Cornucopia in the context of "Religion in ancient Rome"

Religion in ancient Rome consisted of varying imperial and provincial religious practices, which were followed both by the citizens of Rome as well as those who were brought under its rule.

The Romans thought of themselves as highly religious, and attributed their success as a world power to their collective piety (pietas) in maintaining good relations with the gods. Their polytheistic religion is known for having honoured many deities.

In ancient Roman religion, Roma was a female deity who personified the city of Rome and, more broadly, the Roman state. She was created and promoted to represent and propagate certain of Rome's ideas about itself, and to justify its rule. She was portrayed on coins, sculptures, architectural designs, and at official games and festivals. Images of Roma had elements in common with other goddesses, such as Rome's Minerva, her Greek equivalent Athena and various manifestations of Greek Tyche, who protected Greek city-states; among these, Roma stands dominant, over piled weapons that represent her conquests, and promising protection to the obedient. Her "Amazonian" iconography shows her "manly virtue" (virtus) as fierce mother of a warrior race, augmenting rather than replacing local goddesses. On some coinage of the Roman Imperial era, she is shown as a serene advisor, partner and protector of ruling emperors. In Rome, the Emperor Hadrian built and dedicated a gigantic temple to her as Roma Aeterna ("Eternal Rome"), and to Venus Felix ("Venus the Bringer of Good Fortune"), emphasising the sacred, universal and eternal nature of the empire.

Roma's official cult served to advance the propagandist message of Imperial Rome. In Roman art and coinage, she is usually depicted in military form, with helmet and weapons. In Rome's eastern provinces, she was often shown with mural crown or cornucopia, or both. Her image is rarely found in a commonplace or domestic context. Roma was probably favoured by Rome's high-status Imperial representatives abroad, rather than the Roman populace at large. She was depicted on silver cups, arches, and sculptures, including the base of the column of Antoninus Pius. She survived into the Christian period as a personification of the Roman state. Her depiction seated with a shield and spear later influenced that of Britannia, personification of Britain.

In ancient Roman religion and mythology, Tellus or Terra ("Mother Earth") is the personification of the Earth. Although Tellus and Terra are hardly distinguishable during the Imperial era, Tellus was the name of the original earth goddess in the religious practices of the Republic or earlier. The scholar Varro (1st century BC) lists Tellus as one of the di selecti, the twenty principal gods of Rome, and one of the twelve agricultural deities. She is regularly associated with Ceres in rituals pertaining to the earth and agricultural fertility.

The attributes of Tellus were the cornucopia, bunches of flowers, or fruit. She was typically depicted reclining, or rising, waist high from a hole in the ground. Her male complement was a sky god such as Caelus (Uranus) or a form of Jupiter. Her Greek counterpart is Gaia, and among the Etruscans, her name was Cel. Michael Lipka has argued that the Terra Mater who appeared during the reign of Augustus, is a direct transfer of the Greek Ge Mater into Roman religious practice, while Tellus, whose ancient temple was within Rome's sacred boundary (pomerium), represents the original earth goddess cultivated by the state priests.

In ancient Roman religion, Concordia (means "concord" or "harmony" in Latin) is the goddess who embodies agreement in marriage and society. Her Greek equivalent is usually regarded as Harmonia, with musical harmony a metaphor for an ideal of social concord or entente in the political discourse of the Republican era. She was thus often associated with Pax ("Peace") in representing a stable society. As such, she is more closely related to the Greek concept of homonoia (likemindedness), which was also represented by a goddess.

Concordia Augusta was cultivated in the context of Imperial cult. Dedicatory inscriptions to her, on behalf of emperors and members of the imperial family, were common.

Italia turrita (pronounced [iˈtaːlja turˈriːta]; lit. 'Turreted Italy') is the national personification or allegory of Italy, in the appearance of a young woman with her head surrounded by a mural crown completed by towers (hence turrita or "with towers" in Italian). It is often accompanied by the Stella d'Italia ('Star of Italy'), which is the oldest national symbol of Italy, since it dates back to the Graeco-Roman tradition, from which the so-called Italia turrita e stellata ('turreted and starry Italy'), and by other additional attributes, the most common of which is the cornucopia. The allegorical representation with the towers, which draws its origins from ancient Rome, is typical of Italian civic heraldry, so much so that the mural crown is also the symbol of the cities of Italy.

Italia turrita, which is one of the national symbols of Italy, has been widely depicted for centuries in the fields of art, politics and literature. Its most classic aspect, which derives from the primordial myth of the Great Mediterranean Mother and which was definitively specified at the turn of the 16th and 17th centuries by Cesare Ripa, wants to symbolically convey the royalty and nobility of Italian cities (thanks to the presence of crown turrita), the abundance of agricultural crops of the Italian peninsula (represented by the cornucopia) and the shining destiny of Italy (symbolized by the Stella d'Italia).

Eirene (/aɪˈriːniː/; Ancient Greek: Εἰρήνη, Eirḗnē, [ei̯ˈrɛːnɛː], lit. "Peace"), more commonly known in English as Peace, is one of the Horae, the personification and goddess of peace in Greek mythology and ancient religion. She was depicted in art as a beautiful young woman carrying a cornucopia, sceptre, and a torch or rhyton. She is usually said to be the daughter of Zeus and Themis and thus sister of Dike and Eunomia. Her Roman equivalent is the goddess Pax.