Dark comedy in the context of Emmanuel Lubezki


Dark comedy in the context of Emmanuel Lubezki

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⭐ Core Definition: Dark comedy

Dark humor, also known as dark comedy, black comedy, black humor, bleak comedy, gallows humor or morbid humor, is a style of comedy that makes light of subject matter that is generally considered taboo, particularly subjects that are normally considered serious or painful to discuss, aiming to provoke discomfort, serious thought, and amusement for their audience.

Dark humor differs from blue comedy—which focuses more on topics such as nudity, sex, and body fluids—and from obscenity. Additionally, whereas the term dark humor is a relatively broad term covering humor relating to many serious subjects, gallows humor tends to be used more specifically in relation to death, or situations that are reminiscent of dying. Dark humor can occasionally be related to the grotesque genre. Literary critics have associated black comedy and black humor with authors as early as the ancient Greeks with Aristophanes.

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👉 Dark comedy in the context of Emmanuel Lubezki

Emmanuel Lubezki Morgenstern (Spanish pronunciation: [emaˈnwel luˈβeski]; born November 30, 1964) is a Mexican cinematographer. Lubezki is known for uses of natural lighting and continuous uninterrupted shots in cinematography, often utilizing a Steadicam, a 3-axis gimbal, or hand-held camera. He is also known for his frequent collaborations with Terrence Malick, Alfonso Cuarón, and Alejandro González Iñárritu.

He has received numerous accolades including three consecutive wins for the Academy Award for Best Cinematography for the science fiction thriller Gravity (2013), the dark comedy Birdman (2014), and the epic western The Revenant (2015). He was Oscar-nominated for his work on A Little Princess (1995), Sleepy Hollow (1999), The New World (2005), Children of Men (2006), and The Tree of Life (2011).

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Dark comedy in the context of Birdman (film)

Birdman, stylized as BİRDMAN or (The Unexpected Virtue of Ignorance), is a 2014 American satirical surrealist black comedy-drama film directed by Alejandro González Iñárritu. The film stars Michael Keaton as a washed-up Hollywood actor, best known for playing a superhero named Birdman, and follows the struggles he faces while trying to make a comeback by writing, directing, and starring in a Broadway adaptation of Raymond Carver's short story "What We Talk About When We Talk About Love". The film's supporting cast includes Zach Galifianakis, Edward Norton, Andrea Riseborough, Amy Ryan, Emma Stone, and Naomi Watts.

With a brief exception, Birdman is presented as though it was filmed in one continuous take, an idea Iñárritu had from the film's conception. Cinematographer Emmanuel Lubezki believed that the recording time necessary for the long take approach could not have been made with older technology. The film was shot in New York City during the spring of 2013 with a budget of $16.5 million, jointly financed by Fox Searchlight Pictures, Regency Enterprises, and Worldview Entertainment. It premiered at the 71st Venice International Film Festival in 2014.

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Dark comedy in the context of The Good Soldier Švejk

The Good Soldier Švejk (pronounced [ˈʃvɛjk]) is an unfinished satirical, dark comedy novel by Czech writer Jaroslav Hašek, published in 1921–1923, about a good-humored, simple-minded, middle-aged man who appears to be enthusiastic to serve Austria-Hungary in World War I.

The Good Soldier Švejk is the abbreviated title; the original Czech title of the work is Osudy dobrého vojáka Švejka za světové války (The Fateful Adventures of the Good Soldier Švejk During the World War). The book is the most translated novel of Czech literature, having been translated into over 50 languages.
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Dark comedy in the context of The Ambassadors (novel)

The Ambassadors is a 1903 novel by Henry James, originally published as a serial in the North American Review. The novel is a dark comedy which follows the trip of protagonist Lewis Lambert Strether to Paris, France to bring Chad Newsome, the son of his widowed fiancée, Mrs Newsome, back to the family business. The novel is written in the third-person, from Strether's point of view.

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Dark comedy in the context of The Master and Margarita

The Master and Margarita (Russian: Мастер и Маргарита) is a novel by Mikhail Bulgakov, written in the Soviet Union between 1928 and 1940. A censored version, with several chapters cut by editors, was published posthumously in Moscow magazine in 1966–1967 by his widow Elena Bulgakova. The manuscript was not published as a book until 1967, in Paris. A samizdat version circulated that included parts cut out by official censors, and these were incorporated in a 1969 version published in Frankfurt. The novel has since been published in several languages and editions.

The story concerns a visit by the devil and his entourage to the officially atheist Soviet Union. The devil, manifested as one Professor Woland, challenges the Soviet citizens' beliefs towards religion and condemns their behavior throughout the book. The Master and Margarita combines supernatural elements with satirical dark comedy and Christian philosophy, defying categorization within a single genre. Many critics consider it to be one of the best novels of the 20th century, as well as the foremost of Soviet satires.

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