Crossover (music) in the context of "Michael Jackson music videos"

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👉 Crossover (music) in the context of Michael Jackson music videos

American singer Michael Jackson (1958–2009) debuted on the professional music scene at age five as a member of the American family music group The Jackson 5 and began a solo career in 1971 while still part of the group. Jackson promoted seven of his solo albums with music videos or, as he would refer to them, "short films". Some of them drew criticism for their violent and sexual elements while others were lauded by critics and awarded Guinness World Records for their length, success, and cost.

In the early 1980s, Jackson became a dominant figure in popular culture and the first African-American entertainer to have a strong crossover fanbase on MTV. The popularity of his music videos that aired on MTV such as "Billie Jean", "Beat It" and "Thriller"—credited for transforming the music video from a promotional tool into an art form—helped bring fame to the relatively new channel. The success of these music videos helped shift MTV's focus from its original "rock 'n' roll only" format to pop and R&B and saved the channel from financial ruin.Michael Jackson's "Thriller" short film marked a growth in scale for music videos and has been named the most successful music video ever by the Guinness World Records.The 18-minute music video for "Bad", directed by Martin Scorsese, depicts Jackson and Wesley Snipes as members of an inner-city gang. Jackson paid cinematic tribute to West Side Story with the choreography. For the "Smooth Criminal" video, Jackson experimented with an anti-gravity lean, in which the performer leans forward at a 45-degree angle, beyond their center of gravity. Although the music video for "Leave Me Alone" was not officially released in the United States, it won a Golden Lion Award in 1989 for the quality of the special effects used in its production and a Grammy Award for Best Music Video, Short Form in 1990. Jackson received the MTV Video Vanguard Award in 1988, which was renamed the Michael Jackson Video Vanguard Award in his honor in 1991. He won the MTV Video Vanguard Artist of the Decade Award in 1990.

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Crossover (music) in the context of Motown

Motown is an American record label owned by the Universal Music Group. Founded by Berry Gordy Jr. as Tamla Records on January 12, 1959, it was incorporated as Motown Record Corporation on April 14, 1960. Its name, a portmanteau of motor and town, has become a nickname for Detroit, which is considered the center of the automotive industry in the United States and where the record label was originally headquartered.

Motown played a vital role in the racial integration of popular music as an African American-owned label that achieved crossover success with white audiences. In the 1960s, Motown and its main subsidiary labels (including Gordy, Soul) were the most prominent exponents of what became known as the Motown sound, a style of soul music with a mainstream pop-influenced sound and appeal. Motown was the most successful soul music label, with a net worth of $61 million in 1988. Between 1960 and 1969, Motown had 79 songs reach the top-ten of the Billboard Hot 100.

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Crossover (music) in the context of Faith Hill

Audrey Faith McGraw (née Perry; born September 21, 1967), known professionally as Faith Hill, is an American country singer and actress. She is one of the most successful country music artists of all time, having sold almost 50 million albums worldwide.

Hill's first two albums, Take Me as I Am (1993) and It Matters to Me (1995), were major successes that placed a combined three number ones on Billboard's country charts, quickly establishing her as one of country music's top acts. Next she achieved immense mainstream and crossover success with two albums, Faith (1998) and Breathe (1999). Faith produced her first international hit, "This Kiss", while her album Breathe became one of the best-selling country albums of all time. The album was led by the huge crossover success of the songs "Breathe" and "The Way You Love Me". Breathe saw massive sales worldwide and earned three Grammy Awards.

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Crossover (music) in the context of Neue Deutsche Härte

Neue Deutsche Härte (German: [ˈnɔʏə ˈdɔʏtʃə ˈhɛʁtə]; lit. "New German Hardness", sometimes abbreviated as NDH), also known as dance-metal, is a crossover style drawing from Neue Deutsche Welle, alternative metal, groove metal, electro-industrial and techno. It developed in Germany and Austria during the early-to-mid 1990s and early 2000s. Alluding to the style of Neue Deutsche Welle, the term was coined by the music press after the 1995 release of Rammstein's first studio album, Herzeleid.

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