Dafne (Opitz-Schütz) in the context of "Opera in German"

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👉 Dafne (Opitz-Schütz) in the context of Opera in German

Opera in German is that of the German-speaking countries, which include Germany, Austria, and the historic German states that pre-date those countries.

German-language opera appeared remarkably quickly after the birth of opera itself in Italy. The first Italian opera was Jacopo Peri's Dafne of 1598. In 1627, Heinrich Schütz provided the music for a German translation of the same libretto. Yet during much of the 17th and 18th centuries German-language opera would struggle to emerge from the shadow of its Italian-language rival, with leading composers from German-speaking parts of Europe, such as Handel and Gluck, opting to work in foreign traditions such as opera seria.

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Dafne (Opitz-Schütz) in the context of Heinrich Schütz

Heinrich Schütz (German: [ʃʏt͡s]; 18 October [O.S. 8 October] 1585 – 6 November 1672) was a German early Baroque composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach and one of the most important composers of the 17th century. He is credited with bringing the Italian style to Germany and continuing its evolution from the Renaissance into the early Baroque. Most of his surviving music was written for the Lutheran church, primarily for the Electoral Chapel in Dresden. He wrote what is traditionally considered the first German opera, Dafne, performed at Torgau in 1627, the music of which has since been lost, along with nearly all of his ceremonial and theatrical scores. Schütz was a prolific composer, with more than 500 surviving works.

He is commemorated as a musician in the Calendar of Saints of some North American Lutheran churches on 28 July with Johann Sebastian Bach and George Frideric Handel.

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