David Zaslav in the context of "DC Universe (franchise)"

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👉 David Zaslav in the context of DC Universe (franchise)

The DC Universe (DCU) is an American media franchise and shared universe based on characters from DC Comics publications. It was created by James Gunn and Peter Safran, co-chairmen and co-CEOs of DC Studios. The DCU is a soft reboot of a previous franchise, the DC Extended Universe (DCEU), retaining select cast members and narrative elements but disregarding others. In contrast to the previous state of DC Comics adaptations, the DCU features a unified continuity and story across live-action films and television, animation, and video games. Concurrent DC adaptations that do not fit this continuity are labeled "DC Elseworlds".

After Discovery, Inc. and WarnerMedia merged to become Warner Bros. Discovery (WBD), CEO David Zaslav revealed a plan to revitalize the DC brand following the poor reception of the DCEU. Gunn and Safran were hired to lead the newly formed DC Studios in November 2022 after working on several DCEU projects, including the film The Suicide Squad (2021) and its spin-off series Peacemaker (2022–2025). The pair spent several months with a group of writers developing the overarching story for a new DC continuity that features a mix of popular and obscure DC characters. Some DCEU projects in development were abandoned in favor of new takes, while others—including Peacemaker—continued within the new franchise. Certain DCEU actors reprise their roles in the DCU, with others recast. Gunn and Safran wanted to focus on storytelling needs rather than forcing creators to complete their projects to meet specific release dates.

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David Zaslav in the context of Discovery Channel

Discovery Channel, known as The Discovery Channel from 1985 to 1995, and often referred to as simply Discovery, is an American cable channel that is best known for airing ongoing reality and educational shows. It is owned by Warner Bros. Discovery, a publicly traded company run by CEO David Zaslav.

It initially provided documentary television programming focused primarily on popular science, nature, technology, and history, but by the 2010s it had become increasingly dominated by programs that focused on conspiracy theories or promoted pseudoscience.

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