Death of a Salesman in the context of "Pulitzer Prize for Drama"

Eugene Gladstone O'Neill (October 16, 1888 – November 27, 1953) was an American playwright. His poetically titled plays were among the first to introduce into the U.S. the drama techniques of realism, earlier associated with Chekhov, Ibsen, and Strindberg. The tragedy Long Day's Journey into Night is often included on lists of the finest American plays in the 20th century, alongside Tennessee Williams's A Streetcar Named Desire and Arthur Miller's Death of a Salesman. He was awarded the 1936 Nobel Prize in Literature. O'Neill is also the only playwright to win four Pulitzer Prizes for Drama.

O'Neill's plays were among the first to include speeches in American English vernacular and involve characters on the fringes of society. They struggle to maintain their hopes and aspirations, ultimately sliding into disillusion and despair. Of his very few comedies, only one is well known (Ah, Wilderness!). Nearly all of his other plays involve some degree of tragedy and personal pessimism.

A motif (/moʊˈtiːf/ moh-TEEF) is any distinctive feature or idea that recurs across a story; often, it helps develop other narrative elements such as theme or mood.

A narrative motif can be created through the use of imagery, structural components, language, and other elements throughout literature. The flute in Arthur Miller's play Death of a Salesman is a recurrent sound motif that conveys rural and idyllic notions. Another example from modern American literature is the green light found in the novel The Great Gatsby by F. Scott Fitzgerald.

Thomas Lanier Williams III (March 26, 1911 – February 25, 1983), known by his pen name Tennessee Williams, was an American playwright and screenwriter. Along with contemporaries Eugene O'Neill and Arthur Miller, he is considered among the three foremost playwrights of 20th-century American drama.

At age 33, after years of obscurity, Williams suddenly became famous with the success of The Glass Menagerie (1944) in New York City. It was the first of a string of successes, including A Streetcar Named Desire (1947), Cat on a Hot Tin Roof (1955), Sweet Bird of Youth (1959), and The Night of the Iguana (1961). With his later work, Williams attempted a new style that did not appeal as widely to audiences. His drama A Streetcar Named Desire is often numbered on short lists of the finest American plays of the 20th century alongside Eugene O'Neill's Long Day's Journey into Night and Arthur Miller's Death of a Salesman.

Arthur Asher Miller (October 17, 1915 – February 10, 2005) was an American actor and writer of plays in the 20th-century American theater. Among his most popular plays are All My Sons (1947), Death of a Salesman (1949), The Crucible (1953), and A View from the Bridge (1955). He wrote several screenplays, including The Misfits (1961). The drama Death of a Salesman is considered one of the best American plays of the 20th century.

Miller was often in the public eye, particularly during the late 1940s, 1950s and early 1960s. During this time, he received a Pulitzer Prize for Drama, testified before the House Un-American Activities Committee, and married Marilyn Monroe. In 1980, he received the St. Louis Literary Award from the Saint Louis University Library Associates. He received the Praemium Imperiale prize in 2001, the Prince of Asturias Award in 2002, and the Jerusalem Prize in 2003, and the Dorothy and Lillian Gish Prize in 1999.

John Gavin Malkovich (born December 9, 1953) is an American actor. He is the recipient of several accolades, including a Primetime Emmy Award, in addition to nominations for two Academy Awards, a BAFTA Award, two Screen Actors Guild Awards, and three Golden Globe Awards.

Malkovich started his career as a charter member of the Steppenwolf Theatre Company in Chicago in 1976. He moved to New York City, acting in a Steppenwolf production of the Sam Shepard play True West (1980). He made his Broadway debut as Biff in the revival of the Arthur Miller play Death of a Salesman (1984). He directed the Harold Pinter play The Caretaker (1986), and acted in Lanford Wilson's Burn This (1987).

William "Willy" Loman is a fictional character and the protagonist of Arthur Miller's play Death of a Salesman, which debuted on Broadway with Lee J. Cobb playing Loman at the Morosco Theatre on February 10, 1949. Loman is a 63-year-old travelling salesman from Brooklyn with 34 years of experience with the same company who endures a pay cut and a firing during the play. He has difficulty dealing with his current state and has created a fantasy world to cope with his situation. This does not keep him from multiple suicide attempts.

He is the central character in a play that has won the Tony Award for Best Broadway Production four times. People playing the role have earned many significant accolades for acting including Golden Globe Award, Olivier Award, Tony Award, Primetime Emmy Award, Screen Actors Guild Award, and Drama Desk Awards and many award nominations.

Death of a Salesman is a 1951 American tragedy film adapted from the 1949 play of the same name by Arthur Miller. It was directed by László Benedek and written for the screen by Stanley Roberts. The film received many honors, including four Golden Globe Awards, the Volpi Cup and five Oscar nominations. Alex North, who wrote the music for the Broadway production, was one of the five Academy Award nominees for the film's musical score.

The Tony Award for Best Featured Actor in a Play is an honor presented at the Tony Awards, a ceremony established in 1947 as the Antoinette Perry Awards for Excellence in Theatre, to actors for quality supporting roles in a Broadway play. Honors in several categories are presented at the ceremony annually by the Tony Award Productions, a joint venture of The Broadway League and the American Theatre Wing, to "honor the best performances and stage productions of the previous year."

The award was originally called the Tony Award for Actor, Supporting or Featured (Dramatic). It was first presented to Arthur Kennedy at the 3rd Tony Awards for his portrayal of Biff Loman in Arthur Miller's Death of a Salesman. Before 1956, nominees' names were not made public; the change was made by the awards committee to "have a greater impact on theatregoers".