Copper in the context of "Iron Age"

The Bronze Age is an archaeological and anthropological term defining a phase in the development of material culture among ancient societies in Asia, the Near East and Europe. An ancient civilisation is deemed to be part of the Bronze Age if it either produced bronze by smelting its own copper and alloying it with tin, arsenic, or other metals, or traded other items for bronze from producing areas elsewhere. The Bronze Age is the middle principal period of the three-age system, following the Stone Age and preceding the Iron Age. Conceived as a global era, the Bronze Age follows the Neolithic ("New Stone") period, with a transition period between the two known as the Chalcolithic ("copper-Stone") Age. These technical developments took place at different times in different places, and therefore each region's history is framed by a different chronological system.

Bronze Age cultures were the first to develop writing. According to archaeological evidence, cultures in Mesopotamia, which used cuneiform script, and Egypt, which used hieroglyphs, developed the earliest practical writing systems. In the archaeology of the Americas, a five-period system is conventionally used instead, which does not include a Bronze Age, though some cultures there did smelt copper and bronze. No evidence of metalworking has been found on the Australian continent prior to the establishment of European settlements in 1788.

The 1896 Summer Olympics, officially known as the Games of the I Olympiad, and commonly known as Athens 1896 (Greek: Αθήνα 1896), were the first international Olympic Games held in modern history. Organised by the International Olympic Committee (IOC), which had been created by French aristocrat Pierre de Coubertin, the event was held in Athens, Greece, from 6 to 15 April 1896.

Fourteen nations (according to the IOC, though the number is subject to interpretation) and 241 athletes (all males; this number is also disputed) took part in the games. Participants were all European or living in Europe, with the exception of the United States team, and over 65% of the competing athletes were Greek. Winners were given a silver medal, while runners-up received a copper medal. Retroactively, the IOC has designated the top three finishers in each event as gold, silver, and bronze medalists. Ten of the 14 participating nations earned medals. On April 6, 1896, American James Connolly became the first Olympic medalist in more than 1,500 years, competing in the triple jump. The United States won the most gold medals, 11, while host nation Greece won the most medals overall, 47. The highlight for the Greeks was the marathon victory by their compatriot Spyridon Louis. The most successful competitor was German wrestler and gymnast Carl Schuhmann, who won four events.

The mines of Laurion (or Lavrion) are ancient mines located in southern Attica between Thorikos and Cape Sounion, approximately 50 kilometers south of the center of Athens, in Greece. The mines are best known for producing silver, but they were also a source of copper and lead. A number of remnants of these mines (shafts, galleries, surface workshops) are still present in the region.

The mines were exploited in prehistoric times as a source of copper and galena, a lead ore. In the classical period, mining in the area resumed. The Athenians used large numbers of slaves to mine the area, with the silver produced contributing significantly to the city's wealth. Abandoned in the 1st century BC, the mines were reactivated in 1864 and mined for their lead by French and Greek companies until 1978.

Drypoint is a printmaking technique of the intaglio family, in which an image is incised into a plate (or "matrix") with a hard-pointed "needle" of sharp metal or diamond. In principle, the method is practically identical to engraving. The difference is in the use of tools, and that the raised ridge along the furrow is not scraped or filed away as in engraving. Traditionally the plate was copper, but now acetate, zinc, or plexiglas are also commonly used.

Like etching, drypoint is easier to master than engraving for an artist trained in drawing because the technique of using the needle is closer to using a pencil than the engraver's burin. The incision into the plate is also typically much more shallow, so requiring less effort and technical skill in the use of the engraver's burin, but meaning that fewer impressions (copies) of a print can be pulled before wear to the plate becomes apparent. Modern limited editions of drypoint prints (if not steelfaced) very often have fewer than thirty impressions.

The antoninianus or pre-reform radiate was a coin used during the Roman Empire thought to have been valued at 2 denarii. It was initially silver, but was slowly debased to bronze with a minimal silver content. The coin was introduced by Caracalla in early 215 AD. It was silver, similar to the denarius, except that it was slightly larger and featured the emperor wearing a radiate crown, indicating it was a double denomination. Antoniniani depicting women (usually the emperor's wife) featured the bust resting upon a crescent moon.

Even at its introduction, the silver content of the antoninianus was only equal to 1.5 denarii. This created inflation: people rapidly hoarded the denarii (Gresham's law), while both buyers and sellers recognized the new coin had a lower intrinsic value and elevated their prices to compensate. Silver bullion supplies began running short because the Roman Empire was no longer conquering new territory, the Iberian silver mines had been exhausted, and a series of soldier emperors and usurpers needed coin to pay their troops and buy their loyalty. Each new issue of the antoninianus thus had less silver in it than the last, and thus contributed to ever-increasing inflation.

The as (pl.: assēs), occasionally assarius (pl.: assarii; Ancient Greek: ἀσσάριον, romanized: assárion), was a bronze, and later copper, coin used during the Roman Republic and Roman Empire.