seat of Archbishop José Horacio Gómez.

The structure replaced the Cathedral of Saint Vibiana, which was severely damaged in the 1994 Northridge earthquake. Under Cardinal Roger Mahony, archbishop of Los Angeles, Our Lady of the Angels was begun in 1998 and dedicated on September 2, 2002. There was considerable controversy over both its deconstructivist and modern design, costs incurred in its construction and furnishing, and the archdiocese's decision to build a crypt under the cathedral.

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