Courtyard in the context of "Arcade (architecture)"

A court of honor (French: cour d'honneur [kuʁ dɔnœʁ] ; German: Ehrenhof [ˈeːʁənhoːf]) is the principal and formal approach and forecourt of a large building. It is usually defined by two secondary wings projecting forward from the main central block (corps de logis), sometimes with a fourth side, consisting of a low wing or a railing. The Palace of Versailles (illustration) and Blenheim Palace (plan) both feature such entrance courts.

A farmhouse is a building that serves as the primary quarters in a rural or agricultural setting. Historically, farmhouses were often combined with space for animals called a housebarn. Other farmhouses may be connected to one or more barns, built to form a courtyard, or with each farm building separate from each other.

In ancient Greek and Roman architecture, a peristyle (/ˈpɛrɪˌstaɪl/; Ancient Greek: περίστυλον, romanized: perístulon) is a continuous porch formed by a row of columns (a colonnade) surrounding the perimeter of a building or a courtyard. Tetrastoön (τετράστῳον/τετράστοον, tetrástōion/tetrástoon, 'four arcades') is a rarely used archaic term for this feature. The peristyle in a Greek temple is a peristasis (περίστασις, perístasis). In the Christian ecclesiastical architecture that developed from the Roman basilica, a courtyard peristyle and its garden came to be known as a cloister.

The papal apartments is the non-official designation for the collection of apartments, which are private, state, and religious, that wrap around a courtyard (the Courtyard of Sixtus V, Cortile di Sisto V) on two sides of the third (top) floor of the Apostolic Palace in Vatican City.

Since the 17th century, the papal apartments have been the official residence of the pope in his religious capacity (as supreme pontiff). Prior to 1870, the pope's official residence in his temporal capacity (as sovereign of the Papal States) was the Quirinal Palace, which is now the official residence of the president of the Italian Republic. The papal apartments are referred to in Italian by several terms, including appartamento nobile and appartamento pontificio.

The Ptolemaic Decrees were a series of decrees by synods of ancient Egyptian priests. They were issued in the Ptolemaic Kingdom, which controlled Egypt from 305 BC to 30 BC. In each decree, the benefactions of the reigning pharaoh, especially towards the priesthood, are recognised, and religious honours are decreed for him.

Two decrees were issued under Ptolemy III Euergetes (the Decree of Alexandria and Decree of Canopus), another under Ptolemy IV Philopator (the Raphia Decree), and others under Ptolemy V Epiphanes (the Decree of Memphis and the two Philensis Decrees). Multiple copies of the decrees, inscribed on stone steles, were erected in temple courtyards, as specified in the text of the decrees.

A bailey or ward in a fortification is a leveled courtyard, typically enclosed by a curtain wall. In particular, a medieval type of European castle is known as a motte-and-bailey. Castles and fortifications may have more than one bailey, and the enclosure wall building material may have been at first in wood, and later transitioned to stone. Their layout depends both on the local topography and the level of fortification technology employed, ranging from simple enclosures to elaborate concentric defences. In addition to the gradual evolution of more complex fortification plans, there are also significant differences in regional traditions of military architecture regarding subdivisions into baileys.

Site-specific theatre is a theatrical production that is performed at a unique, specially adapted location other than a standard theatre. This unique site may have been built without any intention of serving theatrical purposes (for example, a hotel, courtyard, or converted building). It may also simply be an unconventional space for theatre (for example, a forest). Site-specific theatre seeks to use the properties of a unique site's landscape, rather than a typical theatre stage, to add depth to a theatrical production. Sites are selected based on their ability to amplify storytelling and form a more vivid backdrop for the actors in a theatrical production. A performance in a traditional theatre venue that has been transformed to resemble a specific space (for example, a junkyard), can also be considered as site-specific, as long as it no longer has the functionality (i.e. seats, stages) that a traditional theatre would have.

Site-specific theatre frequently takes place in structures originally built for non-theatrical reasons that have since been renovated or converted for new, performance-based functions.