Culture of Greece in the context of "Western art history"

Classical Greece was a period of around 200 years (the 5th and 4th centuries BC) in Ancient Greece, marked by much of the eastern Aegean and northern regions of Greek culture (such as Ionia and Macedonia) gaining increased autonomy from the Persian Empire; the peak flourishing of democratic Athens; the First and Second Peloponnesian Wars; the Spartan and then Theban hegemonies; and the expansion of Macedonia under Philip II. Much of the early defining mathematics, science, artistic thought (architecture, sculpture), theatre, literature, philosophy, and politics of Western civilization derives from this period of Greek history, which had a powerful influence on the later Roman Empire. Part of the broader era of classical antiquity, the classical Greek era ended after Philip II's unification of most of the Greek world against the common enemy of the Persian Empire, which was conquered within 13 years during the wars of Alexander the Great, Philip's son.

In the context of the art, architecture, and culture of ancient Greece, the Classical period corresponds to most of the 5th and 4th centuries BC (the most common dates being the fall of the last Athenian tyrant in 510 BC to the death of Alexander the Great in 323 BC). The Classical period in this sense follows the Greek Dark Ages and Archaic period and is in turn succeeded by the Hellenistic period.

The Ptolemaic dynasty (/ˌtɒlɪˈmeɪ.ɪk/; Ancient Greek: Πτολεμαῖοι, Ptolemaioi), also known as the Lagid dynasty (Λαγίδαι, Lagidai; after Ptolemy I's father, Lagus), was a Macedonian Greek royal house which ruled the Ptolemaic Kingdom in Ancient Egypt during the Hellenistic period. Reigning for 275 years, the Ptolemaic was the longest and last dynasty of ancient Egypt from 305 BC until its incorporation into the Roman Republic in 30 BC.

Ptolemy, a general and one of the somatophylakes (bodyguard companions) of Alexander the Great, was appointed satrap of Egypt after Alexander's death in 323 BC. In 305 BC he declared himself Pharaoh Ptolemy I, later known as Sōter "Saviour". The Egyptians soon accepted the Ptolemies as the successors to the pharaohs of independent Egypt. The new dynasty showed respect to local traditions and adopted the Egyptian titles and iconography, while also preserving their own Greek language and culture. The Ptolemaic period was marked by the intense interactions and blending of the Greek and Egyptian cultures. Under the Ptolemies, Hellenistic religion was largely shaped by religious syncretism and imperial cult. Elements of Greek education became widespread in urban spaces, culminating in the foundation of the Mouseion (including the Library of Alexandria) and the Serapeum. During the Hellenistic period, the city of Alexandria, founded by Alexander the Great, would gradually surpass Athens as the intellectual centre of the Mediterranean world.

The Ministry of Culture (Greek: Υπουργείο Πολιτισμού) is the government department of Greece entrusted with preserving the country's cultural heritage and promoting the arts. The incumbent minister is Lina Mendoni, and the deputy minister is Iason Fotilas [el].

The Parthian Empire (/ˈpɑːrθiən/), also known as the Arsacid Empire (/ˈɑːrsəsɪd/), was a major Iranian political and cultural power centered in ancient Iran from 247 BC to 224 AD. Its latter name comes from its founder, Arsaces I, who led the Parni tribe in conquering the region of Parthia in Iran's northeast, then a satrapy (province) under Andragoras, who was rebelling against the Seleucid Empire. Mithridates I (r. c. 171 – 132 BC) greatly expanded the empire by seizing Media and Mesopotamia from the Seleucids. At its height, the Parthian Empire stretched from the northern reaches of the Euphrates, in what is now central-eastern Turkey, to present-day Afghanistan and western Pakistan. The empire, located on the Silk Road trade route between the Roman Empire in the Mediterranean Basin and the Han dynasty of China, became a center of trade and commerce.

The Parthians largely adopted the art, architecture, religious beliefs, and regalia of their culturally heterogeneous empire, which encompassed Persian, Hellenistic, and regional cultures. For about the first half of its existence, the Arsacid court adopted elements of Greek culture, though it eventually saw a gradual revival of Iranian traditions. The Arsacid rulers were titled "King of Kings", claiming inheritance of the Achaemenid Empire; indeed, they accepted many local kings as vassals, although the Achaemenids would have had centrally appointed, albeit largely autonomous, satraps. The court did appoint a small number of satraps, largely outside Iran, but these satrapies were smaller and less powerful than the Achaemenid potentates. With the expansion of Arsacid power, the seat of central government shifted from Nisa to Ctesiphon along the Tigris (south of Baghdad), although several other sites also served as capitals.

The Decapolis (Greek: Δεκάπολις, Dekápolis, 'Ten Cities') was a group of ten Greek Hellenistic cities on the eastern frontier of the Greek and late Roman Empire in the Southern Levant in the first centuries BC and AD. Most of the cities were located to the east of the Jordan Rift Valley, between Judaea, Iturea, Nabataea, and Syria.

The Decapolis was a center of Hellenistic culture in a region which was otherwise populated by Jews, Arab Nabataeans and Arameans. The cities formed a group because of their language, culture, religion, location, and political status, with each functioning as an autonomous city-state dependent on Rome. They are sometimes described as a league of cities, although some scholars believe that they were never formally organized as a political unit.

A sphinx (/sfɪŋks/ SFINKS; Ancient Greek: σφίγξ, pronounced [spʰíŋks]; pl. sphinxes or sphinges /ˈsfɪndʒiːz/) is a mythical creature with the head of a human, the body of a lion, and the wings of an eagle.

In Greek tradition, the sphinx is a treacherous and merciless being with the head of a woman, the haunches of a lion, and the wings of a bird. According to Greek myth, she challenges those who encounter her to answer a riddle, and kills and eats them when they fail to solve the riddle. This deadly version of a sphinx appears in the myth and drama of Oedipus.