Cumbia in the context of "Dance and music of Latin America"

The music of Latin America refers to music originating from Latin America, namely the Spanish and Portuguese-speaking regions of the Americas south of the United States. Latin American music also incorporates its African influences into the music of Latin America, while maintaining the identity of indigenous music of Latin America. Due to its highly syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as cumbia, bachata, bossa nova, merengue, rumba, salsa, samba, son, candombe and tango. During the 20th century, many styles were influenced by the music of the United States giving rise to genres such as Latin pop, rock, jazz, hip hop, and reggaeton.

Geographically, it usually refers to the Spanish and Portuguese-speaking regions of Latin America, but sometimes includes Francophone countries and territories of the Caribbean and South America as well. It also encompasses Latin American styles that have originated in the United States such as, New Mexico music, Tejano, various forms of country-Western, as well as Chicano rock, Nuyorican rap, and Chicano rap. The origins of Latin American music can be traced back to West Africa, Central Africa, Indigenous, and the Spanish and Portuguese conquest of the Americas in the 16th century, when the European settlers brought their music from overseas. Latin American music is performed in Spanish and Portuguese.

Bongos (Spanish: bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. The pair consists of the larger hembra (lit. 'female') and the smaller macho (lit. 'male'), which are joined by a wooden bridge. They are played with both hands and usually held between the legs, although in some cases, as in classical music, they may be played with sticks or mounted on stands.

Bongos are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. In these groups, the bongo player is known as bongosero and often plays a continuous eight-stroke pattern called martillo (lit. 'hammer') as well as more rhythmically free parts, providing improvisatory flourishes and rhythmic counterpoint.

The continent of Africa and its music is vast and highly diverse, with different regions and nations maintaining distinct musical traditions. African music includes genres such as makwaya, highlife, mbube, township music, jùjú, fuji, jaiva, afrobeat, afrofusion, mbalax, Congolese rumba, soukous, ndombolo, makossa, kizomba, and taarab, among others. African music also uses a wide variety of instruments from across the continent. The music and dance traditions of the African diaspora, shaped to varying degrees by African musical traditions, include American genres such as Dixieland jazz, blues, and jazz, as well as Caribbean styles such as calypso (see kaiso), and soca. Latin American music genres including cumbia, salsa, son cubano, rumba, conga, bomba, samba, and zouk developed from the music of enslaved Africans and have, in turn, influenced contemporary African popular music.

Like the music of Asia, India, and the Middle East, African music is highly rhythmic. Its complex rhythmic patterns often involve one rhythm played against another to create a polyrhythm. A common example is the three-against-two rhythm, comparable to a triplet played against straight notes. Sub-Saharan African music traditions frequently rely on a wide array of percussion instruments, including xylophones, djembes, drums, and tone-producing instruments such as the mbira or "thumb piano".