Copper in the context of "Tellurium"

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Copper in the context of Bronze Age

The Bronze Age is an archaeological and anthropological term defining a phase in the development of material culture among ancient societies in Asia, the Near East and Europe. An ancient civilisation is deemed to be part of the Bronze Age if it either produced bronze by smelting its own copper and alloying it with tin, arsenic, or other metals, or traded other items for bronze from producing areas elsewhere. The Bronze Age is the middle principal period of the three-age system, following the Stone Age and preceding the Iron Age. Conceived as a global era, the Bronze Age follows the Neolithic ("New Stone") period, with a transition period between the two known as the Chalcolithic ("copper-Stone") Age. These technical developments took place at different times in different places, and therefore each region's history is framed by a different chronological system.

Bronze Age cultures were the first to develop writing. According to archaeological evidence, cultures in Mesopotamia, which used cuneiform script, and Egypt, which used hieroglyphs, developed the earliest practical writing systems. In the archaeology of the Americas, a five-period system is conventionally used instead, which does not include a Bronze Age, though some cultures there did smelt copper and bronze. No evidence of metalworking has been found on the Australian continent prior to the establishment of European settlements in 1788.

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Copper in the context of 1896 Summer Olympics

The 1896 Summer Olympics, officially known as the Games of the I Olympiad, and commonly known as Athens 1896 (Greek: Αθήνα 1896), were the first international Olympic Games held in modern history. Organised by the International Olympic Committee (IOC), which had been created by French aristocrat Pierre de Coubertin, the event was held in Athens, Greece, from 6 to 15 April 1896.

Fourteen nations (according to the IOC, though the number is subject to interpretation) and 241 athletes (all males; this number is also disputed) took part in the games. Participants were all European or living in Europe, with the exception of the United States team, and over 65% of the competing athletes were Greek. Winners were given a silver medal, while runners-up received a copper medal. Retroactively, the IOC has designated the top three finishers in each event as gold, silver, and bronze medalists. Ten of the 14 participating nations earned medals. On April 6, 1896, American James Connolly became the first Olympic medalist in more than 1,500 years, competing in the triple jump. The United States won the most gold medals, 11, while host nation Greece won the most medals overall, 47. The highlight for the Greeks was the marathon victory by their compatriot Spyridon Louis. The most successful competitor was German wrestler and gymnast Carl Schuhmann, who won four events.

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Copper in the context of Mines of Laurion

The mines of Laurion (or Lavrion) are ancient mines located in southern Attica between Thorikos and Cape Sounion, approximately 50 kilometers south of the center of Athens, in Greece. The mines are best known for producing silver, but they were also a source of copper and lead. A number of remnants of these mines (shafts, galleries, surface workshops) are still present in the region.

The mines were exploited in prehistoric times as a source of copper and galena, a lead ore. In the classical period, mining in the area resumed. The Athenians used large numbers of slaves to mine the area, with the silver produced contributing significantly to the city's wealth. Abandoned in the 1st century BC, the mines were reactivated in 1864 and mined for their lead by French and Greek companies until 1978.

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Copper in the context of Iron Age

The Iron Age (c. 1200 – c. 550 BC) is the final epoch of the three historical Metal Ages, after the Copper Age and Bronze Age. It has also been considered as the final age of the three-age division starting with prehistory (before recorded history) and progressing to protohistory (before written history). In this usage, it is preceded by the Stone Age (subdivided into the Paleolithic, Mesolithic and Neolithic) and Bronze Age. These concepts originated for describing Iron Age Europe and the ancient Near East. In the archaeology of the Americas, a five-period system is conventionally used instead; indigenous cultures there did not develop an iron economy in the pre-Columbian era, though some did work copper and silver. Indigenous metalworking arrived in Australia with European contact. Although meteoric iron has been used for millennia in many regions, the beginning of the Iron Age is defined locally around the world by archaeological convention when the production of smelted iron (especially steel tools and weapons) replaces their bronze equivalents in common use.

In Anatolia and the Caucasus, or Southeast Europe, the Iron Age began c. 1300 BC. In the ancient Near East, this transition occurred simultaneously with the Late Bronze Age collapse, during the 12th century BC. The technology soon spread throughout the Mediterranean basin region and to South Asia between the 12th and 11th centuries BC. Its further spread to Central Asia, Eastern Europe, and Central Europe was somewhat delayed, and Northern Europe was not reached until c. the 5th century BC.

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Copper in the context of Drypoint

Drypoint is a printmaking technique of the intaglio family, in which an image is incised into a plate (or "matrix") with a hard-pointed "needle" of sharp metal or diamond. In principle, the method is practically identical to engraving. The difference is in the use of tools, and that the raised ridge along the furrow is not scraped or filed away as in engraving. Traditionally the plate was copper, but now acetate, zinc, or plexiglas are also commonly used.

Like etching, drypoint is easier to master than engraving for an artist trained in drawing because the technique of using the needle is closer to using a pencil than the engraver's burin. The incision into the plate is also typically much more shallow, so requiring less effort and technical skill in the use of the engraver's burin, but meaning that fewer impressions (copies) of a print can be pulled before wear to the plate becomes apparent. Modern limited editions of drypoint prints (if not steelfaced) very often have fewer than thirty impressions.

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Copper in the context of Antoninianus

The antoninianus or pre-reform radiate was a coin used during the Roman Empire thought to have been valued at 2 denarii. It was initially silver, but was slowly debased to bronze with a minimal silver content. The coin was introduced by Caracalla in early 215 AD. It was silver, similar to the denarius, except that it was slightly larger and featured the emperor wearing a radiate crown, indicating it was a double denomination. Antoniniani depicting women (usually the emperor's wife) featured the bust resting upon a crescent moon.

Even at its introduction, the silver content of the antoninianus was only equal to 1.5 denarii. This created inflation: people rapidly hoarded the denarii (Gresham's law), while both buyers and sellers recognized the new coin had a lower intrinsic value and elevated their prices to compensate. Silver bullion supplies began running short because the Roman Empire was no longer conquering new territory, the Iberian silver mines had been exhausted, and a series of soldier emperors and usurpers needed coin to pay their troops and buy their loyalty. Each new issue of the antoninianus thus had less silver in it than the last, and thus contributed to ever-increasing inflation.

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Copper in the context of As (Roman coin)

The as (pl.: assēs), occasionally assarius (pl.: assarii; Ancient Greek: ἀσσάριον, romanizedassárion), was a bronze, and later copper, coin used during the Roman Republic and Roman Empire.

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