Cross-dressing in the context of Gender

The Achilleid (/ˌækɪˈliːɪd/; Latin: Achillēis) is an unfinished epic poem by Publius Papinius Statius that was intended to present the life of Achilles from his youth to his death at Troy. Only about one and a half books (1,127 dactylic hexameters) were completed before the poet's death. What remains is an account of the hero's early life with the centaur Chiron, and an episode in which his mother, Thetis, disguised him as a girl on the island of Scyros, before he joined the Greek expedition against Troy.

Pantomime (/ˈpæntəˌmaɪm/; informally panto) is a type of musical comedy stage production designed for family entertainment, generally combining broad and topical humour and cross-dressing actors with a story more or less based on a well-known fairy tale, fable or folk tale. Pantomime is a participatory form of theatre developed in England in the 18th century in which the audience is encouraged and expected to sing along with certain parts of the music and to shout out phrases to the performers.

The origins of pantomime reach back to ancient Greek classical theatre. It developed partly from the 16th century commedia dell'arte tradition of Italy and partly from other European and British stage traditions, such as 17th-century masques and music hall. An important part of the pantomime, until the late 19th century, was the harlequinade. Modern pantomime is performed throughout the United Kingdom, Ireland and (to a lesser extent) in other English-speaking countries, especially during the Christmas and New Year season, and includes songs, gags, slapstick comedy and dancing.

The title archimandrite (/ˌɑːrkɪˈmændraɪt/; Greek: ἀρχιμανδρίτης, romanized: archimandritēs), used in Eastern Christianity, originally referred to a superior abbot (hegumenos, Greek: ἡγούμενος, present participle of the verb meaning "to lead") whom a bishop appointed to supervise several "ordinary" abbots and monasteries, or as the abbot of some especially great and important monastery, but nowadays it is most often used purely as a title of honor (with no connection to any actual monastery) and is bestowed on a hieromonk as a mark of respect or gratitude for service to the Church.

This title is only given to those priests who have been tonsured monks, while distinguished non-monastic (typically married) priests would be given the title of protopresbyter. In history, some women were able to obtain that title, notably when cross-dressing as male monks, such as Susanna the Deaconess.

Susanna the Deaconess (Ancient Greek: Σωσάννα ἡ διακόνισσα) was a deaconess, cross-dressing saint and martyr who supposedly lived in Palestine in the 4th century.

According to her hagiographies, she chose to devote herself entirely to the Christian faith by cross-dressing as a man and joining a male monastery under the name "John". There, she led a pious life until she was discovered following false accusations of rape within the monastic community. She was later appointed as a deaconess by the bishop of Eleutheropolis. Finally, she would have been martyred under grim circumstances in the early 4th century in this city.

In theater, a breeches role or breeches part (also pants role, pants part, trouser role, trouser part, and Hosenrolle) is a role in which a female actor performs in male clothing. Breeches, tight-fitting knee-length pants, were a standard male garment when these roles were introduced. The theatrical term travesti covers both this sort of cross-dressing and also male actors dressing as female characters. Both are part of the long history of cross-dressing in music and opera and later in film and television.

In opera, a breeches role refers to any male character that is sung and acted by a female singer. Most often the character is an adolescent or a very young man, sung by a mezzo-soprano or contralto. The operatic concept assumes that the character is male, and the audience accepts him as such, even knowing that the actor is not. Cross-dressing female characters (e.g., Leonore in Fidelio or Gilda in Act III of Rigoletto) are not considered breeches roles. The most frequently performed breeches roles are Cherubino (The Marriage of Figaro), Octavian (Der Rosenkavalier), Hansel (Hansel und Gretel) and Orpheus (Orpheus and Euridice), though the latter was originally written for a male singer, first a castrato and later, in the revised French version, an haute-contre.

Drag is a performance of exaggerated femininity, masculinity, or other forms of gender expression, usually for entertainment purposes. Drag usually involves cross-dressing. A drag queen is someone (usually male) who performs femininely and a drag king is someone (usually female) who performs masculinely. Performances often involve comedy, music, social satire, and at times political commentary. The term may be used as a noun as in the expression in drag or as an adjective as in drag show.