Death in Venice in the context of "Thomas Mann"

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⭐ Core Definition: Death in Venice

Death in Venice (German: Der Tod in Venedig) is a novella by German author Thomas Mann, published in 1912. It presents an ennobled writer who visits Venice, finding the experience liberating and uplifting, then increasingly becomes obsessed by the sight of a boy in a family of Polish tourists—Tadzio, a nickname for Tadeusz. Tadzio was likely based on a boy named Władzio whom Mann had observed during his 1911 visit to the city.

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👉 Death in Venice in the context of Thomas Mann

Paul Thomas Mann (UK: /ˈmæn/ MAN, US: /ˈmɑːn/ MAHN; German: [ˈtoːmas ˈman] ; 6 June 1875 – 12 August 1955) was a German novelist, short story writer, social critic, philanthropist, essayist, and the 1929 Nobel Prize in Literature laureate. His highly symbolic and ironic epic novels and novellas are noted for their insight into the psychology of the artist and the intellectual. His analysis and critique of the European and German soul used modernized versions of German and Biblical stories, as well as the ideas of Johann Wolfgang von Goethe, Friedrich Nietzsche, and Arthur Schopenhauer.

Mann was a member of the hanseatic Mann family and portrayed his family and class in his first novel, Buddenbrooks (1901). Late major novels include The Magic Mountain (1924), the tetralogy Joseph and His Brothers (1933–1943), and Doctor Faustus (1947); he also wrote short stories and novellas, including Death in Venice (1912).

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