Cultural critic in the context of "Nietzsche"

⭐ In the context of Nietzsche, cultural criticism is best understood as a significant component of his work that flourished primarily after what major life event?

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⭐ Core Definition: Cultural critic

A cultural critic is a critic of a given culture, usually as a whole. Cultural criticism has significant overlap with social and cultural theory. While such criticism is simply part of the self-consciousness of the culture, the social positions of the critics and the medium they use vary widely. The conceptual and political grounding of criticism also changes over time.

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Cultural critic in the context of Friedrich Nietzsche

Friedrich Wilhelm Nietzsche (15 October 1844 – 25 August 1900) was a German philosopher. He began his career as a classical philologist, turning to philosophy early in his academic career. In 1869, aged 24, Nietzsche became the youngest professor to hold the Chair of Classical Philology at the University of Basel. Plagued by health problems for most of his life, he resigned from the university in 1879, and in the following decade he completed much of his core writing. In 1889, aged 44, he suffered a collapse and thereafter a complete loss of his mental faculties, with paralysis and vascular dementia, living his remaining 11 years under the care of his family until his death. His works and his philosophy have fostered not only extensive scholarship but also much popular interest.

Nietzsche's work encompasses philosophical polemics, poetry, cultural criticism and fiction, while displaying a fondness for aphorisms and irony. Prominent elements of his philosophy include his radical critique of truth in favour of perspectivism; a genealogical critique of religion and Christian morality and a related theory of master–slave morality; the aesthetic affirmation of life in response to both the "death of God" and the profound crisis of nihilism; the notion of Apollonian and Dionysian forces; and a characterisation of the human subject as the expression of competing wills, collectively understood as the will to power. He also developed influential concepts such as the Übermensch and his doctrine of eternal return. In his later work he became increasingly preoccupied with the creative powers of the individual to overcome cultural and moral mores in pursuit of new values and aesthetic health. His body of work touched a wide range of topics, including art, philology, history, music, religion, tragedy, culture and science, and drew inspiration from Hebrew literature, Indian literature and Greek tragedy, as well as figures such as Zoroaster, Arthur Schopenhauer, Ralph Waldo Emerson, Richard Wagner, Fyodor Dostoevsky and Johann Wolfgang von Goethe.

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Cultural critic in the context of Walter Benjamin

Walter Bendix Schönflies Benjamin (/ˈbɛnjəmɪn/ BEN-yə-min; German: [ˈvaltɐ ˈbɛnjamiːn] ; 15 July 1892 – 26 September 1940) was a German-Jewish philosopher, cultural critic, media theorist, and essayist. An eclectic thinker who combined elements of German idealism, Jewish mysticism, Western Marxism, and post-Kantianism, he made contributions to the philosophy of history, metaphysics, historical materialism, criticism, aesthetics and had an oblique but overwhelmingly influential impact on the resurrection of the Kabbalah by virtue of his life-long epistolary relationship with Gershom Scholem.

In popular culture and left journalism he often appears as an exemplar whose experience is representative of the tragedy of German-Jewish intellectuals under the Third Reich.

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Cultural critic in the context of Social theory

Social theories are analytical frameworks, or paradigms, that are used to study and interpret social phenomena. A tool used by social scientists, social theories relate to historical debates over the validity and reliability of different methodologies (e.g. positivism and antipositivism), the primacy of either structure or agency, as well as the relationship between contingency and necessity. Social theory in an informal nature, or authorship based outside of academic social and political science, may be referred to as "social criticism" or "social commentary", or "cultural criticism" and may be associated both with formal cultural and literary scholarship, as well as other non-academic or journalistic forms of writing.

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Cultural critic in the context of Raymond Tallis

Raymond C. Tallis (born 10 October 1946) is a philosopher, poet, novelist, cultural critic and a retired medical physician and clinical neuroscientist. Specialising in geriatrics, Tallis served on several UK commissions on medical care of the aged and was an editor or major contributor to two key textbooks in the field, The Clinical Neurology of Old Age and Textbook of Geriatric Medicine and Gerontology.

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Cultural critic in the context of H. L. Mencken

Henry Louis Mencken (September 12, 1880 – January 29, 1956) was an American journalist, essayist, satirist, cultural critic, and scholar of American English. He commented widely on the social scene, literature, music, prominent politicians, and contemporary movements. His satirical reporting on the Scopes Trial, which he dubbed the "Monkey Trial", also earned him attention. The term Menckenian has entered multiple dictionaries to describe anything of or pertaining to Mencken, including his combative rhetorical and prose styles.

As a scholar, Mencken is known for The American Language, a multi-volume study of how the English language is spoken in the United States. As an admirer of the German philosopher Friedrich Nietzsche, he was an outspoken opponent of organized religion, theism, censorship, populism, Prohibition, and representative democracy, the last of which he viewed as a system in which inferior men dominated their superiors. Mencken was a supporter of scientific progress and was critical of osteopathy and chiropractic. He was also an open critic of economics.

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Cultural critic in the context of Umberto Eco

Umberto Eco OMRI (5 January 1932 – 19 February 2016) was an Italian medievalist, philosopher, semiotician, novelist, cultural critic, and political and social commentator. In English, he is best known for his popular 1980 novel The Name of the Rose, a historical mystery combining semiotics in fiction with biblical analysis, medieval studies and literary theory, as well as Foucault's Pendulum, his 1988 novel which touches on similar themes.

Eco wrote prolifically throughout his life, with his output including children's books, translations from French and English, in addition to a twice-monthly newspaper column "La Bustina di Minerva" (Minerva's Matchbook) in the magazine L'Espresso beginning in 1985, with his last column (a critical appraisal of the Romantic paintings of Francesco Hayez) appearing 27 January 2016. At the time of his death, he was an Emeritus professor at the University of Bologna, where he taught for much of his life. In the 21st century, he has continued to gain recognition for his 1995 essay "Ur-Fascism", where Eco lists fourteen general properties he believes comprise fascist ideologies.

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Cultural critic in the context of Theodor Haecker

Theodor Haecker (4 June 1879 – 9 April 1945) was a German writer, translator and cultural critic.

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